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00:00:07
my disappointment is immeasurable this00:00:11
don't miss no he's that don't miss man00:00:15
he's00:00:16
[Music]00:00:26
good SAR Ali Khan and the perception00:00:29
that people have of her acting skills is00:00:31
a mystery in itself one really00:00:33
envisioned her to be a formidable Talent00:00:35
with her debut karath but a lot of00:00:37
people felt it was the prowess of the00:00:38
director abishek Kapoor who extracted an00:00:41
innocence and vulnerability from muku00:00:43
this perception of raw talent dissipated00:00:46
quickly when frailes as a performer were00:00:48
exposed with films like kly number one00:00:50
and Laval with Sara in a very self-aware00:00:52
fashion has expressed in her promotional00:00:54
interviews for gas light one assumed00:00:56
that a slight break from her last00:00:58
release aangi gas light would be an00:01:00
attempt by the actor to experiment and00:01:02
prove herself as a performer in genres00:01:04
across the board and so came this Pavan00:01:07
klani film that I had high hopes for00:01:09
because I was absolutely obsessed with00:01:11
the technical ability and atmosphere00:01:13
that was presented in his film phobia00:01:15
with radika upte rather than00:01:17
conveniently targeting the actor for her00:01:19
performance let's get down to critically00:01:21
why Gaslight missed the mark in being a00:01:23
worthy horror Thriller and why the00:01:25
horror fan within me feels that00:01:26
Bollywood horror really has been missing00:01:28
anything compelling ever since tumbad00:01:31
Gaslight focuses on Misha Singh played00:01:33
by Sara Ali Khan a paraplegic girl and00:01:35
the only heir to a royal family00:01:37
returning back to her aboard after 1500:01:39
years only to notice that her father is00:01:42
not there to receive her his absence00:01:44
makes Misha suspicious thinking that the00:01:46
members of the family may have something00:01:47
to do with his disappearance the context00:01:50
of why Misha came back after so many00:01:52
years and who might be responsible for00:01:54
harming her father forms the premise of00:01:56
this horror Thriller I want to get a few00:01:58
noteworthy points out of the way because00:02:00
it's important to acknowledge what the00:02:01
film attempted and in some cases00:02:03
successfully so the film from a00:02:05
production design standpoint knels the00:02:07
atmosphere ideal for a thriller which00:02:09
has some horror elements integrated into00:02:11
its screenplay you've got the palatial00:02:13
house a royal lineage secret passages00:02:16
secluded WS suspects with possible00:02:18
ulterior motives a paraplegic running00:02:21
through the echoing hallways niches00:02:23
Koval really does perfectly create the00:02:25
setting to heighten Misha and her00:02:27
anxiety regarding the whereabouts of her00:02:29
father what is also very interesting00:02:31
about this film is how it sprinkles00:02:33
elements of a Shakespearean tragedy00:02:35
throughout its screenplay think of the00:02:37
film as sah b or gangster and mcbul00:02:39
imagery that highlights the00:02:41
psychological state of the characters00:02:43
you've got Visions hallucinations and00:02:45
susers the moment when mcbul is consumed00:02:48
with guilt and sees visions of those00:02:50
deceased is well placed in this film as00:02:52
well hauntingly done in one particular00:02:54
swimming pool sequence that is chilling00:02:55
to say the least beyond the atmosphere00:02:58
chitrang Singh puts forth a confident00:03:00
and formidable performance as the00:03:01
stepmother always keeping the viewer in00:03:04
the dark of her real personality this00:03:06
makes a performance interesting as you00:03:08
try to suser out as the film progresses00:03:10
but if this film is partly salvageable00:03:12
it is due to the conviction of vikrant00:03:14
Massie as couple you remember00:03:16
considering the climax of hassin DBA00:03:18
silly but one of the main reasons why00:03:19
people enjoyed that film was the00:03:21
unhinged energy that vikrant brought to00:03:23
that film this ease made the silliness00:03:26
secondary and I can wholeheartedly say00:03:28
that vikrant is a standout in this film00:03:30
but does it hold up together well that's00:03:32
why the negatives come into play the00:03:34
atmosphere and production design is00:03:36
admirable but as the film progresses one00:03:38
feels that the film is just checking off00:03:40
tropes from a horror film versus it00:03:42
actually generating fear within you not00:03:45
in a single moment do you feel like00:03:46
you're on the edge of your seat or00:03:48
fearful for a character safety because00:03:49
the film through the tropes of jump00:03:51
scares and its blaring sound design does00:03:53
the formul versus genuinely making us00:03:56
feel that the circumstances are grim and00:03:58
