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00:00:01
[music]00:00:03
Oh, no. It's fine. I can work with this.00:00:08
People loved FDR.00:00:11
Hello,00:00:20
>> Olivia.00:00:21
>> Oh, hell no.00:00:37
>> [music]00:00:40
>> Well, hello. It's me, Riley, at Riley's00:00:42
Believe It or Not. Do you believe it? I00:00:43
do. I'm here with the world's tallest00:00:46
man. Thought he was going to fall over00:00:47
forward, didn't you? Hey, welcome. We've00:00:49
got a lot of scary stories today.00:00:51
[music] Things that you won't believe.00:00:52
things that I do believe that you might00:00:54
not believe, but you're going to believe00:00:56
it. Okay, guys. The puppet got murdered.00:00:59
Isn't that spooky? Isn't that scary?00:01:01
It's pretty spooky to me. But guys,00:01:02
we've got tons of stuff today, including00:01:05
a scale replica of the Queen Mary. We00:01:08
took the smallest Queen Mary and we blew00:01:09
it up to scale. [music]00:01:12
[screaming]00:01:16
>> Get your legs off. >> What are you going to do about it?00:01:17
>> Get your legs off my desk. [music]00:01:19
>> What are you going to do about this?00:01:20
>> Is this scary? Okay, we've got tons of00:01:22
stuff in my store. Let's take a look00:01:24
around over here. We've got a picture of00:01:27
me from the 1950s.00:01:30
This was me before I got my deep plane00:01:32
facelift. That's the one that uh Lindsay00:01:34
Lohan had. That was my freakiest Friday.00:01:36
Let's move on. This man, he makes this00:01:39
face. I've met him once. He could only00:01:41
make this face. That one or this one?00:01:43
Cuz he was full of joy. Can you make00:01:44
that face? Let me try.00:01:50
>> [music]00:01:51
>> It doesn't work. My face is normal.00:01:53
We're going to go to the haunted house00:01:55
for the 1%. That's a sketch that you00:01:56
didn't know that was made, but it was00:01:58
made. They say it's the worst sketch00:01:59
ever written, but really it's a rejected00:02:00
sketch. That's what I did. That's what I00:02:02
did. I wrote that sketch. Here we go.00:02:08
Hello, friends and family. I, Jang00:02:12
Angelica Monroe,00:02:14
welcome you to the preview night for the00:02:18
haunted house for the 1%.00:02:22
God, it gives me goosebumps just looking00:02:24
at it. Okay, pop your Xanax and come00:02:28
[music] with me if you dare.00:02:33
Oh, what could that be? complimentary00:02:37
waters,00:02:38
but they're not sparkling.00:02:43
Now, this next room has a jump scare00:02:47
where someone enters and says,00:02:48
"Actually, I'm the manager." But then he00:02:52
says, "Actually,00:02:54
I'm your manager." [screaming]00:02:57
Suzanne, manners,00:03:00
please remember, they work for us, not00:03:04
visa. Visa [snorts]00:03:06
next room.00:03:08
>> Actually, I am the manager. [screaming]00:03:12
>> Suzanne, really? This is the preview.00:03:15
What did I tell you? Save it for00:03:18
tomorrow.00:03:20
>> Yes, mother.00:03:21
>> Oh my god.00:03:23
What's this? A phone ringing, ringing,00:03:28
ringing. But your assistant,00:03:33
where is your assistant?00:03:38
Who will coordinate the event?00:03:44
>> Yes, Suzanne. Now, what could be next?00:03:48
And Jangelica Monroe's haunted house for00:03:50
the 1%.00:03:53
Oh, no. Would you look at that? No00:03:56
driver. Looks like we will have to walk00:04:02
through skid row.00:04:06
Come on. Oh god. Don't look at them in00:04:08
the eye. They're not people.00:04:17
>> Did anyone else feel like we could help00:04:20
them, but we don't want to?00:04:22
>> Oh, yes. >> Why would we?00:04:23
>> Absolutely. If we wish.00:04:24
>> All right. onto one of the scariest00:04:27
rooms we have.00:04:32
>> Oh my god, my life-threatening disease00:04:34
has been cured.00:04:36
>> I love you, Mom. I thought I was going00:04:39
to lose you.00:04:42
>> I love you, too.00:04:44
>> Thank you, doctor. How much do I owe you00:04:46
for my healthcare?00:04:48
>> Why? What do you mean? Healthc care is00:04:52
free. [screaming]00:04:53
>> No.00:04:55
I'm so sick. My god. Healthcare for all00:04:58
isn't real and it never will be. All00:05:01
