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    Download
    00:00:02
    it is class creatives and in this video
    00:00:04
    we'll discuss how Disney animations
    00:00:06
    monana series uses Autodesk Maya to
    00:00:08
    produce award-winning animations for its
    00:00:10
    most recent sequel many of our students
    00:00:12
    are curious about the software and
    00:00:14
    techniques that were used to bring these
    00:00:15
    Cutting Edge animations to life for the
    00:00:17
    highly anticipated franchise which is
    00:00:19
    making a comeback in its most recent
    00:00:21
    chapter moana's latest trailer is
    00:00:23
    looking very promising and picking up
    00:00:25
    where the previous 2016's animated
    00:00:27
    feature left off in this video we'll
    00:00:29
    discuss how the award-winning animations
    00:00:31
    were made with Maya Autodesk paired with
    00:00:33
    state-of-the-art tools integrating
    00:00:34
    handdrawn graphic elements to enhance
    00:00:36
    the 3D characters how liveaction
    00:00:39
    reference footage is used to inspire
    00:00:40
    original acting choices and the key
    00:00:42
    frame animation
    00:00:45
    process shots and animated features
    00:00:47
    often start with story ideas which are
    00:00:49
    then boarded out with comedic and
    00:00:51
    critical moments highlighted for the
    00:00:53
    animators to convey layout is then
    00:00:55
    created by artists to bring these 2D
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    ideas to 3D with environments camera
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    animation and basic character animation
    00:01:02
    animators would then take the layout
    00:01:03
    shot and adjust the camera to heighten
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    the acting and enhance the character
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    seen in the shots sometimes additional
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    background characters are still in
    00:01:11
    production and in this case duplicated
    00:01:13
    rigs were used to represent the
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    additional necessary background
    00:01:16
    characters in The Shot sometimes spheres
    00:01:19
    are used to block in timing quickly
    00:01:21
    versus trying to pose a complex
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    character rig Taking Liberties to
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    enhance the shot like duplicating Rigs
    00:01:27
    and modifying them for background
    00:01:28
    characters were appli IED in this shot
    00:01:30
    to bring these comedic shots to life in
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    early production once animation is
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    finaled it's sent to the tech anim team
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    for cloth hair feathers and necklace
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    details it's a great example of how
    00:01:41
    shots can come together organically
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    through the creativity of the animator
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    and the talents of other departments the
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    final visual team to touch the shot is
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    the lighting department which renders
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    everything together to keep the look of
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    all shots
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    consistent another typical workflow that
    00:01:56
    helps layout and animators is an
    00:01:57
    animation cycle library for characters
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    this helps keep characters on model when
    00:02:02
    moving and saves production time to have
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    a base to start from and bring
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    characters to the scene with movement
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    quickly so often times early impr
    00:02:10
    production Cycles are created for this
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    purpose it also AIDS in developing the
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    personality of the characters we can see
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    the difference in characters personality
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    simply based on their animated walk
    00:02:21
    cycle from Al's tattoo animation the
    00:02:24
    legendary Eric Goldberg who brought the
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    genie to life in Aladdin animated the 2D
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    character on the 3D animated character
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    it's always fun to see how 2D animation
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    can be mixed with 3D assets to add some
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    extra life to scenes like many other
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    cinematics and feature films animators
