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Video tags
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00:00:49
(bells ringing)00:01:15
(guns firing)00:01:23
(crowd yelling)00:01:26
(dramatic music)00:01:44
(horn blares)00:02:13
(laughing)00:02:20
(knocking)00:02:24
(cries out)
[Man In Bed] Hey!00:02:36
(door thuds)00:02:40
(gun clicks)00:02:45
Marco open up, it's me.00:02:54
(door creaks)00:03:00
Leave your gun alone. There's no danger.00:03:06
[Marco] What'd
you come here for?00:03:09
We weren't supposed to
see each other again.00:03:11
I got another job for you.00:03:12
You'll be well paid
if you take it.00:03:45
What do we have to do?00:03:50
You boys can read?00:03:52
(scoffs) Better than you.00:03:53
Come on, talk.00:03:54
What's it all about?00:03:57
These here are
your instructions.00:04:01
Where is it?00:04:02
A long way from
here, down south.00:04:05
And the cash?00:04:11
Here's a down payment.00:04:18
And the rest?00:04:20
This is my commission.00:04:28
Thanks Jacobo.00:04:29
Thanks.00:04:31
How come you picked us?00:04:33
Because you two are the best00:04:34
I got a lot of
confidence in you.00:04:36
Just be sure you follow
them instructions.00:04:44
(door creaks)00:04:46
Goodbye Marco.00:04:50
(door thuds)
(lock clicks)00:05:04
(laughing)00:05:23
* Free00:05:27
* Free to live my life
the way I think I should00:05:37
* Free00:05:41
* Free to be the me
that no one understood00:05:52
* I'll live the life I know00:05:55
* Live the way my
mind now tells me to.00:06:00
One stop before the
village, you get out.00:06:02
They'll send someone
to get you there.00:06:04
And pretend you
don't know me, right?00:06:07
* Rise up to break the
ties that chain me down00:06:14
* Speak slow, the bells and the
world's gone flashing 'round00:06:20
* I'm free at last that
blasted through the bone00:06:30
* Oh free00:06:33
* To do the things I
thought could never be00:06:39
* Free to see the world
in all its ecstasy00:06:45
* This must be heaven00:06:49
* Free00:06:51
* I'm so happy to be free00:06:59
* Free to live my life
the way I think I should00:07:03
(train whistle blows)00:07:10
* Free00:07:12
(train whistle blows00:07:14
* Free to be the me
that no one understood00:07:24
* I'll live the life I know00:07:27
* Live the way my
mind now tells me to00:07:36
* My soul00:07:39
* Rise up to break the
fire that chain me down00:07:45
* Speak slow, the cells the
worlds are flashing 'round00:07:52
* I'm free at last that
blasted through my bones00:08:02
* Free00:08:04
* To do the things I'd
thought would never be00:08:10
* Free to see the world
in all its ecstasy00:08:16
* This must be heaven00:08:20
* I'm free00:08:23
* And so happy to be me00:08:39
(train brakes squealing)00:09:00
Is there a hotel in this town?00:09:02
Of course, sir,
right away, sir.00:09:03
Here, I'll take your case.00:09:04
This way.00:09:06
(train clanking)00:09:12
(gentle music)00:09:16
[Marco] Why'd they close it?00:09:18
Oh they had to
close it last month00:09:19
when those workers were hurt00:09:21
but everything's quiet now.00:09:23
What workers?00:09:24
Oh the strikers.00:09:30
We didn't think you'd
be here until next week.00:09:32
How do you do?00:09:33
I'm the teacher,
pleasure to meet ya.00:09:35
[Marco] I don't understand.00:09:37
But you, aren't you?00:09:38
Who?00:09:39
No you see I thought...00:09:40
You were mistaken.00:09:42
(gentle music)00:10:05
Thank you sir.00:10:16
Morning.00:10:17
Help ya?00:10:22
Wanna rent a room.00:10:24
How long will you be here?00:10:27
Not long.00:10:28
What difference does it make?00:10:34
I'm sure we have a room for you.00:10:43
(dramatic music)00:10:46
(gun clicking)00:10:47
(dramatic music)00:10:53
(clasps clicking)00:10:55
(dramatic music)00:11:02
(bangs)00:11:03
(dramatic music)00:11:06
(bangs)00:11:07
(dramatic music)00:12:00
I'll bring you some supper.00:12:02
I hope you find your
room comfortable enough.00:12:06
How long did you plan...00:12:08
I don't know, a week
I suppose, depends.00:12:10
On what?00:12:11
Several things.00:12:14
Oh.00:12:20
Of course before
he reveals who he is00:12:22
he has to feel secure.00:12:24
He must be the one we've
all been waiting for.00:12:27
You only have to
look in his eyes.00:12:30
I was almost afraid when I first
looked at him this morning.00:12:36
What if he's not?00:12:38
Oh he must be.00:12:51
You probably think
I'm terribly nosy00:12:54
but I'm curious to know
what a man like you00:12:55
is doing in these parts.00:12:57
Interested in land.00:12:58
All the land here belongs
to the rich families00:13:00
a sort of nobility and they
never sell it or buy it anymore.00:13:09
Tell me if you want
anything special.00:13:11
I want my guests in the
hotel to be comfortable.00:13:15
I mean...00:13:31
(dog barking)00:13:42
(creaking)00:13:44
(horses clattering)00:13:47
Whoa, steady.00:13:48
(bangs)00:13:49
Open up.00:13:51
Open up!00:13:52
What's the matter
are you all deaf?00:13:54
Wake up in there.00:13:55
You know I don't like
to be kept waiting.00:13:57
[Man] At this
hour it's too late.00:13:59
Everyone's gone to bed.00:14:00
Soledad this is Ramón,
Don Antonio's son.00:14:02
Open that door or
I'll break it down.00:14:04
Let them get their
clothes on Ramón.00:14:05
(banging)00:14:06
Maybe I want her
without her clothes on.00:14:08
(knocking)00:14:10
[Soledad] They've
come to get you,00:14:11
you must escape while
there's still time.00:14:16
Did you hear me?00:14:21
Let them in.00:14:22
But listen to them out there.00:14:23
They're all half drunk.00:14:25
[Soledad] They'll get worse
if we leave them out there.00:14:26
Go on open up.00:14:37
You see, I told you
she would welcome us.00:14:42
Soledad is very hospitable,
she has a heart of gold.00:14:46
But tonight we didn't come
here to amuse ourselves.00:14:48
I hear the man you were
waiting for has arrived.00:14:52
We've come over tonight
to welcome him to town.00:14:55
Unless you have any objections?00:14:57
No there's no one here.00:15:06
Get him out here!00:15:07
(banging)
(ominous music)00:15:14
Don't get in our way.00:15:19
We aren't gonna hurt him00:15:21
