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ign

unrealengine5

00:00:00

all right so last year we added several

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new features to the engine to support

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foliage rendering and the fortnite team

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used those features to ship battle

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royale chapter 4. at the same time Jacob

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over there and the team at qixel were

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experimenting with what's possible for

00:00:15

photoreal foliage environments as well

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as testing out the latest functionality

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that we've been building for Unreal

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Engine

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so Jacob's here with us today in the

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unreal editor let's explore the

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environment and what better way to do

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that than off-roading and what better

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way to off-road than an arivian r1t

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now rivian uses unreal to power their

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instrument cluster including 3D

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visualization of their vehicles so we

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worked with them to bring the r1t to

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life in this experience

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let's head on out Jacob sure thing on my

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way all right so we're building tools

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for interactive and dynamic worlds so

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here we have chaos physics simulating

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rocks that tumble as we drive over them

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leaves Bend out of the way and we also

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added some real-time fluid simulation

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we worked with the team at rivien to set

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up unreal's chaos vehicle model to

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simulate the suspension of the truck and

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how the electric motors Drive each

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individual wheel

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chaos also simulates how the tires

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compress and deform and meta sounds

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enabled the team to precisely

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re-synthesize the sounds of the electric

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motors and mix them with the ambisonics

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of the jungle

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so rivien provided us with a highly

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detailed model of the truck about 71

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million polygons that were able to

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render in real time thanks to nanite

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now the rivian not only looks incredibly

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realistic because of lumen and nanite

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but also its materials and today we're

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introducing substrate our new material

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framework

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thank you

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and to better demonstrate it let's swap

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the paint out for opal

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now of course you can't order a rivian

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with opal body panels but opal was the

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internal code name for this project and

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also a really great demonstration of

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substrate's capabilities

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the base layer models the iridescence

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refraction and Reflections that occur

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inside of an opal and on top of that is

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a layer representing the polished

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surface and how light is absorbed as it

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travels through that clear layer of

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varying depth

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and now we can add back on the dust and

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dirt layers

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and notice how the reflection changes

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when interacting with the dust layer and

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that there are no artifacts along the

00:02:41

transition from dirt to dust to opal

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so substrate is more expressive enabling

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artists to create materials like this

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with different shading models and

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compose and layer those materials as

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they see fit

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all right let's uh head on out Jacob on

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my way

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in terms of performance substrate

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materials that are similar to the

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current Unreal Engine shading model cost

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about the same but now artists have the

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freedom to author more complex materials

00:03:08

for extremely detailed use cases like in

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cinematics and in film

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so we're going to drive under this

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fallen tree here and everything that

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you've seen up to this point was

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painstakingly hand built by the

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environment theme at qixel everything

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since that fallen tree has been built

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using our brand new experimental Suite

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of procedural content generation tools

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entirely an engine that are flexible

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deterministic and artist driven our

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guiding principle in building these

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systems was to empower artists to make

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tools for artists

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so Jacob's going to go ahead and add a

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procedural assembly to the world

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and the cool thing is that it

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communicates

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thank you

00:03:52

yeah

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pretty cool

00:03:59

and the cool thing is that it

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communicates with other nearby

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procedural elements in the scene like

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the creek bed so let's say a designer

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comes by wants to direct the player to

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drive to the left Jacob can simply move

00:04:10

the assembly to the right and everything

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updates to accommodate that change

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game design is iterative so let's say

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the designer comes back wants to give

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the player the choice of going left or

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right again Jacob can simply move the

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assembly back over

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now the artist who created this assembly

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also added some additional handles that

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Jacob can use to Art direct where Rock

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slides occur well as in to customize the

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piece a little bit more make it a little

00:04:36

easier for the ravian to drive by

00:04:38

so we started by hand crafting that

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original part of the level to set the

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visuals and art direction for the entire

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piece and then built out procedural

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tools that allowed the team to create a

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much larger play Space much more quickly

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now let's see how we can use these

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procedural tools to make larger sweeping

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changes to the environment

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so Jacob let's start by removing some of

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the trees in this area absolutely that's

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easy enough actually

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all right a little too much let's let's

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add some trees back in okay and let's

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also add in some Cliff formations give

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it a little bit more variability

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so the procedural systems are all

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deterministic as Jacob is experimenting

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with different sets of input parameters

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once he finds a set that he likes he can

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always go back to it and get out exactly

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the same results

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and the procedural systems aren't just

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placing trees and rocks but also fog

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cards bugs birds everything that's

00:05:31

needed to bring this environment to life

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and everything that you've seen here

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works at scale this environment is four

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kilometers by four kilometers

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if we hide all the procedural elements

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we can see that original hand-built area

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about 200 meters by 200 meters

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we believe that there will always be the

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need for hand building environments so

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we design these procedural systems to be

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tools for artists that work in concert

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with hand-built content

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both substrate and the new procedural

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tools will be available in experimental

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form in 5.2 and everything you've seen

00:06:06

here is running in the unreal editor in

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real time on a developer machine with an

00:06:11

Intel 13900k CPU and Nvidia RTX 4090 GPU

00:06:16

so Jacob thanks for being here and

00:06:18

helping us out today thank you very much

00:06:20

Nick for having me it's been a pleasure

Description:

At their State of Unreal presentation in 2023, Epic showcased the new features coming to Unreal 5.2. These new features include Substrate, a new method for handling materials, and new procedural generation tools.

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