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    acted out their performances in front of
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    the camera to choose the best acting
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    choices to animate their shots it's not
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    uncommon for animators to act out their
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    performances to try and rough in
    00:02:50
    movements and get animation director
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    approval prior to animating the
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    characters this helps acting be
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    believable in not just timing but
    00:02:57
    crafting solid performances that might
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    not have been thought of by the animator
    00:03:01
    if not acted out in front of the
    00:03:03
    camera sometimes less is more when it
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    comes to acting and over animating can
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    deter genuine acting moments similar to
    00:03:09
    liveaction acting interacting with props
    00:03:12
    sets and complicated shots like
    00:03:14
    characters interacting will all have
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    much more realistic timing and weight
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    when animated with video reference even
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    the most skilled and Veteran animators
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    utilize video reference to create
    00:03:24
    genuine acting
    00:03:26
    performances for this shot the animator
    00:03:28
    studied Youtube footage and viral videos
    00:03:30
    of people getting punched in the face so
    00:03:32
    that they could understand the physics
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    involved details of how the body head
    00:03:36
    and torso react based on impact were
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    crucial for the comical bit to read
    00:03:40
    correctly acting out the shot will also
    00:03:42
    Aid the animator in subtle acting
    00:03:44
    choices in the face and strong body
    00:03:46
    mechanics to animate from for the shot
    00:03:48
    the animator wanted to capture how Moana
    00:03:50
    could not quite do the dance right and
    00:03:51
    how to follow tala's graceful lead so
    00:03:54
    the animator had to capture a tall
    00:03:56
    feeling old yet graceful in the shot and
    00:03:59
    some animators even brought in their own
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    kids to act out some video reference for
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    shots involving young Moana for complex
    00:04:05
    shots involving props such as a rope
    00:04:07
    video reference plays a crucial part to
    00:04:10
    capturing believable body mechanics
    00:04:12
    communication with the tech art team and
    00:04:14
    the animator also is critical to get
    00:04:16
    seamless simulation between the
    00:04:18
    character animation and the simulated
    00:04:21
    props quick pause to tell you a little
    00:04:23
    bit about class creatives they offer a
    00:04:25
    top ranked game design curriculum online
    00:04:28
    all courses are top by industry veterans
    00:04:30
    with experience from Studios such as
    00:04:32
    Disney nauy dog Insomniac Google and
    00:04:34
    more leing the entire process of
    00:04:36
    animation and motion capture using
    00:04:37
    Autodesk Maya by following the methods
    00:04:39
    used to create moana's animation the
    00:04:42
    full AAA animation workflow is explained
    00:04:43
    in detail in their masterclass courses
    00:04:45
    learn professional workflows such as 3D
    00:04:47
    character modeling utilizing industry
    00:04:49
    standard software such as zbrush
    00:04:51
    Autodesk Maya and substance painter the
    00:04:53
    entire character design workflow is
    00:04:55
    covered from start to finish in their
    00:04:56
    masterclass offerings extensive
    00:04:58
    character rigging courses teach the
    00:05:00
    process of how to custom rate characters
    00:05:01
    for all of your project needs land that
    00:05:03
    new job receive higher pay and stand out
    00:05:05
    from the competition the great thing
    00:05:07
    about class creatives is the ability to
    00:05:09
    learn at your own pace and your own
    00:05:10
    schedule get started today for free with
    00:05:12
    the link in the description Disney
    00:05:15
    animators often create pre-production
    00:05:17
    tests to explore character personalities
    00:05:18
    and
    00:05:19
    movements sometimes these tests even
    00:05:22
    become promotional materials for the
    00:05:23
    movie some just remain unseen tests that
    00:05:26
    just Aid other artists internally or
    00:05:28
    help directors see what could be
    00:05:30
    possible early test versions of heii
    00:05:32
    portrayed him as an angry and aggressive
    00:05:34
    rooster with the goal to contrast his
    00:05:36
    crankiness with pua's innocence trying