life-threatening the cinematog graphy00:04:00
presents such dark frames that you00:04:02
almost have to squint your eye to truly00:04:04
navigate movement of what's happening in00:04:06
the frames sometimes being absolutely00:04:08
incoherent for a film like phobia and00:04:11
game over to work also it has a lot to00:04:13
do with actors that anchor that film00:04:15
both radika ab and tapi panu channelized00:04:18
that fear so well but sadly SAR Ali Khan00:04:21
is absolutely out of her depth in this00:04:23
film I like for any actor root for them00:04:26
to have a convincing act but you can00:04:28
clearly see a lack of skill kill as a00:04:30
performer that becomes even more00:04:31
prominent as she shares screen space00:04:34
with formidable actors like chitrang and00:04:36
vikrant there is one moment where Sara's00:04:38
natural response should be of00:04:40
disappointment and frustration but she00:04:42
goes for this slight chuckle at the turn00:04:44
of events almost beused at the00:04:46
circumstances a shout for help is00:04:49
quickly followed by an awkward sobbing a00:04:51
smirk in an argument with chitrang00:04:53
almost seems like she's an evil villain00:04:55
from the 80s and it all looks unsure and00:04:58
unsteady case of an actor not entirely00:05:01
sure of what she's going for Gaslight is00:05:03
a case of not entirely being convincing00:05:05
from paper to what comes on screen the00:05:08
ideas are interesting but it doesn't00:05:10
come together to be a knockout as the00:05:11
twist is wildly Apparent from the00:05:13
commencement of the film the climax00:05:15
doesn't really generate any form of00:05:17
shock as well it made me think that the00:05:19
horror genre really does need a solid00:05:21
Revival because this could have been00:05:23
great but ended up being mediocre with00:05:25
the lackluster feeling that I had with00:05:27
the Hindi outings this weekend I saw the00:05:29
only show that was available near me for00:05:32
the vetri Maran film balai starring Suri00:05:34
in the lead role and vij setopati in an00:05:36
extended Cameo if there is one Creator00:05:39
in Indian Cinema who always brings00:05:41
something compelling and hard-hitting00:05:42
regarding the sociopolitical climate in00:05:44
India it is betri Maran his filmography00:05:47
with danush including films like V00:05:49
chenai and asuran recently and in my00:05:51
opinion his best visar is a testament to00:05:53
always bringing something00:05:55
thought-provoking a case of an actor00:05:57
like Suri working for more than 20 years00:05:59
in the film industry and mostly playing00:06:00
characters of comedic relief or hero's00:06:03
best friend finally being given a chance00:06:05
to portray a dramatic role was even more00:06:07
exciting the film focuses on a police00:06:09
Constable Kumar who gets recruited in00:06:11
the Mountain Village in 1987 where the00:06:13
police is in constant conflict with a00:06:15
rebel group termed as the People's Army00:06:17
while his portfolio is of a driver00:06:19
providing food to the policemen00:06:21
operation Ghost Hunt is intended to00:06:23
catch or kill the leader of the People's00:06:25
Army perumal played by Vijay setati the00:06:28
cinematography by vrj will both make you00:06:31
Marvel at the frames and also look away00:06:33
because of the sheer Carnage in the form00:06:35
of human casualties it unapologetically00:06:37
portrays the opening sh of this film is00:06:39
still etched in my memory this long00:06:41
short spanning over a Bomb Blast on a00:06:43
train track and the dread just doesn't00:06:45
seem to end one gets overwhelmed seeing00:06:47
the trauma that surrounds each frame and00:06:49
one becomes weary of what lies ahead the00:06:52
case of the Mountain Village is also00:06:53
presented beautifully as two characters00:06:55
TK to their aboard only panning to00:06:57
become dots in what is this EXP iive00:06:59
thing called Mother Earth it also00:07:01
solidified in my mind how real locations00:07:03
in films have become such a rarity in00:07:05
commercial movies and its impact is00:07:07
undeniable especially as it conveys00:07:09
stories of a specific sect of people it00:07:12
is true when someone said that V alai is00:07:14
not for the faint hearted as it00:07:16
showcases a Mountain Village in constant00:07:18
conflict with the police the locals00:07:20
influenced by The People's Army have a00:07:21
resentment towards the police and their00:07:23
inhumane treatment towards the locals00:07:25
who want to protect their lands from00:07:27
monetary greed of capitalists once00:07:29
natural resources and the land at the00:07:31
expense of someone else's profit one00:07:33
argues for economic growth but the00:07:35
people of the land know the cost that00:07:36
they have to pay The Police become the00:07:38
executioners following the orders and00:07:40
the tail becomes so powerful with the00:07:42