right. Now, on to our last room. My00:05:05
husband tells me it's the scariest of00:05:08
them all. You know, he's even kept it00:05:10
secret from me. Okay. Oh,00:05:14
there's nothing.00:05:18
An envelope. Very scary, Jeff.00:05:23
to00:05:24
Jangelica.00:05:26
I'm Jangelica. [music]00:05:28
Oh. Oh. A divorce. But but but I signed00:05:32
a prenup. I00:05:36
I don't have any money.00:05:39
>> I'm bored.00:05:40
>> Poor Angelica.00:05:44
Poor00:05:46
Angelica.00:05:48
>> Poor Angelica. Poor Angelica. Poor00:05:51
Angelica. Poor Angelica.00:05:54
No. No. No. No. It's not true. No. No. I00:05:58
am.00:05:59
>> No. I am power. I am power. [laughter]00:06:02
No. Please. Please.00:06:06
No. No. [screaming]00:06:09
No.00:06:12
Put some salt on the rich and gobble00:06:14
them up. Hi, it's me, Robert Ripley, at00:06:16
the top of my musical stairs. Are you00:06:17
ready to hear the Ripley's Believe It or00:06:19
Not official theme song? Official00:06:21
trademark. Do you believe it? Okay.00:06:22
Believe it or not, you better believe it00:06:24
if you don't believe it. Get out of my00:06:26
store. That's my official theme song.00:06:29
You can buy it today on iTunes because00:06:31
this is 2006. You too can have fun with00:06:34
just two stairs if you take my whimsy00:06:36
pill. Sold now in [music] CVS, Target,00:06:39
and Walmart. You can find it on the00:06:40
bottom shelf under the Tums. Hey,00:06:43
there's one big one at the front of my00:06:44
store. You saw it already, but now00:06:45
there's going to be more animatronics.00:06:46
They're going to audition for what I'm00:06:48
told is Halloween. Let's go see it.00:06:51
>> I'm George. I go by Gio.00:06:53
>> Hi. Uh, my name is Linda Williams. Hi,00:06:55
I'm Berkeley. And I'll be reading for00:06:57
the role of bent backwards screaming00:06:58
girl.00:06:59
>> Great. Whenever you're ready.00:07:00
>> Come back, mommy.00:07:02
Come back.00:07:06
Oh.00:07:17
>> [screaming]00:07:18
>> I'll be reading for the role of 6700:07:20
zombie number five. I'm 5'11, so I'll00:07:22
need stilts.00:07:23
>> I want your flesh and brains so bad. I00:07:26
want to put them in my scalding sack.00:07:28
Hot. So slap it up, you flesh puppy.00:07:31
>> I WANT YOUR FLESH AND BRAIN SO BAD. I00:07:33
WANT TO PUT THEM IN MY SCALDING HOT SACK00:07:36
AND SLURP IT UP, YOU LITTLE FLESH PUPPY.00:07:39
>> I want YOUR FLESH AND BRAIN SO BAD. I00:07:41
WANT TO PUT THEM IN my scalding hot00:07:43
throat and slurp it up. You little flesh00:07:45
puppy. >> Is that00:07:46
>> any direction or00:07:48
>> great?00:07:49
>> This is jump scare Bob. Move over. MY00:07:52
BALLS ARE BLEEDING.00:07:54
>> MOVE OVER. MY BALLS ARE BLEEDING.00:07:56
Move over. My balls ARE BLEEDING. MOVE00:07:59
OVER. My balls are bleeding. Move over.00:08:03
MY BALLS ARE BLEEDING.00:08:04
>> Do you want to see that again?00:08:06
>> No, that's okay.00:08:08
>> I can give you something different.00:08:10
>> Nope. Uh, this is ugly hack jump scare.00:08:14
>> I'm a hack.00:08:16
>> Boo. I'm a hack. Boom.00:08:19
Boom. Hug. BOOM. BOOM. BOOM. I'M A HACK.00:08:24
I'M A HAG.00:08:33
>> I'm a hug.00:08:34
>> Um, this is big black crow with yellow00:08:37
eyes. Where is Xander Lumis?00:08:40
The last I saw of him, he was walking up00:08:43
the hill.00:08:44
>> Where is Xander Lumis?00:08:51
The last I saw [music] him, he was00:08:54
walking up the hill.00:08:57
>> Oh, this is like a crow.00:09:00
>> Where is Xander Lumis?00:09:02
>> The last time I saw him, he was walking00:09:03
up the hill and he was the last orphans00:09:05
of the plague. Xander Lumis is in your00:09:06
mind.00:09:07
>> Xander Lumis is in the grace.00:09:09
>> Xander Lumis is up upon a hill with a00:09:12
big smiling face. [screaming]00:09:16
>> Um, this is ugly orphan girl with five00:09:19
knives in her forehead.00:09:20
>> Little mommy.00:09:22
Little mommy, I don't feel so well.00:09:24
>> Little mommy, I don't feel so well.00:09:27
>> Why are these knives?00:09:30
>> I'm a little girl.00:09:31
>> No. Little mommy, I don't feel so well.00:09:36
No, it's like a it's like a little girl,00:09:38