    00:05:38
    to create comedic moments between them
    00:05:41
    the test visually helped determine which
    00:05:43
    would be the most entertaining ways to
    00:05:45
    convey the characters and create the
    00:05:47
    most memorable moments for the audience
    00:05:49
    sometimes in production shots are
    00:05:51
    animated and directors change their
    00:05:53
    minds on character personalities and in
    00:05:55
    this case heii was originally an angry
    00:05:57
    character which was then reworked work
    00:05:59
    to be more of a quirky goofy comedic
    00:06:01
    character it's always interesting to see
    00:06:04
    how characters change during production
    00:06:06
    and how animators and artists adjust to
    00:06:08
    these demands during the heat of
    00:06:09
    production tests were created between
    00:06:11
    Pua and heihei for not only
    00:06:13
    entertainment purposes but to develop
    00:06:15
    character personalities playing off
    00:06:17
    contrasting personality types is a great
    00:06:19
    animation technique to keep
    00:06:21
    entertainment High while also creating
    00:06:23
    contrast in the animation which
    00:06:25
    heightens viewers attachment to
    00:06:26
    characters in the movie some shots have
    00:06:28
    variations of shots for the directors to
    00:06:30
    choose from and even though an animator
    00:06:33
    might have a preference for one version
    00:06:34
    over the other ultimately the directors
    00:06:37
    make the final call on what goes in the
    00:06:39
    final version of the movie for more
    00:06:41
    imaginative non-traditional characters
    00:06:43
    such as the kakamura tests were created
    00:06:45
    to see how they would move as a group
    00:06:48
    the goal was to also make their
    00:06:49
    individual performances interesting as
    00:06:51
    they move together the test confirm that
    00:06:54
    the characters look best when they are
    00:06:55
    animated with high energy and favoring
    00:06:58
    an up trajectory their of action
    00:07:00
    favoring jumps while throwing Spears
    00:07:02
    with long hang times and always having
    00:07:05
    them bounce and not roll they deduced
    00:07:07
    that rolling was a bit too passive so
    00:07:09
    you'll never see them rolling in shots
    00:07:12
    animated tests can result in Hero
    00:07:13
    characters such was the case for the
    00:07:15
    short gone fishing which was a Moana
    00:07:18
    short that was going to be the trailer
    00:07:20
    for the movie test of the character fish
    00:07:22
    bill was initially a background fish who
    00:07:25
    never was intended to be the main
    00:07:26
    character until an idea for the trailer
    00:07:29
    was pitched
    00:07:30
    he was initially not rigged for
    00:07:31
    animation other than for background
    00:07:33
    swimming motions however the animator
    00:07:35
    added some blend shapes and contact
    00:07:38
    deformers for a shot when he was sliding
    00:07:40
    into Maui's mouth these tests have a lot
    00:07:42
    of value in production and the abilities
    00:07:45
    of the animators lend so much to
    00:07:46
    creating these entertaining moments and
    00:07:48
    memorable characters characters such as
    00:07:50
    tamatoa were often times animated from
    00:07:52
    the video reference of the professional
    00:07:54
    actors video recordings as they recorded
    00:07:56
    their lines I would gladly talk about
    00:07:58
    myself
    00:07:59
    do you mind if I do it in song form now
    00:08:02
    I know I can be happy as a because I'm
    00:08:06
    beautiful baby the element of water
    00:08:09
    plays a huge role in the universe and
    00:08:10
    story of Moana very early in production
    00:08:14
    tests were necessary to test the
    00:08:16
    capabilities of the anthropomorphic
    00:08:18
    ocean character animators created
    00:08:20
    numerous tests to figure out how to make
    00:08:22
    water emote tests such as the water
    00:08:24
    waving were created to show the
    00:08:26
    directors ideas on how the ocean could
    00:08:28
    emote and water rig internally dubbed
    00:08:31
    Gretchen was created to animate the
    00:08:33
    water interacting with baby Moana these
    00:08:36
    key poses of the water rig were then
    00:08:38
    handed off to the visual effects team to
    00:08:39
    finalize the critical storytelling
    00:08:41
    moment similar approaches were made for
    00:08:43
    other shots involving water using basic
    00:08:46
    geometric shapes to block in movements
    00:08:48
    before final effects are created around
    00:08:51
    the blocked in movements Todd the
    00:08:53
    reference and storyboards were created
    00:08:54
    to capture the genuine acting movements
    00:08:56
    of baby Moana look tests were created to
    00:08:59
    Target development of the look of the
    00:09:01
    effect as well as how it could enhance
    00:09:02
    character development moments in the
    00:09:04
    movie for the original trailer shots
    00:09:06
    were combined together to animate Moana
    00:09:08
    and an animated fish for a final
    00:09:10
    composition as with many trailers and
    00:09:12
    animated shots unused ideas for animated