introduction of Suri's character as he00:07:44
enters a land and communicates with the00:07:46
people who have become numb to the00:07:48
misery and death that surrounds them00:07:50
Suri is a revelation in this film you00:07:52
immediately connect with his innocence00:07:54
and naivity this organic need to help00:07:56
those in need his righteousness so much00:07:59
so that stands by his belief and actions00:08:01
even if it means coming at Crossroads00:08:03
with his superiors and his progression00:08:05
in acknowledging the system and its00:08:07
problems and how its only solution maybe00:08:09
to take charge really accounts for an00:08:11
exceptional and Powerful tale of the00:08:13
system its subordinates and the people00:08:15
of this country who constantly find00:08:18
themselves at the mercy of their00:08:19
decisions the movie inventively tells00:08:21
its tale through Suri's narration which00:08:23
are essentially the letters he writes to00:08:24
his mother and they become our eyes and00:08:26
ears to this environment as well his00:08:28
belief and mor become the biggest point00:08:30
of contention with the OC leading to him00:08:32
getting punished and hazed the Romantic00:08:35
angle with bav re's character is00:08:37
beautiful and organic their00:08:38
conversations and chancing upon such a00:08:40
relationship developed so well my only00:08:43
grip probably being the Romantic tracks00:08:45
in the film that slowed down the film's00:08:46
running time and it doesn't add Nuance00:08:48
to the relationship either the shot00:08:50
however of Suri finally having a00:08:52
home-cooked meal given by her had all my00:08:54
heart the sociopolitical commentary by00:08:57
betri minin is fascinating because this00:08:58
film speaks speaks about the positioning00:09:00
of the government the convenience with00:09:01
the news and how they're portrayed the00:09:03
low pecking order in which the locals00:09:05
are for the people in positions of power00:09:07
the anger and resentment of both sides00:09:10
of the police for the lives that they00:09:11
lose in crossfires and the locals for00:09:13
the mistreatment and abuse caused for no00:09:15
fault of theirs the abuse of power00:09:17
becomes horrifying to the point where I00:09:18
had to look away in certain sequences00:09:20
how humans reach a point where it00:09:22
becomes justified in their mind to treat00:09:24
others like wild animals becomes tough00:09:26
to sit through viati has a marvelous00:09:29
toing presence in this film and it00:09:31
generated such loud cheering in the00:09:33
theater it's going to be fascinating to00:09:35
see how they develop part two as I'm00:09:36
sure it will explore his origin story00:09:38
with great detail what becomes a00:09:40
compelling argument is what can be00:09:42
termed as a rebel group or a terrorist00:09:44
group is a product of their wants and00:09:46
needs or a result of the atrocities00:09:48
caused to them vetri Marin presents00:09:50
another film which movie viewers00:09:52
treasure because it makes you think and00:09:55
have discourse about several of its00:09:56
themes Suri puts forth an exceptional00:09:59
act making me wish we get to see him in00:10:01
more compelling dramas ahead rather than00:10:04
being reduced to just being comedic00:10:05
relief Kali his upcoming film gives me00:10:08
even more faith trust me you won't00:10:10
regret watching this compelling film on00:10:12
the big screen and that was a video guys00:10:14
write it down in the comments below of00:10:16
your thoughts regarding Gaslight and00:10:18
verai please don't forget to follow me00:10:19
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of you follow me at Jammy pants 4 also00:10:23
please support us by Smashing the like00:10:24
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watching inDescription:
The next movie releases that I saw on the weekend have definitely generated diametrically opposite reactions for me! You have #gaslight that is a digital release and a nation wide limited release for a Tamil film, #viduthalai starring #soori and #vijaysethupathi in prominent roles! The #bollywood movie starring and #vikrantmassey is a mixed bag at best whereas the #vetrimaaran film is a definite stand out! I hope you like the Gaslight Movie Review & Analysis | Sara Ali Khan | Viduthalai Part 1 Movie Review & Analysis | Soori | Vijay Sethupathi | Vetrimaaran Intro Track: Music Provided by: NoCopyrightSounds Watch: https://www.youtube.com/watch?v=q1ULJ... Free Download & Stream: https://ncs.io/feelgood What did you think of the VIDEO? Dont forget to smash the like button and Subscribe to the Channel for Weekly Content! Stay tuned for more ahead! Follow me on instagram:- Anmol Jamwal: https://www.facebook.com/unsupportedbrowser Like our Facebook Page:- https://www.facebook.com/unsupportedbrowser
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