we just don't want any kind
of trouble with you people00:15:23
so we'll teach him to
mind his own business.00:15:25
(ominous music)00:15:37
(taps)00:15:38
(ominous music)00:15:55
That'll be all boys,
you can go now.00:16:00
Go on home, tomorrow
you have to work00:16:02
and I can manage by myself now.00:16:07
Miguel.00:16:08
Yes Don Ramón?00:16:09
Get your guitar.00:16:11
A little music's
what we need now.00:16:13
Something romantic and I
think Soledad will pardon00:16:16
our behavior and even
have a drink with us.00:16:29
The trouble is my father
won't let me have my own way00:16:31
with those people.00:16:33
I'd get things back
to normal in no time00:16:35
and there wouldn't
be anymore strikes.00:16:42
If you try to treat
these peasants well00:16:43
you'll get no thanks.00:16:46
I know how they think,00:16:48
the only thing they
understand is the whip.00:16:51
You have to use it, keep them
in their places like dogs.00:16:55
Eh Rafael?00:16:56
No wait.00:16:59
Come here.00:17:01
Yes sir.00:17:04
Just how old are you?00:17:05
17.00:17:08
You look much older.00:17:11
The breasts of a young girl,00:17:14
a woman's legs and thighs,00:17:16
a woman's thoughts.00:17:20
These people are all the same.00:17:22
Like to dance?00:17:23
Yes I do.00:17:25
Hey Miguel come on I
want some nice dance music.00:17:33
(upbeat guitar music)00:18:37
Alright that's
enough, now go to bed.00:18:44
She's staying here.00:18:46
Bring me a pair of dice.00:18:47
I just had an idea.00:18:49
You know gambling
is against the law.00:18:51
I'm surprised at you
encouraging me to break it.00:18:54
Have it your way.00:18:55
We'll do something more
difficult and sporting.00:18:58
Paco the rifle.00:19:02
And set up the candles.00:19:08
To the best shot, Rafael or me.00:19:12
You see you have
nothing to worry about.00:19:15
No law prohibits sport
so there's no problem00:19:17
about breaking it.00:19:18
What are you betting?00:19:26
What's your name?00:19:27
Maria.00:19:29
She's the stake, Maria.00:19:32
Don't look so shocked,
she likes the idea.00:19:34
You begin.00:19:40
(rifle clicking)00:19:47
(gun firing)00:19:48
(rifle clicking)00:19:51
(gun firing)00:20:00
Your turn.00:20:12
Paco, come here.00:20:17
Shoot for me.00:20:19
But aim carefully.00:20:20
But that's not fair.00:20:21
Sit down Rafael.00:20:30
(gun firing)00:20:32
(rifle clicking)00:20:36
(gun firing)00:20:44
Good.00:20:48
How's that for shooting?00:20:50
I'm the best marksman in town.00:20:52
That is unless there's
anyone else better than I am.00:20:59
You're really rather pretty00:21:01
but I have to be hospitable,
Rafael's my guest.00:21:07
[Rafael] Come on.00:21:11
I hope she's fun.00:21:20
Well goodnight.00:21:21
Ah don't give Rafael a
bill, I'll pay for it.00:21:25
(horse neighing)00:21:34
Soledad, come here.00:21:42
(crying out)00:21:50
(laughs)00:21:57
(dramatic music)00:22:17
(gentle music)00:23:04
(horses clattering)00:23:41
You.00:23:43
And you.00:23:44
You over there.00:23:54
You.00:24:02
You too.00:24:03
And you.00:24:04
Manuel, Juan.00:24:06
You boys are working
for me right?00:24:12
[Paco] Watch your step Jose00:24:13
this isn't the first
time you've interfered.00:24:15
You watch your step Paco.00:24:17
You won't always have your
boss around to protect you.00:24:19
[Paco] Shut up damn you,
I won't take that from you!00:24:24
(crying out)00:24:27
You see it's not
easy to make me shut up00:24:29
but you're welcome to try. Paco, leave him alone.00:24:35
The moon revolves around
the Earth in 29 days00:24:38
and the Earth makes
one complete revolution00:24:40
of the sun each year.00:24:42
The moon is the
satellite of the Earth00:24:44
it does not give off
any light of it's own00:24:46
but reflects the rays of
the sun which fall on it.00:24:49
The moon has several phases,
that is four to be exact.00:24:53
The phases of the moon are
first quarter, second quarter,00:24:57
full moon and fourth quarter.00:24:59
The phases of the moon cause
the high and the low tides.00:25:17
Have a chair I'll
be right with you.00:25:21
[Marco] There's no hurry.00:25:26
What good is your talk?00:25:28
What good are those newspapers?00:25:30
Half the folks here
can't even read.00:25:33
What you oughta do is teach
them to work for themselves00:25:35
the same as I do.00:25:37
That would mean that we'd
made really, no progress.00:25:41
Anyway it isn't
all just talk now00:25:42
we've got something concrete.00:25:44
They've promised to send
us someone who can teach us00:25:46
how to fight for ourselves.00:25:48
Someone to unite us, to
keep us together in this.00:25:51
Maybe he's here already.00:25:53
(metal tinging)00:25:54
Ah he sounds like
a second Jesus.00:25:58
He'll have to be a man
who can change things.00:26:00
Last night we had a visit
from Don Antonio's son,00:26:03
he knows about
the man we expect.00:26:06
Then your guest did he hide?00:26:08
No, no he didn't.00:26:09
They found him only
they didn't do anything.00:26:13
Maybe they're just guessing.00:26:16
He'd be too smart
to say anything.00:26:19
But what is he gonna do?00:26:20
When is he gonna
come and talk to us?00:26:24
Do you want me to
persuade him a little?00:26:25
To settle the matter
one way or the other?00:26:27
I need a horse a couple
of days do you have any?00:26:31
Yeah sure, for how
many days exactly?00:26:35
Don't know, let's say a week.00:26:37
You want it now?00:26:38
No, I'll come back later.00:26:43
Mornin'.00:26:44
Morning, oh listen
those men last night,00:26:46
did they threaten you?00:26:48
No.00:26:49
(metal tinging)00:26:59
If he isn't the man then
when will he get here?00:27:03
(gentle music)00:27:29
(bangs)00:27:45
(ripping)00:27:47
(gentle music)00:28:46
(water splashing)00:28:54
(laughs)00:28:55
Hey, excuse me.00:28:57
I got some soap in my eyes.00:28:59
I can't see anything there
should be a towel here.00:29:03
Oh thanks.00:29:21
But you're not from these parts.00:29:23
How about you?00:29:25
Sort of.00:29:26
You see I'm a
vagabond, a wanderer.00:29:50
We were waiting for a man
who could change everything00:29:53
and they sent us this poor
beggar with no backbone00:29:55
