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    00:00:01
    [Music]
    00:00:08
    there are different ways to make films
    00:00:09
    that have CG characters what we're
    00:00:11
    interested in with performance capture
    00:00:13
    is the totality of the
    00:00:15
    Performance Physical emotional facial
    00:00:17
    the eyes everything the actor creates
    00:00:20
    the emotion the actor creates the moment
    00:00:21
    it's our job to make sure that
    00:00:23
    everything the actor did is preserved in
    00:00:26
    their CG character you are very hard on
    00:00:28
    them
    00:00:32
    I'm the father it's my job everything
    00:00:34
    that Jake Su as a na'vi does Sam has
    00:00:42
    done I thought we lost
    00:00:49
    [Music]
    00:00:51
    them you can capture the emotion you can
    00:00:54
    capture the subtleties the nuances of
    00:00:57
    the movements you can capture the eye
    00:00:59
    you can capture the ticks everything
    00:01:01
    capture it all I'll be nice once then I
    00:01:07
    won't the moment I saw her for the first
    00:01:09
    time I was just like you're just so
    00:01:11
    beautiful blue has never looked more
    00:01:14
    beautiful this is not a squad it is a
    00:01:17
    family the amazing thing is that the
    00:01:20
    technology gives me that portal to bring
    00:01:22
    my 14-year-old self to play this girl
    00:01:26
    avatar only go
    00:01:28
    around and making a movie set on
    00:01:31
    Pandora Pandora doesn't exist avatars
    00:01:35
    don't exist at 9t tall we have actors
    00:01:38
    working in a volume with markers on
    00:01:40
    their body facial head rigs on their
    00:01:42
    head and we capture 100% of their
    00:01:45
    performance in the digital world at the
    00:01:48
    beginning of the day the first thing we
    00:01:49
    do is get into the performance capture
    00:01:51
    suit and that is a skintight two-piece
    00:01:54
    and it's totally filled with pingpong
    00:01:57
    like fools around us so they and then
    00:02:00
    track my arm and then translate that
    00:02:02
    into the virtual world they have all
    00:02:04
    these little cameras that send these
    00:02:05
    little rays which give an image of you
    00:02:08
    moving around so every little movement
    00:02:09
    is your movement and then we put a head
    00:02:12
    rig on and it's a helmet and it has a
    00:02:15
    camera that's right in front of your
    00:02:17
    face one of the big advances that we've
    00:02:19
    made technologically on the sequels is
    00:02:21
    the facial performance capture we are
    00:02:23
    capturing a much higher Fidelity of
    00:02:26
    performance but I know one thing
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    this family is our
    00:02:36
    [Music]
    00:02:38
    Fortress I've done a lot of green screen
    00:02:40
    I've done a lot of blue screen but never
    00:02:42
    anything of course like this where there
    00:02:43
    really is no screen you're just acting
    00:02:45
    in a space now you must stand with
    00:02:49
    us I've always thought that being in the
    00:02:51
    volume is about playing and Imagination
    00:02:53
    and there is no kind of fear or no shame
    00:02:56
    you can do whatever you need to do to
    00:02:57
    get to that truth saving their Liv
    00:03:00
    that's all that matters I have had to
    00:03:01
    work completely differently than I ever
    00:03:03
    have before and it's been an amazing
    00:03:05
    experience to go back in time why am I
    00:03:10
    [Music]
    00:03:12
    different it is just remarkable to be
    00:03:15
    able to see the movements and the
    00:03:17
    performance go straight into the
    00:03:19
    character and it's like there's Kate and
    00:03:21
    then hey there's Ral so that has been
    00:03:23
    fascinating to me what is this don't a
    00:03:28
    wor what is
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    this I find as a director I'm much more
    00:03:35
    attuned to the actors cuz that's all I
    00:03:37
    have to worry about I'm not distracted
    00:03:39
    by the camera move or the extras in the
    00:03:41
    background I'm just there for them it's
    00:03:43
    all I care about that's all I'm watching
    00:03:45
    it's an amazing process it's also the
    00:03:47
    only way to do it it's the only way to
    00:03:48
    make this film
    00:04:02
    Kitty hey hey
    00:04:08
    Kitty are you
    00:04:10
    okay I was doing that thing again wasn't
    00:04:13
    I yeah you were I remember having lunch
    00:04:17
    with Jim he started to talk about this
    00:04:20
    kind of forest girl who had a special
    00:04:22
    gift of connection with living things