right? >> Yeah. >> Yeah.00:09:39
>> And that can we hear your bark into a00:09:40
dying sound?00:09:42
[groaning]00:09:48
[cough]00:09:55
>> [screaming]00:09:59
>> I'm a pig.00:10:01
>> Okay, thank you. That was great.00:10:04
>> Did you want these back?00:10:06
>> That's okay. >> I can It's okay.00:10:08
>> I can keep them.00:10:09
>> Yes.00:10:10
>> Do you want to see anything else?00:10:12
>> Nope.00:10:14
>> Nailed it.00:10:17
>> Security. Mary had a little lamb and she00:10:20
said, "Whoa, that's crazy."00:10:22
>> You know what was scary was that Arasha00:10:24
girl being a robot. Hated that a lot.00:10:25
And you know what? I want to stuff her00:10:27
and put her in my store. Do you believe00:10:29
that art is real? Look at this.00:10:36
Now, this also grinds espresso.00:10:41
Do you believe it?00:10:42
>> I'm in jail. Don't believe it. That's00:10:44
not true. Just a wall. But I do sleep in00:10:46
here. It's very hot. There's little bugs00:10:49
and a turtle. Believe it or not, these00:10:51
bugs aren't real. Hey, I'm going to00:10:53
crawl out. You wait for me. Up next,00:10:56
there's going to be more puppet murder.00:10:57
Can you go to jail for puppet murder?00:10:58
I've murdered a puppet before. Do you00:11:00
believe it? I've tried it. It doesn't00:11:01
work. They're not alive.00:11:06
>> Okay, so that is one point to team tits00:11:09
for knowing that minerals are in00:11:10
drinking water.00:11:11
>> We're team tits.00:11:12
>> Would you rather be team ass?00:11:15
>> You guys, I just got an alert. The00:11:17
Rancho Cukamongo killer has escaped.00:11:20
Locked doors. Stay inside. Angela, get00:11:22
your stuff. We need to go.00:11:23
>> Okay, I'm just going to grab my coffee00:11:25
and then we can go.00:11:26
>> Shane's on a coffee run.00:11:27
>> Should we call Shane?00:11:28
>> Guys, will you just chill? OKAY, CHILL00:11:31
THE [ __ ] OUT. WE ARE perfectly safe in00:11:34
our Rancho Cucamonga headquarters. We00:11:36
got security all over the place.00:11:39
>> Okay, you're right. You're right.00:11:42
>> Can we just get back to trivia?00:11:45
Did anybody else see that?00:11:47
>> See what?00:11:48
See what? ANGELA, SEE WHAT? NO. OKAY.00:11:51
NO. NO. NO. NO. I am leaving. [ __ ]00:11:54
y'all. [ __ ] this. I'M NOT GOING TO DIE00:11:56
TODAY. [screaming]00:11:59
>> MY DAY RAVE IS NOT ENOUGH FOR ALL THIS.00:12:04
>> I think we should leave, too.00:12:05
>> Okay, fine. But we need a plan, right?00:12:10
[screaming] No.00:12:12
[groaning]00:12:17
We need to gather some [music] weapons.00:12:20
>> Uh, call the police, but most00:12:22
importantly, we need to stay together.00:12:25
>> Okay.00:12:26
>> Okay.00:12:27
>> Good plan. We're going to be totally00:12:29
fine. [music] I think I'm going to go00:12:31
find some big sword or some [ __ ]00:12:33
>> Wait, wait, Angela. What did I just say?00:12:36
>> Oh, sorry.00:12:37
>> Jeez. Come on.00:12:39
>> SLOW DOWN.00:12:41
SLOW DOWN. [laughter]00:12:48
>> Keep going.00:12:52
[screaming]00:12:53
[crying]00:12:58
>> Wow. As my good friend Bill said, "Oh my00:13:00
god, don't you want to look at this00:13:02
every day? I've got my own in my00:13:04
bedroom." Welcome to the animal gallery.00:13:06
I've got my incredible find right here.00:13:09
This is a big old cow head. You bet you00:13:11
can tell based on how large and cow it00:13:13
is. Now, I can't even believe it and I'm00:13:15
right here next to it. And it does have00:13:16
a scent. Anyway, uh I hope that puppet00:13:19
murder wasn't too spooky for you00:13:20
children at home. But what I've got here00:13:22
is even spookier to people who don't00:13:25
believe in fun things. Let's take a00:13:26
look. They say two legs are better than00:13:29
none. And this cow said, "Let me put it00:13:31
on my head."00:13:34
Now, every night before I go to bed, I00:13:35
got to make sure all my heads are00:13:37
accounted for. Let's take a count. One,00:13:39
two, three, four, five with legs. Six,00:13:43
seven tiny rocks. One of them is not00:13:46
real. You'll have to come to my00:13:48
wonderful store and read a plaque to00:13:50