who's so busy stuffing
himself he won't have time00:29:57
to change a thing.00:29:59
[Teacher] But they
promised that, I mean he may.00:30:00
You.00:30:03
Me sir? Yes you.00:30:05
Come over here and
clean my shoes for me.00:30:19
You mean you're
really going to do it?00:30:22
But why?00:30:23
What kind of a man are you
obeying the first person00:30:25
who gives you an order,
poor fool that you are?00:30:28
I'm sorry sir.00:30:29
You're sorry?00:30:31
When I've just insulted
you you say you're sorry.00:30:33
That means your worse than
a fool, you're a slave.00:30:36
Who's a slave?00:30:50
What's your name?00:30:52
Pablo.00:30:53
Don't forget Pablo, don't
let anyone make you put up00:30:55
with any injustice.00:30:57
There comes a moment when
you have to shout, rebel,00:31:01
strike back if necessary.00:31:08
I didn't come all this way
to talk to you about misery00:31:11
or hard work or hunger.00:31:16
I'm one of you.00:31:18
I understand you.00:31:20
I wouldn't be so stupid.00:31:27
We've all been through
the same experience00:31:30
of living in misery,00:31:32
of working the fields
like slaves, like beasts00:31:35
under the hot sun.00:31:37
No I've come here to talk
to you about a new world,00:31:39
a free world.00:31:40
A world where everything
belongs to everybody00:31:42
all together in the same
way, with the same rights.00:31:46
Now we're finished
with those times00:31:48
when class structures could
divide men into oppressors00:31:50
and oppressed, into
slaves and masters.00:31:53
A new life can start for all
of us, you mustn't think it's00:31:56
impossible, that things
have always been like this,00:31:59
that nothing and no
one can change them.00:32:02
We are the masters
of our own will.00:32:05
If we simply remain united,00:32:07
nobody will be afraid of being
killed if we remain united.00:32:12
One thing is sure those who
die leave something to those00:32:14
who stay behind because there
is one thing that can never00:32:17
be destroyed, ideas.00:32:20
They will try to kill us but
they can't kill all of us00:32:21
no matter what they do before
they vanish from the face00:32:23
of the Earth, we've been their
victims now for far to many00:32:26
years, we've built them their
castles, palaces, cities00:32:30
in Spain, America, everywhere.00:32:33
We aren't afraid if we
have to destroy them00:32:35
because we're capable of
constructing a new world00:32:36
from the ruins
because we're capable00:32:39
of changing the
universe if we want to.00:32:41
Well let's begin then.00:32:43
Calm down.00:32:45
It's still to early
we have to wait.00:32:47
There aren't enough of us yet.00:32:48
They could overcome
us to easily.00:32:52
We must organize ourselves
and spread our ideas,00:32:54
let others know how we think
so they'll become like us.00:32:57
(gentle music)00:33:22
(smacking)00:33:24
(gentle music)00:33:32
(rips)00:33:33
(gentle music)00:33:51
It was simply a matter of
time before somebody was paid00:33:53
to kill me, I've always
wondered what my executioner00:33:56
would look like.00:33:58
(gun firing)
(cries out)00:34:07
(ominous music)00:34:48
(door creaks)00:34:49
(ominous music)00:35:03
(door bangs)00:35:04
(ominous music)00:35:13
(crying)00:35:25
He was there upstairs.00:35:27
He probably hasn't
even been out all day.00:35:30
Is that what he said?00:35:31
No (crying).00:35:43
Don't cry Soledad,
it's no use.00:35:46
He always said they'd
kill him sooner or later.00:35:49
But his life wasn't thrown away.00:35:51
Our eyes are open now he
made us see something.00:35:55
That freedom's important and
now you must get used to death00:35:58
even if it isn't easy.00:36:03
(banging)00:36:14
In here.00:36:20
Smash them all!00:36:21
Don't leave one drop!00:36:23
(banging)
(liquid splashing)00:37:14
(horses clattering)00:37:19
(liquid splashing)00:37:23
(horses clattering)00:37:25
(liquid splashing)00:37:28
Where are the men?00:37:29
Where are the people?00:37:31
Are you all scared
to show yourselves?00:37:34
You'll pay for this!00:37:35
I'll make you pay!00:37:37
(horses clattering)00:37:39
(dramatic music)00:37:59
Wait! Back here!00:38:01
Where're you going?00:38:03
(dramatic music)00:38:17
What'll we do with him?00:38:19
[Ramón] Start him walking.00:38:20
Go on get moving.00:38:23
Hurry up and don't
try to run away.00:38:30
(horses clattering)00:38:35
[Soledad] What's going on?00:38:37
You mean you don't know?00:38:38
No I don't, no one's
been here all day.00:38:40
You must have
had a boring time.00:38:41
Well now we're gonna
liven things up a little.00:38:43
Everyone else has been
enjoying themselves00:38:44
so why shouldn't we?00:38:46
What are you
gonna do with him?00:38:47
Don't try to interfere
with us Soledad.00:38:48
Go and open the cellar.00:38:49
Let him go he's
just a poor old man.00:38:51
I said open the cellar.00:38:52
Just mind your own business
and do what I tell you.00:38:54
Get out!00:38:55
Get out of here all of you! Get out!00:38:57
What are you waiting for?00:38:58
Open that door Pablo.00:38:59
Let me go!00:39:00
Take him down there and
make him tell you everything.00:39:02
Out of respect for his
gray hairs of course.00:39:03
[Pablo] Move!00:39:04
[Man] I haven't done anything.00:39:05
Bring the ladder over here.00:39:06
[Man] Let me go.00:39:07
No!00:39:08
[Pablo] Move!00:39:09
[Man] But I haven't
done anything.00:39:10
[Pablo] Give me a hand here. [Man] No, no.00:39:11
Upsy daisy.00:39:12
[Man] No!00:39:14
I don't think you
know my brother Carlos.00:39:16
Carlos.00:39:21
This is the famous Soledad, we
often talk about you at home.00:39:25
(gasping)00:39:26
[Pablo] Do you
know when to talk?00:39:28
I don't know anything.00:39:29
So you don't know anything,
well it's time you learn.00:39:33
This'll refresh your
brains a little.00:39:35
(crying out)00:39:36
No!00:39:37
(bangs)
[Pablo] Have another drink.00:39:38
What's wrong with you?00:39:39
I don't like what's going on.00:39:40
It's no affair of
yours, I already told you.00:39:48
(ominous music)00:40:01
Don't you realize
you're not welcome?00:40:07
This is a private party mister.00:40:16
Hey I'm talking to you.
