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00:00:00
New York's classic rock cue 104 3 you're
00:00:06
not fat so it doesn't make you fat I
00:00:08
know but its Alice Cooper who's with us
00:00:10
at cue 104 3 and you know thing about
00:00:14
the the new album paranormal and going
00:00:17
back to when I first played Alice Cooper
00:00:19
records on the radio I was thinking
00:00:21
about this persona that you created this
00:00:23
character that you've inhabited he's
00:00:25
like 50 years old now he doesn't know
00:00:29
that you know when you're on stage the
00:00:32
it's great to play a character that
00:00:35
doesn't have an age when I'm having a
00:00:37
teen which is the second last song in
00:00:39
the show you're a teen with a crutch
00:00:41
yeah but I mean at that point Alice is
00:00:45
18 years old and he's angry and I don't
00:00:48
even think about the fact that I'll be
00:00:50
70 next year I mean it's like BAM it's
00:00:53
in the audience believes it well well
00:00:56
the fact the matter is there are some
00:00:58
people who are very good artists but
00:01:00
aren't very good entertainers and you've
00:01:03
been able through the years to be both
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to be an artist but to be a great
00:01:08
showman you know when you're in front of
00:01:09
an audience it's the pressure is to give
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that audience everything you've got you
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know and it's it may be a little odd
00:01:16
villain you know about it
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you know I call myself a villain but
00:01:20
yeah instead of a vaudevillian because
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that's part of the whole Alice Cooper
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character the whole thing about this
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though is is I don't know where that
00:01:26
comes from and my family my there was
00:01:28
nobody in my family that was of
00:01:31
vaudevillian you have to do the
00:01:33
ancestry.com I bet you would find out
00:01:36
but yeah but your dad also loved to
00:01:40
dance yeah that's a performance even if
00:01:43
there aren't a lot of people watching I
00:01:44
think a lot of it is out of fear I think
00:01:47
honestly the character I that I've when
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I first created Alice terrified to be
00:01:52
onstage I was you know I was the same
00:01:54
kid that didn't want to do the book
00:01:55
report that went oh my god she's gonna
00:01:57
drive me can I gotta do it in front of
00:01:58
the class so you became someone else so
00:02:01
he became somebody else I became
00:02:02
somebody I could hide behind which was
00:02:05
this Alice Cooper character can you
00:02:07
explain because I've seen a lot of
00:02:08
mythology where the name Alice Cooper
00:02:11
came from are
00:02:13
Maybury or the Ouija board what's the
00:02:17
real yeah the real deal was that the
00:02:19
band was called the NAS and azz then we
00:02:22
found out that Todd Rundgren had a band
00:02:24
called the net in Philadelphia and we
00:02:26
were naming it after the yardbirds song
00:02:29
the nays are blue because we were big
00:02:31
Yardbirds fans we wanted to be the
00:02:33
American Yardbirds and when we found out
00:02:36
there was an ass we had already had this
00:02:39
notorious reputation for being this
00:02:42
theatrical group that that was a little
00:02:45
bit scary this band was we were not
00:02:46
peace in love we were much more
00:02:49
switchblades and I know the big in Ann
00:02:52
Arbor when I was 16 the big huge giant
00:02:55
dominatrix who first told me about Alice
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Cooper was was she was scary she was
00:03:01
friendly but she was scary
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we were always that we were three of the
00:03:08
guys in the band were art students and
00:03:11
so we thought that way we thought in
00:03:13
those terms and you know the the names
00:03:16
came up we got to come up with a new
00:03:18
name and the differe names came up you
00:03:21
know the Husky baby sandwich you know
00:03:23
that kind of thing you know
00:03:24
and I said no I said let's go the other
00:03:27
way let's name ourselves something
00:03:29
that's really wholesome that's really
00:03:31
like the little old lady that makes
00:03:33
cookies for the kids and and in the
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first name I came up when I said you
00:03:37
know like I was thinking Betty Crocker
00:03:39
I thought Alice Cooper I said that is so
00:03:42
so American like you said it's right out
00:03:45
of Mayberry it's just such an American
00:03:47
name and then we went on with a bunch of
00:03:48
different names that kept coming back to
00:03:51
this Alice Cooper it had a ring to it it
00:03:53
had a rhythm to it later on
00:03:55
I thought Lizzie Borden Baby Jane Alice
00:04:00
Cooper it did have a rhythm to it you
00:04:02
know and it's stuck and it had a little
00:04:05
gothic kind of sound to it you know
00:04:08
pretty soon that name that was such a
00:04:10
sweet little name became a very dark
00:04:14
character you know and I didn't really I
00:04:17
didn't really turn him into a villain
00:04:19
until I got sober hmm before that he was
00:04:24
a victim he was I was now I was drinking