find out which one it is. Personally, I00:13:52
don't like reading my plaques because I00:13:54
know everything because I live here. Am00:13:57
I towering above you now? Ooh, spooky.00:13:59
Can you believe it? No, you're fine.00:14:01
Let's take a look at this Coca-Cola00:14:02
machine. What could be inside this00:14:03
Coca-Cola machine? Is it whimsy? Is it00:14:06
fear? [music] Is it the mysteries of the00:14:08
universe?00:14:12
It's actually a looping snake sound. All00:14:16
right. Next, we've got two sentence00:14:18
horror stories from our favorite in-law,00:14:21
Stephen King's other son. To believe or00:14:24
not to believe.00:14:25
Do you, Cal? I believe it. That's one of00:14:30
us. [music]00:14:33
Bye, my wife said as she boarded the00:14:36
plane. But I wasn't by. I was gay.00:14:41
Angela put on her glasses so she could00:14:43
actually see. When she did, she finally00:14:47
could see she wasn't at work. She was in00:14:50
hell. The cigarette fell from my lips as00:14:54
Smokey the Bear approached. But it00:14:56
wasn't Smokey to bear. It was Freddy00:15:00
Fazbear.00:15:02
Before you stands a disgusting, horrific00:15:05
creature. You then realize you're00:15:07
actually standing in front of a mirror.00:15:11
I like your 13- ft skeleton, my neighbor00:15:14
admired from the sidewalk. Thanks, I00:15:16
replied. My uncle was a very tall man.00:15:21
I used to work the night shift at00:15:23
Macy's. Most of my time was spent00:15:26
putting the mannequins back in [music]00:15:27
their spots whenever they tried to00:15:30
escape.00:15:31
I sighed in relief as I lowered myself00:15:34
into the soothing hot bubble bath. "Room00:15:37
for two?" asked the brave little00:15:39
toaster. [music]00:15:41
"I've never been with a woman before," I00:15:43
say as I slowly undress. "And you never00:15:47
will," replies Dog, the bounty [music]00:15:50
hunter. "It was a normal day at the zoo.00:15:53
That was until the chimpanzeees [music]00:15:56
got out. They say you swallow eight00:15:59
spiders in your sleep every year. I00:16:01
ponder as I lay in bed on New Year's00:16:04
Eve, having not swallowed any this year.00:16:06
I then notice eight [music] spiders00:16:08
slowly falling from the ceiling toward00:16:11
my mouth. The moon looks extra bright00:16:14
tonight, I thought. That's when the00:16:16
other moon appeared, and I realized in00:16:19
horror that they weren't moons, they00:16:21
were eyes.00:16:29
Now, this is actually a fetish god. It's00:16:32
a you put nails in it and you fill it00:16:34
with hate and all that. But guess what?00:16:36
I held the title of fetish god during00:16:38
the 1999 fetish competition. Women say00:16:40
that I'm like a rabbit cuz my foot is00:16:42
lucky. Take a look at that black.00:16:45
Well, well, well, if it isn't Miriam.00:16:47
Listen, we've all got some shrunken00:16:49
heads in our closet. My shrunken head in00:16:51
my closet is [music] that I was a00:16:53
cartoonist. Am I Can I have her here? Am00:16:56
I allowed to do this? Uhoh, we've got00:16:59
another sticker. That means I'm going to00:17:00
touch it. Here we go.00:17:03
[screaming]00:17:06
Did you believe it? I've got a lot of00:17:08
things that I know that happen in here00:17:09
because it's my place and I do the00:17:11
things. Hey, Sagastra, give me a call.00:17:14
But I'm not available because I'm in the00:17:16
store. Goodbye. You know I love you, but00:17:18
it's time to swap you out. We swap stuff00:17:20
out here at Ripley. You know that we got00:17:22
new stuff all the time. You were new00:17:23
once, so now you're old. You're leaving.00:17:24
You know what else is leaving is the00:17:26
costumes that we don't want to do00:17:27
anymore for Halloween. Let's see that00:17:28
toss to the segment.00:17:32
Gotcha.00:17:35
Come in. [clears throat] Come in.00:17:40
>> Hey, you wanted to see me?00:17:42
>> Yes. Take a seat, sexy cop. Listen, it's00:17:45
not easy to say this, but we're retiring00:17:48
your costume.00:17:50
>> Wait, sorry. What do you mean? Here is00:17:53
your last check. You can leave your00:17:55