(bangs)00:40:17
(dramatic chord)00:40:22
I beg your pardon.00:40:26
I'm in the middle of a
game of cards as you see.00:40:29
Carlos let him play.00:40:38
Hey there's something
you better hear boss.00:40:41
I thought so.00:40:42
Come on let's move.00:40:46
And don't lock up because I'll
be back later, understand?00:40:54
Did you tell them anything?00:40:56
Did they make you talk?00:40:57
I'm afraid I'm
not very strong.00:40:59
Did you give any names?00:41:00
Not yours they could've
killed me before...00:41:02
Then whose?00:41:03
The school masters,
isn't there any00:41:04
way you could send
him a message?00:41:06
Hurry take the short cut,
you'll get there first.00:41:09
Don't let them see you.00:41:13
I just didn't have the
strength to hold out, I'm sorry.00:41:17
(ominous music)00:41:22
(knocking)00:41:23
Open the door, open the door.00:41:25
They're coming to
get ya to kill ya.00:41:31
You two men guard the
alley, go surround the house.00:41:38
They oughta be shot.00:41:40
Never mind, just try
to get some rest now.00:41:48
He's hiding in the church.00:41:49
Never mind, that
won't save him Jacobo.00:41:52
Sooner or later he's
gonna have to come out.00:41:54
Let me take care of him,
you can go if you want.00:41:56
Alright, come on let's go.00:41:59
(horses clattering)00:42:10
Soledad, open the door.00:42:23
Where are you going?00:42:25
I'll have to make you supper,
everyone else is in bed.00:42:28
Never mind, you
worry about that later,00:42:31
but first let's you
and me have a drink.00:42:42
I like this place you have here.00:42:44
You know how to
do things Soledad.00:42:48
Sit down.00:42:57
Here's a toast to papa.00:42:59
What's papa got
to do with my hotel?00:43:02
The fact is when
you were 15 you00:43:03
were worth a lot
more then this hotel.00:43:06
You had what it take to
make anyone forget himself.00:43:10
By the way how old are you now?00:43:13
You know my age why ask me?00:43:15
Do you have to
be so aggressive?00:43:18
Because if you'd just relax you
and me could become friends.00:43:22
Only I suspect you prefer
a different type of friend.00:43:26
For example what's there
between you and Jose?00:43:28
Or the teacher, or
all those peasants00:43:30
who think they're gonna
start a revolution?00:43:32
They're all friends
of yours aren't they?00:43:35
What do you want me to answer?00:43:37
You understand me,
we're talking about you.00:43:40
Your relationship with
Jose, your friends.00:43:44
But why would you
be interested in00:43:45
helping those
peasants make trouble?00:43:49
Maybe you want a
drink before you talk.00:43:55
I know that there's
one man in this town00:43:57
who wants to start an
uprising, he's doing00:43:59
everything he can to convince
the people around here.00:44:03
They've been coming
here for their meetings.00:44:07
Isn't that true?00:44:10
Could be, I don't spy
on my clients you know.00:44:13
Yeah.00:44:18
Leave me alone.00:44:23
I hope your friends
all know who gave you00:44:24
the money to open this place,
and why he gave it to you.00:44:28
You've had too much
wine, you should go home.00:44:30
Just a minute.00:44:34
I've been waiting
a long time Soledad00:44:35
to tell you how I really feel.00:44:38
Ever since I was a boy I
wanted you, you drove me crazy00:44:40
but I couldn't have you because
you belonged to my father.00:44:42
Let me go.00:44:44
I don't like, let me go.00:44:49
(whacks)
(cries out)00:44:53
(knife snaps)00:44:54
Now get out of here.00:44:58
You'll be sorry for
this tomorrow, I promise.00:45:00
Alright but now disappear.00:45:16
(dramatic music)00:46:35
(horse clattering)00:46:47
(gun firing)00:47:06
(bell ringing)00:47:57
You can stop right there.00:48:01
Don Antonio take my advice,
it's for your own good.00:48:05
We don't want you
at this funeral00:48:07
and I'm sure the school master
wouldn't want you to be here.00:48:09
How dare you speak like that.00:48:11
Ramón behave
yourself, wait there.00:48:16
He was a friend of mine,00:48:18
it's my privilege to pay
my final respects to him.00:48:20
Yes, he belonged to all
of us, the whole town.00:48:23
Uhhuh, he belonged
to the people,00:48:26
he was murdered for that.00:48:28
Oh but you don't think we
were responsible for his death?00:48:31
Then who is responsible?00:48:33
One of the men that
carried his coffin?00:48:38
Get out of my way Jose.00:48:40
And don't make this funeral
a platform for your politics.00:48:44
And don't try to
hide behind a woman.00:48:46
I said get out of my way.00:48:50
Well what's keeping you
from accusing me outright?00:48:52
Well come on say it.00:48:53
You do believe I'm responsible.00:48:54
Yes, you Don Antonio and
those killers that work for you.00:48:59
I'll have your
tongue ripped out.00:49:04
Now, now, Jose be
reasonable, don't forget00:49:06
we're right in front
of the cemetery.00:49:09
You shouldn't have
accused him without proof,00:49:11
as for my men I can
promise you they had00:49:12
nothing to do with the murder.00:49:14
Anything could have happened00:49:16
the other night, and
the teachers death00:49:17
must have been an accident,
yes just an accident.00:49:22
I wasn't accusing
you Don Lucas,00:49:24
and I don't think
that you're at all00:49:25
responsible and you can come
in with us if you'd like.00:49:29
No, I prefer not to.00:49:33
This is a pretty pass
that we've come to.00:49:35
We've always managed to
get along in the past,00:49:37
living together in peace00:49:39
and now we have all these
accusations, all these threats.00:49:45
Violence is not the right
answer to any of our problems.00:49:48
There must be another way.00:49:50
If there is we'll find it.00:50:03
He wasn't born here, he wasn't
like us but he understood us.00:50:08
And he understood our hardships.00:50:10
What little we
know he taught us.00:50:15
We were proud of having
him here to teach us.00:50:19
And we'll never forget
him, we'll never00:50:22
forget the way he died
or those who killed him.00:50:27
Now you're gonna
answer a few questions.00:50:30