    00:04:25
    and she's going to be about 14 and you
    00:04:27
    and I know how immature you are
    00:04:30
    so I think you can handle this I said
    00:04:33
    Thank you when you see Sigourney play a
    00:04:36
    character a quarter of her actual age
    00:04:38
    flawlessly she steeped herself in the
    00:04:41
    ways of teen girls I'm on but
    00:04:44
    unconsciously she just became younger it
    00:04:46
    was crazy to observe why can't I just be
    00:04:49
    like everyone else oh Kitty I don't
    00:04:52
    think any of us are very far away from
    00:04:54
    our 14-year-old s it's such a strong
    00:04:57
    memory how great it was and how awful it
    00:04:59
    was was and I just sort of fell in love
    00:05:01
    with the character Jim has this amazing
    00:05:03
    ability to write straight into the heart
    00:05:05
    of a character why am I different
    00:05:08
    performance capture gives actors the
    00:05:10
    opportunity to play characters that they
    00:05:12
    could not otherwise play and K's
    00:05:15
    character and Sour's performance are the
    00:05:17
    perfect example of that given by one of
    00:05:20
    the great actresses of our time or SP
    00:05:24
    they took him I have had to work
    00:05:26
    completely differently than I ever have
    00:05:28
    before because you do have to strip away
    00:05:31
    all of that Sigourney Weaver whoever
    00:05:33
    that is and it's been an amazing
    00:05:35
    experience to go back in time and be
    00:05:37
    with that person every day she clicks
    00:05:40
    into the character that she is and it's
    00:05:41
    like talking to a 14-year-old I find it
    00:05:44
    fascinating that she can Channel this
    00:05:46
    young girl whatever it is I'm enjoying
    00:05:48
    watching it so what does a heartbeat
    00:05:50
    sound
    00:05:53
    like
    00:05:55
    Mighty she's marvelous to watch her it's
    00:05:58
    such a work of art you're watch watching
    00:05:59
    like a flower unfold and all of a sudden
    00:06:02
    you do not recognize that you are
    00:06:04
    talking to a woman that is
    00:06:07
    510 that has walked this Earth for
    00:06:09
    decades and has made her Mark there so
    00:06:12
    clearly is mischievous little girl in
    00:06:14
    Sigourney she can be as imperious as you
    00:06:17
    want and she can also be a complete
    00:06:20
    knucklehead it's a big Journey for her
    00:06:22
    and for the audience with her but it's
    00:06:24
    okay because you care about her she has
    00:06:25
    a luminous quality to see her playing a
    00:06:28
    14-year-old kid it was magic it's what
    00:06:31
    acting is all about Avatar only go
    00:06:37
    [Music]
    00:06:47
    [Music]
    00:06:48
    around we had a costume designer Deborah
    00:06:51
    Scott Academy Award winner I'd worked
    00:06:53
    with since Titanic she had to kind of
    00:06:55
    have a foot in both worlds because she
    00:06:57
    had to design all the costumes for the
    00:06:59
    RDA but she also had to have the whole
    00:07:01
    other half of her brain to design all
    00:07:03
    the costumes and jewelry and hair
    00:07:05
    designs and hair decoration and
    00:07:06
    everything for the na'vi costume design
    00:07:08
    is one of the most important parts of
    00:07:11
    expressing a character how a person
    00:07:14
    dresses what their clothes signify in a
    00:07:18
    clan people who perform different
    00:07:20
    functions the leader the fisherman a
    00:07:23
    child that all these people have a
    00:07:25
    different place in the
    00:07:27
    clan re research searched indigenous
    00:07:30
    people literally worldwide the
    00:07:32
    environment in which the Clans live is
    00:07:34
    extremely important to what they wear so
    00:07:38
    the amayan are Forest people they use
    00:07:40
    things from the pandoran forest the me
    00:07:43
    are much more adapted to water you are
    00:07:47
    not good divers maybe good at swinging
    00:07:49
    through trees but one of the main
    00:07:52
    reasons that we've made the garments to
    00:07:54
    completion is the motion of the Garment
    00:07:57
    cannot be understood without having the
    00:07:59
    whole piece so if something's heavy or
    00:08:01
    feathery or light or stringy or fringy
    00:08:05
    the way these things move in air
    00:08:07
    standing in a breeze underwater for sure
    00:08:10
    which is a huge part of the movie you
    00:08:12
    really have to have the sample to see
    00:08:14
    what happens to it I honestly believe
    00:08:18
    that being able to create the garments
    00:08:21
    in their full Glory as opposed to just a
    00:08:25