plastic gun and badge on my desk [music]00:17:57
before you leave.00:17:58
>> Oh, hold on. Hold on. I'm I'm a classic00:18:01
costume. You can't just retire me.00:18:04
>> Look, people just don't really vibe with00:18:06
cops anymore. Okay. I I mean, at first00:18:08
thought, they think of cops killing or00:18:11
maming people. I mean, that's not fun,00:18:13
right? It It doesn't really fit the00:18:15
criteria of [music] a good Halloween00:18:17
costume anymore. It's It's not silly.00:18:20
It's not a meme or [music] a celebrity.00:18:23
It's not spooky. You know what I mean?00:18:26
>> No. No, I don't know what you mean.00:18:28
Killing or maming people is spooky in a00:18:32
way. >> In a very scary, dangerous way. Not in a00:18:36
fun way. It's incredibly sad, actually.00:18:39
Okay, look, you had a good run. We had00:18:43
some fun out there, but every costume's00:18:46
got to retire. Hey, you remember old00:18:47
Dick in the Box? He had a couple of good00:18:49
years.00:18:50
>> Yeah. Look, I'm not just regular cop.00:18:55
I'm00:18:57
sexy cop.00:18:58
>> Don't ever [ __ ] do that again. Get00:18:59
your legs off.00:19:00
>> Get your legs off my desk.00:19:02
>> What are you going to do about Sorry, I00:19:03
won't threaten Violet skins. You're You00:19:05
are HR. That's weird. But but look look,00:19:08
as we always know, sex always sells.00:19:11
>> Apparently not, right? Because not even00:19:14
strippers are buying your costumes00:19:15
anymore.00:19:16
>> Not even candy. No. Who's candy?00:19:20
Look, cop. Last year's sales were below00:19:23
sexy Voldemort and [music] Sexy Crossing00:19:25
Guard.00:19:27
Hey, hey, listen. Don't be too00:19:29
disappointed because we here at00:19:31
Halloween Warehouse, we take care of our00:19:34
own. Check [music] this out. I'm sending00:19:36
you to our very own retirement home.00:19:40
Every outfit that is no longer00:19:42
culturally relevant or too [music]00:19:43
offensive gets to live out their last00:19:45
few days in peace. Huh? Hey. Hey, check00:19:48
it out. There's Left Shark enjoying00:19:50
botchi ball.00:19:51
>> I do enjoy some ball games.00:19:53
>> Exactly. I figured you would. And And00:19:55
oh, check it out. There's white person00:19:57
in a Native American costume playing Wii00:19:59
Tennis [music] in our game room. Yeah.00:20:01
Don't ask how long we sold that costume00:20:02
for.00:20:03
>> Way too long.00:20:04
>> Yeah. But you know what? Hey, just00:20:05
forget that it ever existed. Okay. Yeah.00:20:08
Check it out. Oh, Among Us and 201600:20:11
Harley Quinn [music] making out. Huh?00:20:14
>> Power.00:20:15
>> Yeah. Yeah. Yeah. Except actually00:20:17
[music] look out for Among Us guy. He's00:20:19
actually mad horny. Although that might00:20:22
work out for you.00:20:23
>> Look, this is great and all and I really00:20:26
appreciate it, but I'm not ready for00:20:27
retirement. You know, I could change. I00:20:30
could become something else. I could00:20:31
become like a buff cop.00:20:34
>> You don't fit that.00:20:35
>> That's true. Um, what about something00:20:38
more intriguing, like a federal agent?00:20:41
>> Even worse, [music]00:20:42
actually.00:20:46
We tennis, huh?00:20:47
>> And all the candy corn you could ever00:20:49
eat.00:20:52
>> Well, godamn it. I'm in.00:20:55
>> It was pleasure doing business with you.00:20:58
>> Thank you. >> Now, get the hell out of my office, you.00:21:00
>> All right.00:21:02
Can I do one more body roll?00:21:05
>> Sure.00:21:09
>> I'm going to need this.00:21:10
>> For what? For what? Okay. [music]00:21:13
Among Us, here I'm coming.00:21:17
Hi, and welcome [music] to my sensory00:21:20
deprivation room, complete with ticking,00:21:24
worring, and lights. And you can draw on00:21:25
the wall. How about this?00:21:28
Pretty cool. Can you believe that I made00:21:31
this wall myself with green? I believe00:21:34
it. Now, those costumes were really bad,00:21:36
but up next, we've got something even00:21:38
more crazy. It's another puppet murder.00:21:41
And [music] I'm gonna write who I think00:21:43