What questions.00:50:31
About what you come
to this town for.00:50:33
Where were you the other night?00:50:36
That has nothing
to do with you.00:50:38
Oh yes it does, since
you've got here two00:50:39
of our people have
been murdered now don't00:50:41
pretend you're not
mixed up in it.00:50:44
Leave me be.00:50:46
Answer me.00:50:47
Your people don't
interest me in the least.00:50:49
You hear me?00:50:51
Now leave me alone.00:50:52
(whacking)
(crying out)00:51:06
I'll make you
tell me everything00:51:08
if I have to break you
up into little pieces.00:51:11
Come on talk, talk.00:51:13
Let him go.00:51:15
He's not the one you want,
he couldn't have been Jose.00:51:19
He was with me that whole night.00:51:23
What are you saying?00:51:25
You heard me Jose.00:51:27
We spent the night together.00:51:35
What is there between you two?00:51:37
He loves me I think,
it's hard to explain.00:51:41
He's the only one here who
can protect us against them.00:51:44
Well why do you wanna
fight them anyway?00:51:47
I don't know, I can't
explain the reasons.00:51:51
I suppose I should leave this
place but I'm not going to.00:51:55
I feel to much hate and00:51:58
I keep hoping for someway
to make them pay for it all.00:52:02
Perhaps that's why I need Jose.00:52:07
But that's not the only reason,00:52:10
you see he gives me
something I've never had00:52:13
in my whole life, something
I've always longed for.00:52:20
Dignity.00:52:44
The big man wants
to speak to you,00:52:45
you'll have to see him
right away tonight.00:52:49
Hey I'm talking to
you, do you hear me?00:52:51
Hm?00:52:53
Of course.00:52:55
[Jacobo] I'll take you to him.00:53:02
What's eating you?00:53:04
Nothing.00:53:06
Don't give me that
Marco, I know you to well.00:53:08
(hawk crying)00:53:16
I don't like this
whole proposition.00:53:18
How come, it's one
of the easiest we've00:53:20
ever had and the best paid too.00:53:23
Sure of that?00:53:24
Yeah.00:53:27
Makes me feel like we're
sitting on top of a powder00:53:28
barrel, I'm sorry but I
feel something's missing.00:53:32
Something, why?00:53:37
For one thing it's better
not to know the men you kill.00:53:44
Well that never
used to bother you.00:53:46
Yeah, but this
time is different.00:53:48
I've been thinking quite
a bit about it Jacobo.00:53:51
Something's wrong
with this job see?00:53:57
Then what do we do?00:54:03
Let's clear out, right now.00:54:05
What, and lose all that money?00:54:06
You're nuts, your crazy.00:54:08
Jacobo listen, I
really mean it let's go.00:54:10
I understand it's because
you've lost your head for00:54:12
that girl and now you can't
think clearly about anything.00:54:15
Look at you, no
back bone anymore.00:54:17
And to hear you
speaking, you'd think00:54:18
that you were a
preacher or something00:54:20
but don't tell me
that you want to go00:54:22
away because of, it's
all because of that girl.00:54:25
It isn't like you
to act this way.00:54:28
Marco you know we've never
had a chance like this before.00:54:32
We'll come out of this
with a nice little pile00:54:33
of money, what the hell do
we care about these people?00:54:36
Come on Marco don't
act like this.00:54:40
Take me to the big man.00:54:41
Sure swell, now
you're making sense.00:54:48
(gentle music)00:54:54
Come on.00:54:55
(gentle music)00:55:15
I have to see Don Antonio.00:55:19
Come on in, I'll
tell him you're here.00:55:29
I'm busy he'll just
have to wait a while.00:55:32
Face up to it Antonio,
things are changing now a days00:55:35
and they'll go on changing00:55:37
because history isn't going
to suddenly halt for you.00:55:39
And you should
realize that we must00:55:41
learn to get on with these
people because we need them.00:55:44
No, I don't need them00:55:46
and without me they'll
starve in a month.00:55:50
What's the point in letting
our wealth go to waste?00:55:54
Who's going to take
care of our land,00:55:56
who'll harvest our
fields and our orchards?00:56:00
And what are they asking for?00:56:04
A bit more bread and
better working conditions.00:56:06
That's the beginning.00:56:09
You give them what they want
there's no stopping them00:56:11
and what'll happen tomorrow?00:56:14
Why don't you leave it to me?00:56:15
In 48 hours I'll have them
eating out of my hand.00:56:18
I'm sorry Ramón but
I refuse to permit it,00:56:21
I don't approve of you
methods, is that clear?00:56:24
What are you getting at?00:56:25
Just what I said,00:56:26
I don't want any man's
blood on my hands.00:56:29
No one's forcing you Lucas.00:56:31
You're quite free to
get along by yourself,00:56:34
but I'll make those
peasants understand00:56:35
for good and all who's
the boss on my land.00:56:37
But that's just suicidal.00:56:40
Sometimes quite a lot
can depend on one man.00:56:43
I tell you if any of
you should give up now00:56:45
it will simply be a
question of time before00:56:47
we will all have to do the same.00:56:50
I think our
responsibility is sacred.00:56:53
We must defend our land even
with our blood if necessary.00:56:55
No the only thing that
is sacred is human life.00:57:00
I know how you feel,
I also want to save00:57:02
what's mine but I'm
convinced we have to00:57:04
give something to those
peasants or lose all.00:57:08
Violence is a very
vicious spiral00:57:12
and it leads to more
and more violence00:57:15
and blood shed and
it knows no limits00:57:19
and that will be
what you get if you00:57:21
try to push these people
to the brink of disrepair.00:57:25
Don't forget it's very
easy to start something00:57:29
but only God knows
how it will end.00:57:32
Lucas you've
been speaking with00:57:33
the preacher too much lately.00:57:36
No, it's my conscience.00:57:40
I'm sorry Antonio I'm going
to negotiate with them.00:57:44
But if you do that it makes00:57:45
our position
completely hopeless.00:57:46
We must all remember our
duty is to stay together.00:57:49
Careful Lucas, our
people have been here00:57:53
a great many generations by now.00:57:55
This land all belonged
to our parents.00:57:58