    piece of 2D concept artwork is changing
    00:08:28
    the way that digital films will be made
    00:08:32
    every Fabric and every woven piece or
    00:08:34
    every braid and feather they all have
    00:08:37
    their own life to them they all move in
    00:08:39
    their own way and that's not something
    00:08:41
    you can get from just looking at a piece
    00:08:43
    of artwork and translating that to a
    00:08:46
    screen we work with wed digital on a
    00:08:48
    constant basis even the smallest thing
    00:08:50
    like a necklace goes for scanning where
    00:08:53
    they can actually map it they read the
    00:08:54
    texture they read the color and then
    00:08:57
    they use all of that information in a
    00:08:59
    virtual
    00:09:01
    world that believability that reality
    00:09:04
    that we're managing to bring to the
    00:09:05
    movie is 100% going to make it just more
    00:09:08
    real for
    00:09:09
    [Music]
    00:09:18
    everyone
    00:09:20
    Pandora a world of
    00:09:23
    Wonder and
    00:09:25
    mystery from the Hallelujah
    00:09:28
    mountains to the the endless
    00:09:31
    rainforest but there is so much more to
    00:09:33
    this spectacular and Mysterious
    00:09:37
    World The Cliffs of Pandora give way to
    00:09:40
    a mighty
    00:09:41
    ocean and a Tropical Haven teeming with
    00:09:45
    life over 50 na'vi Clans live in the
    00:09:48
    reefs the largest is the Met
    00:09:51
    cayena they live in harmony with the
    00:09:54
    Majestic tlon the fierce skim wi and the
    00:09:58
    playful elu
    00:10:00
    Beyond The Great seaw Wall the akula
    00:10:04
    laying
    00:10:06
    weight much like the rainforest every
    00:10:09
    living organism in this coastal biome
    00:10:11
    has bioluminescent qualities that set
    00:10:14
    the night a glow emitting light in
    00:10:16
    breathtaking
    00:10:18
    patterns all things are interconnected
    00:10:21
    on Pandora from the tiniest organisms to
    00:10:25
    the Towering
    00:10:26
    Talon amidst the beauty of the ocean
    00:10:30
    and the fierce
    00:10:31
    terrain the Magnificent creatures of the
    00:10:34
    skies and the
    00:10:37
    Sea wherever we
    00:10:41
    turn a thrilling World
    00:10:56
    awaits I went to the studio and I said
    00:10:59
    let's not just do another movie Let's
    00:11:01
    wing for the
    00:11:04
    fences I think what people are in store
    00:11:07
    for is Avatar that times 100 it takes it
    00:11:11
    to a whole other
    00:11:12
    [Music]
    00:11:13
    place I've never seen anything like this
    00:11:18
    in a
    00:11:22
    movie it picks up where it left off and
    00:11:25
    he
    00:11:26
    just it was wild my were glued to the
    00:11:30
    screen and I can't wait for people to
    00:11:31
    see it the world is bigger the stakes
    00:11:34
    are higher this is our home I was always
    00:11:36
    looking at everything in wonder what Jim
    00:11:39
    is trying to create is very truthful
    00:11:42
    very emotional and grounded Tales I need
    00:11:44
    you to be strong a family trying to
    00:11:46
    survive
    00:11:49
    stronghold it's really got this level of
    00:11:52
    magic and crazy go go go go
    00:12:01
    it takes years to make these movies but
    00:12:03
    there's nothing like
    00:12:08
    this it was the experience of the first
    00:12:11
    movie but on steroids
    00:12:21
    [Music]
    00:12:38
    [Music]

    Description:

    All Official Avatar 2: The Way of Water Movie Behind the Scenes Clips & Featurettes 2022 | Subscribe ➤ https://www.youtube.com/user/Filme?sub_confirmation=1 | Sam Worthington Movie Trailer | Theaters: 16 Dec 2022 | More https://kinocheck.com/movie/62p/avatar-2-the-way-of-water-2022 Set more than a decade after the events of the first film, 'AVATAR 2: THE WAY OF WATER' tells the thrilling story of the Sully family (Jake, Neytiri and their children): of the trouble that haunts them and what they take on to protect each other; as well as the dramatic experiences and struggles they face to survive. Avatar 2: The Way of Water rent/buy ➤ https://www.amazon.com/s/?k=Avatar-2-The-Way-of-Water Most popular movies right now ➤ https://www.amazon.com/best-sellers-movies-TV-DVD-Blu-ray/zgbs/movies-tv/ Most wanted movies of all time ➤ https://www.amazon.com/gp/most-wished-for/movies-tv/ Avatar 2: The Way of Water (2022) is the new science fiction movie starring Sam Worthington, Zoe Saldana and Sigourney Weaver. Note | courtesy of 20th Century Studios. | All Rights Reserved. | https://www.amazon.de/gp/video/primesignup are affiliate-links. That add no additional cost to you, but will support our work through a small commission. | #KinoCheck®

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