the murderer is on my wall and then I'm00:21:45
gonna erase it with a simple button. Are00:21:47
you ready?00:21:51
Me? That can't be true. I'm not a00:21:53
murderer. I'm Ripley. Robert Ripley.00:21:55
Ripley's Believe It or Not. Around in00:21:56
the 50s, I was a cartoonist. This has00:21:58
been Robert Ripley in a dark room and00:22:01
now a puppet murderer.00:22:07
Oh my goodness, that was crazy.00:22:09
>> Hey, poop went everywhere.00:22:13
>> Officer Tommy here.00:22:15
>> Hey, uh, got a call. So, I'm doing a00:22:18
safety check. It was some hysteric woman00:22:20
on the phone. >> Okay, that's kind of offensive.00:22:22
>> Officer, the Rancho Cookamongo killer is00:22:24
loose in the building.00:22:26
>> Girls, you know what I'm saying?00:22:29
[screaming]00:22:35
Is he close?00:22:38
>> I think he's still claw.00:22:41
>> Get up.00:22:42
>> Go on without me, Angela.00:22:44
>> There's so much time to stand up.00:22:47
NEVER MIND. [screaming]00:22:49
>> NO. NO. NO. PLEASE. Please spare me. I'm00:22:53
rich.00:23:06
>> [groaning]00:23:08
>> Die, [ __ ]00:23:09
>> Guys, the Rancho Cookamoga killer's on00:23:11
the loose.00:23:13
>> Thanks, Shane.00:23:24
Ah, that's me. I'm a teaser. Women say00:23:27
that I'm like Mission Space in Epcot.00:23:29
Good for just one ride. We just saw00:23:31
Angela escape a puppet murder. Do you00:23:34
believe it? I do cuz I saw it with my00:23:36
eyes. What do you see here? It's the00:23:38
throne of love. This is where I sit to00:23:40
read my little books. Uh we've got00:23:42
incredible things in this room,00:23:43
including a gate that you can find at00:23:45
every Ripley's store. Now, there's a00:23:48
secret to this gate in every Ripley00:23:50
store, and I am not going to give you00:23:52
the answer, but I will give you a hint.00:23:54
How do you open the gate? Why? It's00:23:56
simple.00:24:00
It is possible to open. Do you believe00:24:03
it?00:24:06
All right, it's time for my dance party.00:24:08
[music] Let's hear what Angela's up to.00:24:14
She's small and loud. Next, we've got00:24:17
Shane.00:24:20
No, that's Courtney. [laughter]00:24:22
I did research on the Smosh cast, so I00:24:24
know how to interact with them. Uh-oh,00:24:26
it's the whimsy alarm. We're not having00:24:28
enough fun here. It's time to do the00:24:30
Ripley's dance.00:24:35
My knees are made of wood.00:24:39
Do you believe it?00:24:42
Uh-oh. You know what that means? That00:24:44
means it's time to move on to Angela00:24:46
scaring people. But first, let's take a00:24:48
look at my colorbrite. Ripley's color00:24:50
bright. This is the Smosh logo. Tried my00:24:52
best. I love a peg. Go. Imagine with my00:24:55
mouth all full of pegs. I'd have to go00:24:57
to the hospital. Next segment.00:25:01
[music]00:25:05
>> Boom. I'm a hack.00:25:08
Help me. I have scoliosis.00:25:11
>> Kaitlin, help me. I have something in my00:25:13
throat.00:25:14
>> What do you want me to do?00:25:15
>> Answer my slacks, [ __ ] Help my neck. I00:25:19
don't think I can help with that.00:25:20
>> Touch me. Touch me. I dare you. Don't00:25:24
touch me.00:25:26
[screaming]00:25:27
[laughter]00:25:28
>> Help me. I need water.00:25:30
>> What is going on?00:25:32
>> Wait. >> Help me. There's something lost in my00:25:34
throat. [screaming]00:25:35
>> Do you want me to put my attachment?00:25:37
>> Okay. [laughter]00:25:38
>> You got to touch.00:25:39
>> Okay.00:25:43
>> It broke. [laughter]00:25:45
>> Is this something?00:25:48
I mean, it's getting cursed for sure.00:25:52
>> Oh, like this?00:25:53
>> Side to side? You're like more [music]00:25:54
floppy?00:25:55
>> Yeah, that's pretty sick.00:25:56
>> Is this scary? [laughter]00:25:58
>> I'm really scared. Are you going to00:26:00
spray me with something? You have to00:26:02
tell me.00:26:03
>> No. [laughter]00:26:05
>> [ __ ]00:26:09
>> Maria.00:26:10
>> Noah.00:26:11
>> Maria.00:26:12
>> Oh my god. >> This is weird.00:26:14
>> Oh my god.00:26:15
>> Are you Are you comfortable if I00:26:16
>> Um, no thanks. No, I I I'm at work. Do00:26:19
you work here?00:26:20
>> Yeah, I work here.00:26:21