And before to the parents of
their parents and we will leave00:58:02
it to our children and they
must take up the burden for us.00:58:06
While their fathers and
the fathers of their fathers00:58:09
work themselves to death
to improve your land.00:58:11
That's their destiny.00:58:15
Only sometimes they forget and
we have to remind them of it.00:58:17
No that's an
immoral point of view.00:58:30
I know that what I'm
going to do is right00:58:33
and don't forget from now
on I'll be fair with them.00:58:42
Right one man down,00:58:45
that just means we must
be tougher with them.00:58:48
They're in for a big surprise if00:58:49
they think we're gonna go
down without a struggle.00:58:52
I can promise that,
good night to you all.00:59:19
Don't you want more light?00:59:22
No I'm alright.00:59:27
You can bring in that man.00:59:49
You've already completed
the jobs you came here to do00:59:52
very well but I need your
help again, for the last time.00:59:56
Afraid of someone else?00:59:59
I've never been
afraid in my life.01:00:03
It's not like that.01:00:06
We have to make an example
of one of them, that's all.01:00:09
Who do I kill?01:00:11
Jose that's who.01:00:15
Make it look like a
fight over a woman,01:00:18
Soledad maybe, he's
having an affair with her.01:00:26
Is that clear?01:00:29
Immediately.01:00:30
When it's over my men
will get you out town.01:00:33
(gentle music)01:01:37
You're leaving?01:01:39
Why?01:01:41
I'm not used to
explaining why I do things.01:01:44
Perhaps it's never mattered
to anyone before now.01:01:48
And now who does it matter to?01:01:55
No one.01:01:59
No one.01:02:02
It doesn't matter to you?01:02:07
It doesn't?01:02:13
It does Marco.01:02:19
Prove it.01:02:22
Stay please.01:02:23
(dramatic music)01:03:10
If you're looking for
Soledad she isn't here,01:03:12
I haven't seen her
for quite a while.01:03:14
I know.01:03:40
For a while I thought
that I could stand up01:03:42
to anybody and help the people
get what they're entitled to.01:03:45
But now I realize
that I'm better01:03:47
at taking orders than
giving them to others.01:03:59
Why don't you shoot,
what's a matter?01:04:01
You were paid to weren't ya?01:04:04
Shoot me.01:04:08
Get it over with.01:04:10
You're very clever.01:04:11
I don't need any compliments
from someone like you.01:04:15
Maybe you don't but I could01:04:17
tell you a lot of other things.01:04:18
Such as?01:04:22
They're beginning
to be afraid of you.01:04:25
No you're wrong,
the devil himself01:04:27
couldn't frighten those people.01:04:29
They'll never give in.01:04:31
Now's the moment to
attack, how about it?01:04:37
The village has
nothing to lose01:04:38
but it can still
be made to suffer.01:04:41
That's what holds me back.01:04:43
Apparently you're willing
to accept me as your ally.01:04:49
Well if I'm any
judge you're one of01:04:51
the most worthless
hoodlums I've ever seen.01:04:54
But I'd prefer not to
think of you as an enemy.01:04:57
You're supposed to kill
me and you haven't.01:04:59
Well that makes you the one
they'll want to eliminate.01:05:02
But you know these people
they aren't playing for fun.01:05:05
No neither am I, what's
more I know their weakness.01:05:07
What is it?01:05:09
They're divided,
make your bargain with01:05:11
the one man who agrees
with your conditions.01:05:17
Don Lucas.01:05:18
Have a talk with you, if he'll01:05:19
accept refuse to work
for anybody else.01:05:23
And tell everybody to keep01:05:24
stocks of food and
other provisions.01:05:27
Where are they gonna get them?01:05:30
Where do you think,
from the warehouses,01:05:31
the stores, any place,
it's not important.01:05:35
And if the merchants
refuse we'll01:05:37
have to manage
without permission.01:05:40
One more thing, you
better send someone01:05:42
to tell the people in the
surrounding zones stay away,01:05:45
they have to refuse
to work here.01:05:47
So we boycott
everyone but Don Lucas.01:05:50
By God, not a bad beginning.01:05:51
Yes but just a beginning.01:05:54
(horses clattering)01:06:26
Where are the men?01:06:27
Gone, the men are all gone.01:06:30
What do you mean by that?01:06:31
I told you, they're gone.01:06:33
You won't find them here anymore01:06:35
waiting to take orders from you.01:06:37
Hard times are ahead for
the rich and their servants.01:06:39
Things are going to change.01:06:47
(horses clattering)01:06:52
(bright music)01:08:19
The men will work
for you only if01:08:20
you accept the same
conditions as Don Lucas.01:08:23
What are those?01:08:24
An eight hour
day but you can't01:08:25
employ old men or
little children.01:08:27
50 cents more per
day and 20 percent01:08:30
of the produce
belong to the people.01:08:32
Did you decide on
those conditions?01:08:35
The workers
decided themselves.01:08:36
Anyhow provided the men
come back we'll discuss it.01:08:39
There's nothing to discuss,01:08:41
anyone who doesn't
accept can let his crop01:08:42
rot in the fields,
or go to work himself01:08:44
with his wife and children.01:08:45
Let's go.01:08:47
You're crazy if you think you
can dictate conditions to us.01:09:13
How much longer can we wait?01:09:14
Only a few more days
or it'll be too late.01:09:17
We can't let that happen.01:09:19
It's time we decided to
do something about this.01:09:42
(upbeat music)01:11:16
Relax Marco,
what's bothering you?01:11:18
Don't worry, we're perfectly
safe nobody knows we're here.01:11:36
Soledad there's
no future for us.01:11:39
There's such a lot
I have to explain.01:11:42
I know all I need to.01:11:45
No I have to tell you.01:11:49
I got this friend,
maybe he's a brother.01:11:52
That is we arrived on the
same day at the orphanage01:11:55
so we are brothers maybe
and I'm responsible for him.01:11:59
You see I'm a bit older than
him, he needs protection.01:12:05
We've had a tough life.01:12:15
One day somebody
put a gun in my hand01:12:17
and paid us to commit a murder,01:12:18
it couldn't have been simpler.01:12:20
From then on we've been on
the run, running and killing.01:12:24