00:04:27
you know didn't realize it was an
00:04:28
alcoholic didn't realize any of that but
00:04:31
I've played this character that was a
00:04:33
bit hunched over and down trodden and
00:04:37
and I realized I was playing a character
00:04:39
that was representing all of the
00:04:42
disenfranchised kids that didn't listen
00:04:44
to crosby Stills and Nash we were this
00:04:47
kind of dark character that was the
00:04:49
whipping boy when I got sober all of a
00:04:53
sudden I said I can't play that
00:04:55
character anymore because I don't feel
00:04:57
like that all that I need to make this
00:05:00
new Alice a villain a very arrogant
00:05:04
villain a Alan Rickman I can do an
00:05:10
imitation of Alan Rickman with one word
00:05:13
from Alice Cooper with us here at cue
00:05:19
104 three we're gonna play some new
00:05:20
music from Alice's album paranormal
00:05:23
necks here on the cue Alice Cooper is
00:05:27
with us this morning here at cue 104
00:05:28
three paranormal the new album and
00:05:31
there's a bonus disc that has live
00:05:33
versions of some big hits with the
00:05:36
original band members but you had some
00:05:38
interesting guests sitting in on this
00:05:41
album including an acquaintance of ours
00:05:43
one of the best dressed men in the whole
00:05:45
world Billy given Oh bill is great yeah and
00:05:48
well when you write a song like like
00:05:50
falling in love and it can't get up
00:05:52
right and it ended up just be in this
00:05:55
Texas Roadhouse kind of song you know
00:05:58
and I've looked at Bob Ezrin Bob don't
00:06:01
get me I went Billy Gibbons and we well
00:06:04
yeah there's no other person that would
00:06:06
play this better than him and we sent it
00:06:08
to him any nailed it and two takes well
00:06:11
let's hear it right now here's the track
00:06:12
featuring Billy Gibbons from Alice
00:06:14
Cooper's new album it's called fallen in
00:06:16
love here on cue 104 three
00:06:18
[Music]
00:06:33
[Music]
00:06:36
fallen in love that's the track
00:06:38
featuring Billy Gibbons on Alice
00:06:40
Cooper's new album paranormal there are
00:06:42
a lot of guest artists on this album
00:06:44
including Larry Mullen jr. from u2 you
00:06:47
know the Mullins was a revelation that
00:06:50
was something that when Bob and I
00:06:51
decided to start this album we said I
00:06:54
said let's not do a concept album let's
00:06:57
not do one cuz we're laments the last
00:07:00
one was you know five or eight of the
00:07:03
albums that we did together were concept
00:07:04
albums and I said let's not do one so we
00:07:07
wrote thirteen great songs great rock
00:07:10
songs so the only product of the only
00:07:12
thing was that had these songs had to
00:07:14
get us off okay that was the whole thing
00:07:17
then I listened back to and I realized
00:07:18
I'd accidentally written the concept
00:07:21
because every single character had a
00:07:24
paranormal problem every single
00:07:26
character had some abnormality going on
00:07:29
in his head that was paranormal well you
00:07:31
described it as kind of 12 episodes of
00:07:33
The Twilight so that was exactly yet
00:07:34
everybody had their little story and so
00:07:37
the name paranormal was the perfect
00:07:39
thing that that hooked them all together
00:07:40
now bob says let's change the entire
00:07:44
bottom it's gonna rock
00:07:45
but let's not use the common our
00:07:47
drummers that we would normally use
00:07:49
let's go with somebody that nobody would
00:07:51
ever expect and Larry Mullins he says I
00:07:54
can get Larry Mullen jr. he said he
00:07:56
wants to play on it that would be
00:07:58
unbelievable because he doesn't go snare
00:08:00
hi-hat he goes Tom Tom hi-hat he'll go
00:08:05
you know he plays all the things that
00:08:07
you would never play and I said it's
00:08:09
gonna change the whole bottom of the
00:08:10
record and it did Alice Cooper's album
00:08:13
is paranormal and finally this another
00:08:16
thing we keep talking about it's a dream
00:08:18
but it's a dream we hope that will come
00:08:20
true someday are we gonna get Alice
00:08:22
Cooper the musical on Broadway
00:08:24
hey I'm it's already written it's called
00:08:26
welcome to my nightmare parts 1 & 2 and
00:08:28
it's already written all it needs is
00:08:31
somebody to come in and yeah write a
00:08:33
little book behind it but I mean it's
00:08:34
it's already done we did it in 1975 and
00:08:37
it was a perfect Broadway show speaking
00:08:41
of perfect Broadway shows I reminded
00:08:43
Shelley the other day that you recorded
00:08:45
a version of a song from her favorite
00:08:47
Broadway show of all time which is West
00:08:49
Side story oh yeah we did jet song yeah in
00:08:52
fact um David winters was our
00:08:55
choreographer and West Side Story I mean
00:08:57
from the welcome to my nightmare and I
00:09:00
mean he was there every day and I went
00:09:02
my side story you know it'd be she said
00:09:05
to me when I tried to sang a little bit
00:09:07
of a tour of the other day said when
00:09:09
you're a jet you're a jet all the way
00:09:10
from your first day today they cut the
00:09:15
cigarette out ruin the whole no no you
00:09:17
leave the cigarette in okay Alice always
00:09:20
a pleasure he ranked you 104 three you
00:09:22
know it's your home whenever you're in
00:09:24
New York thank you so much thank you
00:09:26
New York's classic rock q 104 three

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