>> I mean, I'm sorry. I'm I'm lying. I knew00:26:23
you worked here. I've been trying to get00:26:24
a job here forever.00:26:25
>> You should go You should go back to00:26:27
whatever you were doing.00:26:28
>> Um Yeah, sure. Okay,00:26:30
>> Sarah. [music] >> Yeah. What's up?00:26:33
>> New hire.00:26:34
>> I have no idea who that is. No.00:26:36
>> Okay. Cuz that's that's my ex.00:26:39
>> Okay.00:26:40
>> And like >> Okay. We don't want00:26:41
>> like or we do. We don't.00:26:43
>> NO. NO.00:26:44
>> BOOM. [ __ ] YOU, MARIA. NOAH REALLY RICH00:26:48
COMING FROM YOU.00:26:49
>> REALLY? You cheated on me with the grim00:26:50
reaper?00:26:51
>> Yeah, his was massive. Oh, look at that.00:26:53
Look at that. She's always about to talk00:26:55
about boners.00:26:56
>> Oh, I'm the BEST JOB YOU'VE EVER HAD.00:26:58
She looks really flexible. So, [crying]00:27:03
[screaming]00:27:05
okay.00:27:08
Look, screens things moving. Do you00:27:12
believe it? I do. And it's right here in00:27:14
this room called Bodies in Motion. Let's00:27:16
take a look at me moving that. I00:27:18
literally thought that that was a00:27:19
person. I believed it. All right, that's00:27:22
been all the fun stuff that I've got for00:27:24
you. I'm going to spend the next 1000:27:26
minutes walking around in my little box00:27:28
with fun cameras and displays. Ready?00:27:32
Montage time.00:27:34
[screaming]00:27:36
[music]00:27:39
Imagine me, your tripsitter.00:27:42
This is how things normally are. You're00:27:44
wrong. You're crazy.00:27:48
You're all going to die. [music]00:27:50
Your bones aren't real.00:27:54
Do you believe it?00:27:58
Cameras distortion. Do you believe it?00:28:01
Technology is crazy.00:28:09
at [music] Miles Channel 925. Angela00:28:11
sometimes gives off would chew water.00:28:14
[laughter]00:28:16
That is such a a specific read on me00:28:20
that I'm going to choose to make a00:28:22
compliment. Here's my coffee. I'm going00:28:24
to try to chew it.00:28:29
Nice. [music]00:28:31
Got me. Danny DeVito 659600:28:35
says [music] Ian always looks like he's00:28:37
one step away from Alcoholics Anonymous00:28:39
meeting. Okay, what even what even is00:28:42
that supposed to mean that I look washed00:28:45
up?00:28:47
Cuz00:28:50
could be on to something there.00:28:51
>> This is from Blue Green 81317. [music]00:28:55
Arasha the kind of girl to pretend to be00:28:58
British at summer camp. [laughter]00:29:01
I00:29:03
respect that.00:29:04
>> How's your British accent?00:29:06
>> It's good.00:29:09
Arasher, the kind of girl to pretend to00:29:11
be British at [music] summer camp.00:29:14
>> It's cuz you were evaluating me00:29:16
>> at na22. [music]00:29:19
Has anyone noticed that Shane sits on00:29:21
tall stools like a toddler in a high00:29:23
[music] chair? Um, I don't know if00:29:26
anyone's noticed it, but it's pretty00:29:29
great. I think it's good for my knees. I00:29:32
think it's fun. I'm free. Me at the00:29:34
gallows.00:29:36
[laughter]00:29:39
Whoa. I've got a dog. Come here.00:29:43
This is Cosmo. [music] And he does a lot00:29:46
of really cool things. And I promise it00:29:48
doesn't raise my heart rate and scare me00:29:50
every time he moves. Let's see him stand00:29:52
up.00:29:53
Normal. And feels normal inside my body.00:29:58
Doesn't that make you not want to barf00:29:59
and run away? A very cute a little00:30:01
heart. Robot dogs. Ripley's Believe It00:30:04
or Not [music] only on Bit City Smos,00:30:07
the YouTube channel.00:30:12
That's just co.00:30:15
I love when Cosmo does that out of the00:30:18
blue. What? What do you want? Thank you00:30:22
for joining me at Ripley's. Believe it00:30:24
or not, my beautiful home that I live00:30:26
in. I sleep in that little cubby. We've00:30:28
got 100 plus attractions all across the00:30:30
United States of America. [music]00:30:32
And you can find all of my cool little00:30:34
things inside there, including Orlando,00:30:38
San Francisco, and my current home and00:30:41
residence, Hollywood, California. Thank00:30:44
you for joining me today, and please00:30:46