Always on the go, never a
moment to rest and think.01:12:30
I don't want to know all that.01:12:32
I know.01:12:34
But I have to explain why
it's impossible for us.01:12:36
If we stop for a minute we'll
be smothered by a past life.01:12:40
Sooner or later it's
gonna catch up with me.01:12:49
I hate this place, I
began thinking here.01:12:52
(gasps)01:13:00
Jacobo.01:13:01
I'm really disappointed Marco,01:13:03
you let me surprise you
like a cheap hoodlum,01:13:05
it's that woman who's done it.01:13:10
No if I hate myself or
something why should I go on?01:13:13
What about me?01:13:15
I'm all alone.01:13:18
You could have left like
me, there's still time.01:13:20
No, you're wrong if you think01:13:21
you can forget all
we've done together.01:13:24
People like us have
to follow the rules,01:13:26
we have to keep our word
and you broke yours.01:13:28
Your days are numbered.01:13:30
Leave while you can,
Jacobo, clear out, get away.01:13:33
I haven't changed Marco,
I'm the same as I always01:13:35
was when we were together but
now we're on different side.01:13:39
I never would have
believed it, never.01:13:41
Leave here Jacobo,
go away, far away.01:13:45
Jacobo.01:13:47
No you have to leave Marco.01:13:49
Go away.01:13:50
You're the one
who has to go, you.01:13:51
You have to go, understand?01:14:24
Alright, next?01:14:25
Rafael Comparo.01:14:26
He just hired me this morning.01:14:29
Camparo, Comparo,
have you got him?01:14:39
No I haven't.01:14:42
Me neither, you live
around these parts?01:14:44
Not really, I came
here because of the work.01:14:46
Who did you talk
to this morning?01:14:47
The boss.01:14:48
You sure of that?01:14:49
Everyone was taking
orders from him.01:14:51
You better wait till we
finished then we'll talk.01:14:52
Give me the money I earned.01:14:53
Maybe you think
you're gonna get out01:14:54
of it just like that, do you?01:14:56
You owe me money you hear?01:14:57
And you'll pay all
of it to me now.01:14:59
Come on, tell him I was working.01:15:01
He was near me
all day, it's true.01:15:03
But your names
not on the list.01:15:04
Stop trying to make excuses.01:15:05
And you stop
shouting like that.01:15:06
That man knows I was working,01:15:08
I was hired by your boss,
he'll remember if you ask.01:15:10
Don't worry you'll
get what you've01:15:11
earned as long as you're
telling the truth.01:15:25
(cries out)
(gun firing)01:15:29
(dramatic music)01:16:02
(guns firing)
(crying out)01:16:17
Come on, kill him.01:16:19
What's the matter with you?01:16:21
(dramatic music)
(guns firing)01:16:45
(thuds)01:16:54
Jacobo.01:17:35
Get out.01:17:37
Remember our pact Marco.01:17:39
Get out Jose I
haven't time to argue.01:17:43
You gotta make that man talk01:17:44
and tell us the truth
that's all I want.01:17:46
Get him to tell the
law why he was paid.01:17:49
That's impossible he's only
got a few minutes to live.01:17:52
And that time belongs to me.01:17:53
(gun clicks)
Now get out.01:18:02
Have it your way Marco.01:18:16
Marco they01:18:23
pulled a fast one on me.01:18:26
Don't worry Jacobo
I'm here to help you.01:18:38
What you gonna do...01:18:40
What are you doing Marco?01:18:42
I gotta leave ya like this.01:18:49
What'll you do without
your kid brother?01:18:52
(somber music)01:19:26
They'll pay for
this, I swear it.01:19:32
(screaming)01:19:36
(dramatic music)01:19:41
(fire crackling)
(dramatic music)01:20:19
(banging)01:20:21
(water splashing)
(dramatic music)01:20:38
(guns firing)01:21:46
Have you locked up everything?01:21:48
[Carlos] Yes father.01:21:50
Don't worry, nobody'll break in.01:21:53
It's terribly cold tonight.01:21:55
And I have a
premonition of evil.01:21:58
There's a full moon,
you can see perfectly,01:22:01
nobody could get near the house.01:22:02
Stir the fire,
it's almost out.01:22:12
Tell me father, when
will it be over, all this.01:22:18
Never, not as long as they go01:22:20
on trying to steal what's ours.01:22:22
Don't say that.01:22:24
It wouldn't break you to come
to terms with the workers.01:22:26
A winter flood does
more damage to you.01:22:28
Why are you holding out?01:22:31
Can my own son
be as weak as that?01:22:42
I'm sorry but I want
to leave you, to go away.01:22:46
Is that all the respect
you can show me my son?01:22:48
But father precisely
because I do respect you01:22:51
I'm trying to hold onto the
memories I had of you from my01:22:53
childhood, when you were strong
and still knew how to smile.01:22:58
Sometimes I waited all
day for a kind look01:23:00
and now I'll remember
you like that.01:23:04
Only I prefer to go.01:23:07
Get me Ramón, tell him
I have to talk to him.01:23:20
Come on in Ramón.01:23:29
What do you want?01:23:31
I've paid you.01:23:32
You've paid me for killing,
that's what I'm here for.01:23:38
I'd be very grateful.01:23:41
You know life can be boring.01:23:50
What's the matter,
lost your nerve?01:23:58
Ramón.01:23:59
Don't move.01:24:02
Now he didn't
shoot your brother.01:24:04
I ordered the men to do
it myself, Jacobo was01:24:07
dangerous he was recognized
by half the people in town.01:24:10
Now leave my son alone.01:24:12
I'll give you anything
you want for his life.01:24:20
(gun clicks)01:24:21
You walk out first
and don't forget,01:24:23
I'll be right behind you.01:24:24
Watch it, if you
hurt a hair on his head01:24:26
I'll make you curse the
very day you were born.01:24:30
I'll track you to the
ends of the earth.01:24:39
(gun clicks)01:24:40
Hold it.01:24:44
You gotta let him
past or he'll shoot.01:24:57
(gun firing)01:24:58
[Carlos] Ramón.01:25:01
Next time he gets
it in the head.01:25:04
Nobody will stop you
from leaving, you can go.01:25:06
We won't shoot you
I give you my word01:25:07
but please leave
my brother alone.01:25:10
Get out of the way.01:25:13
You better do what he says.01:25:42
Where are the rest of the men?01:25:44
Patrolling around the farm.01:25:45
Round them up we'll try to
head them off at the marsh.01:25:47
[Miguel] Right.01:26:22
We gotta kill the horse
with the first shot,01:26:23
I'll say when.01:26:25
Now. (gun shots)01:26:30
Quick stop the horse,
stop the horse!01:26:32
(dramatic music)
(crying out)01:27:04
(gun clicks)01:27:05
(gun firing)
(cries out)01:27:09
(gentle music)01:27:50
I want him dead, I don't
care how but I want him dead.01:28:57
I got even for Jacobo
the way I promised him.01:29:11
Jose asked me to tell you
that he believes in you.01:29:15
Yes but it's all over now,01:29:17
I have to say goodbye
to you and that's all.01:29:21
Take me away from here.01:29:26
No I can't this is your
home and now your life01:29:29
can be quiet and honest and
with the dignity you want.01:29:33
You must forget me, you
must let me forget you.01:29:50
No, I can't.01:29:51
Well you have to
face it Soledad.01:29:59
I want to go with you.01:30:01
The past is finished.01:30:03
The past was already
tracking me down.01:30:08
When you met me I must have
dreamed a thousand nights01:30:11
about what my life would
have been with you.01:30:26
Now you have to pretend
you've dreamt it all01:30:29
and forget everything.01:30:36
And you.01:30:38
You never can tell
with men like us.01:30:40
We don't know what
we'll be doing tomorrow.01:30:44
(somber music)01:31:15
(train clattering)01:32:20
(guns firing)
(glass shattering)01:32:38
* Free to live my life
the way I think I shouldDescription:
Free Western Movie: Trinity Sees Red - Spaghetti Western - This western is set in Valencia, Spain at the end of the 19th century, and stars Terence Hill as a close-mouthed gunslinger. Trinity Sees Red (1970) Director: Mario Camus Writers: Manuel Marinero (story) (as Manolo Marinero), Mario Camus Stars: Terence Hill, Maria Grazia Buccella, Mario Pardo Genres: Drama | Western Country: Italy | Spain Language: English Release Date: 20 October 1972 (West Germany) Also Known As: Trinity schlägt zurück Filming Locations: Almonte, Huelva, Andalucía, Spain Storyline: This western is set in Valencia, Spain at the end of the 19th century, and stars Terence Hill as a close-mouthed gunslinger. The bad guy is the local landlord and aristocrat (Fernando Rey), who horribly abuses the laborers in his community. Reviews: Warning: Spoilers "Tight-lipped and blithely indifferent gunslinger Marco (a fine and intense Terence Hill in a refreshing change-of-pace serious role) gets hired by evil land baron Don Antonio (the always excellent Fernando Ray) to assassinate a man who's planning to start a revolution amongst the local oppressed and impoverished peasants. After finishing his assignment, Marco realizes the error of his ways and sides with the peasants to overthrow Antonio's cruel reign. Director Mario Camus, who also co-wrote the thoughtful and literate script, eschews the expected shoot 'em up formula in favor of something more lofty and ambitious: a thinking man's oater that deals with the weighty Marxist theme of how the strong and wealthy upper class make their living exploiting and degrading the poor and powerless lower class. While it sounds heavy-handed and the pace periodically drags in spots, this movie nonetheless manages to be a gripping and satisfying viewing experience thanks to the well-drawn central characters, the right-on leftist politics, and occasional outbursts of exciting and well-staged action. Kudos are also in order for the sturdy acting from a capable cast: Hill in particular excels in a meaty non-comedic lead role, plus there are praiseworthy contributions from Rey, Mario Pardo as Marco's loyal, easygoing brother and partner Jacobo, Maximo Valverde as the mean Ramon, Angel Lombarte as the hot-headed, but decent and charismatic worker's union leader Jose, Maria Grazia Buccella as feisty hotel proprietor Soledad, and William Layton as the humane Don Lucas. Roberto Geraldi's bright, picturesque cinematography does the trick. Augusto Martelli's twangy score likewise hits the harmonic spot. A pleasant surprise." Written by Woodyanders on IMDb.com. Also Known As (AKA): (original title): La collera del vento Brazil: A Cólera de Trinity Chile (censored version): La Cólera de viento Denmark: Mission hævn Denmark (première title): Banditten med de blå øjne Europe (English title): Revenge of Trinity Finland: Korppikotkat odottavat... France: Trinita voit rouge France (alternative title): La colère du vent Germany (alternative title): Trinity schlägt zurück Greece (transliterated title): I ekdikisi tou Trinita Greece (reissue title): Trinita: Me to pistoli mou anoigo tafous Greece: Sfaires ston ilio, orgi ston anemo Hungary: A szél dühe Italy (complete title): La colera del viento Norway: På oppdrag Portugal: A Cólera do Vento Slovakia: Pomstitel' Trinity Slovenia: Jeza vetra Spain: La cólera del viento Sweden (video title): Trinitys hämnd Sweden (theatrical title): Våldets skördar Sweden (video box title): The revenge of Trinity USA: Trinity Sees Red USA: The Wind's Fierce West Germany: Der Teufel kennt kein Halleluja Yugoslavia (Macedonian title): Bes na vetrot The Wind's Anger ···················································································· FOLLOW US! ✘ Twitter - https://twitter.com/Grjngo_com SUPPORT US! ✘ Membership - https://www.youtube.com/channel/UCyJYCQ6WaEMhdZAuPo799bA/join ✘ Merchandise - https://teespring.com/de/stores/grjngo MORE MOVIES! ► Classics: https://www.youtube.com/playlist?list=PLttOfW_IF8ovPvCT0cNxB8sOzfzXinKAn ► Spaghetti Western: https://www.youtube.com/playlist?list=PLttOfW_IF8oudzC4YAqlrHjF2E2_mOX9c ► All Playlists: https://www.youtube.com/channel/UCyJYCQ6WaEMhdZAuPo799bA/playlists ···················································································· COPYRIGHT: All of the films published by us are legally licensed. We have acquired the rights (at least for specific territories) from the rightholders by contract. If you have questions please send an email to: info@amogo.de, Amogo Networx - The AVOD Channel Network, www.amogo-networx.com.
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