[music] come and drop by and give me a00:30:48
little hello. I do take bribes and00:30:51
gifts. The bribe being a ticket to my00:30:54
store. Well, I believe that was the best00:30:57
episode [music] of Bit City. Do you00:30:59
believe it? Oo, that burns my retina. I00:31:03
believe that.00:31:05
Goodbye.00:31:09
Wait, there's [music] more content. We00:31:10
cut half of that. And if you want to00:31:12
watch the other half, you can become a00:31:13
member today. Watch everything we cut00:31:16
out. Everything we cut that wasn't funny00:31:19
enough or too inappropriate. Just be a00:31:21
member. It's [music] so fun. Really fun.00:31:24
People are members. Click the button,00:31:26
the join button right there.Description:
It's HALLOWEEN do you believe it?! Thanks for having us, @Ripleys! https://www.ripleys.com/ SUBSCRIBE: https://smo.sh/Sub2Smosh WEAR OUR JOKES: https://smosh.com/ WHO YOU SEE Ian Hecox // https://www.facebook.com/unsupportedbrowser Courtney Miller // https://www.facebook.com/unsupportedbrowser Shayne Topp // https://www.facebook.com/unsupportedbrowser Damien Haas // https://www.facebook.com/unsupportedbrowser Olivia Sui // https://www.facebook.com/unsupportedbrowser Keith Leak Jr. // https://www.facebook.com/unsupportedbrowser Noah Grossman // https://www.facebook.com/unsupportedbrowser Tommy Bowe // https://www.facebook.com/unsupportedbrowser Chanse McCrary // https://www.facebook.com/unsupportedbrowser Angela Giarratana // https://www.facebook.com/unsupportedbrowser Arasha // https://www.facebook.com/unsupportedbrowser WHO YOU DON’T SEE (usually) Directors: Erin Dougal, Tommy Bowe Editor: Alyssa Lovette (formerly Alyssa Salter) Producer: Anthony Padilla, Ian Hecox Executive Producers, Smosh Main: Anthony Padilla, Ian Hecox Producer, Smosh Main: Erin Dougal Associate Producer: Emily Parker Production Designer: Cassie Vance Art Director: Erin Kuschner, Josie Bellerby Stage Manager: Alex Aguilar Prop Master: Courtney Chapman, Abigail Schmidt Art Coordinator: Bridgette Baron Wardrobe Assistant: Richard Kenwright Set Dresser: Carly Hough Art PA: Emilie Anderson Audio Mixer: Scott Neff Audio Utility: Dina Ramli Director of Photography: Brennan Iketani Videographer: James Hull Camera Operator: Eric Wann Camera Operator: Simone Williams Assistant Director: Alexcina Figueroa Executive Vice President of Production: Amanda Barnes Senior Production Manager: Alexcina Figueroa Production Manager: Jonathan Hyon Production Coordinator: Zianne Hoover Operations & Production Coordinator: Oliver Wehlander Production Assistant: Caroline Smith Director of Post Production: Luke Baker DIT/Lead AE: Matt Duran DIT/AE: Beni Kimuene Post Production Coordinator: Ariana Martinez IT: Tim Baker IT & Equipment Coordinator: Lopati Ho Chee Sound Editor: Gareth Hird Director of Design: Brittany Hobbs Senior Motion & Branding Designer: Christie Hauck Graphic Designers: Ness Cardano, Monica Ravitch Director of Channel Operations: Lizzy Jones Channel Operations Manager: Audrey Carganilla Channel Operations Coordinator: Sabrina Lieberman Director of Social Media: Erica Noboa Social Creative Producer: Peter Ditzler, Tommy Bowe Merchandising Manager: Mallory Myers Social Media Manager: Kim Wilborn Social Media Coordinator: Margaux Bernales Brand Partnership Manager: Chloe Mays Brand Partnerships Coordinating Producer: Liz Kummer Operations Manager: Selina Garcia Talent Coordinator: Danielle Moses People Operations Specialist: Katie Fink Front Office Assistant: Sara Faltersack CEO: Alessandra Catanese EVP of Programming: Kiana Parker Coordinator Producer of Programming: Marcus Munguia Associate Producer, Special Projects: Rachel Collis Executive Assistant: Katelyn Hempstead OTHER SMOSHES: Smosh Pit: https://smo.sh/Sub2SmoshPit Smosh Games: https://smo.sh/Sub2SmoshGames SmoshCast: https://smo.sh/Sub2SmoshCast Smosh Alike: https://www.youtube.com/@Smoshalike?sub_confirmation=1 FOLLOW US: TikTok: https://smo.sh/TikTok Instagram: https://www.facebook.com/unsupportedbrowser Facebook: https://www.facebook.com/unsupportedbrowser
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