    00:09:15
    character acting were left on The
    00:09:16
    Cutting floor unused Maui's
    00:09:18
    Transformations included a lot of
    00:09:20
    interesting ideas to convey his
    00:09:21
    abilities to become other animals it
    00:09:24
    required a tight level of communication
    00:09:26
    between the animator to the visual
    00:09:27
    effects team to bring the transitions to
    00:09:29
    life seamlessly transitions need to be
    00:09:31
    quick convincing and entertaining to the
    00:09:33
    viewer a lot of the charm from Moana was
    00:09:36
    the musical moments that were animated
    00:09:38
    by the
    00:09:39
    artists with the directors choosing
    00:09:41
    which songs would have the most impact
    00:09:43
    during critical storytelling moments
    00:09:45
    while developing Maui Tess were created
    00:09:47
    to try and capture his personality for
    00:09:50
    complex shots with multiple characters
    00:09:52
    on the screen animators have to consider
    00:09:54
    what the focus of the shot will be and
    00:09:57
    when too many movements can start to
    00:09:58
    become a distra action making sure you
    00:10:01
    have clear poses is critical for these
    00:10:03
    types of shots in this sequence a gear
    00:10:05
    change was critical for Moana to change
    00:10:07
    her mood from being bored to then
    00:10:09
    overwhelmed by excitement from her
    00:10:11
    fellow villagers for Action sequences
    00:10:14
    and overall shot planning 2D
    00:10:15
    storyboarding was used for the planning
    00:10:17
    stages prior to animation this helps the
    00:10:20
    animator plan out key poses and rough
    00:10:22
    out timing it's common to utilize a mix
    00:10:25
    of 2D storyboards for shot and post
    00:10:27
    planning and liveaction video reference
    00:10:29
    to craft realistic poses and enhance the
    00:10:31
    acting of each shot even with
    00:10:33
    storyboarding and rough animation some
    00:10:35
    shots are even broken into two sections
    00:10:37
    shared between two animators for the
    00:10:39
    final shot it's not uncommon for
    00:10:41
    directors to change their minds on shot
    00:10:43
    angles and acting choices as the shot
    00:10:46
    progresses to heighten storytelling and
    00:10:48
    character staging 2D can be used for
    00:10:50
    many aspects from initial blocking and
    00:10:53
    pushing poses based on initial 3D
    00:10:55
    blocking with complex shots such as
    00:10:57
    these which involve water effect
    00:11:00
    body mechanics conveying weight and
    00:11:02
    interacting with the Rope tight
    00:11:04
    communication was necessary between the
    00:11:06
    animator Tech anom and lighting teams to
    00:11:09
    get the shot to look its best some
    00:11:11
    animators prefer to roughly draw poses
    00:11:13
    to visually test timing before they
    00:11:15
    dedicate time to crafting poses in 3D
    00:11:18
    this is a personal preference and the
    00:11:20
    workflow can vary from animator to
    00:11:21
    animator some shots can require over a
    00:11:24
    dozen artists to finalize from
    00:11:25
    thumbnails storyboarding animation
    00:11:28
    technical animation effects and lighting
    00:11:30
    it's not uncommon for short 2cond shots
    00:11:32
    such as this one to require several
    00:11:34
    artists working together to bring it to
    00:11:36
    life well that about wraps up this video
    00:11:39
    on how Disney's Moana series utilizes
    00:11:41
    Autodesk Maya and why it's an important
    00:11:43
    integral piece to the feature film
    00:11:45
    animation creation process all
    00:11:47
    departments work together to bring
    00:11:49
    something new to the film the
    00:11:51
    combination of video reference mixing 2D
    00:11:53
    and 3D shots and advancements and visual
    00:11:55
    effects helped create one of Disney's
    00:11:58
    most watched franchises to life the
    00:12:00
    newest entry in the series looks better
    00:12:01
    than ever will you be watching in
    00:12:03
    theaters on release day let us know your
    00:12:05
    thoughts in the
    00:12:07
    comments and uh don't forget to like And
    00:12:09
    subscribe and we'll see you in the next
    00:12:11
    one perfect

    Description:

    How does Disney Animation's Moana franchise use Autodesk Maya to create award winning animation? Learn how the award winning movie franchise utilizes Autodesk Maya and industry workflows with keyframe animation, rigging, and more! Limited Access FREE trial: https://www.classcreatives.com/ Class Creative’s Maya for Beginners: Complete 3D Animation Masterclass | Comprehensive Foundational Guide!! UNLIMITED Course Access: https://www.classcreatives.com/bundles/pro Subscribe to our newsletter at: https://www.classcreatives.com/pages/subscribe Sponsors: 30 Days Free via Links - MAYA AUTODESK: https://www.autodesk.com/products/maya/overview?cjdata=MXxZfDB8WXww&mktvar002=afc_amer_us_maya&AID=15223429&PID=100275069&cjevent=d140091afa6d11f082381aa20a18b8f6&affname=100275069_15223429 ADOBE CREATIVE: https://www.bit.ly/CCADOBE MAYA INDIE (Supports Python Scripting): https://www.autodesk.com/campaigns/me-indie Wacom (10% off code:class_creatives_wacom):https://estore.wacom.com/en-us?irclickid=VwRxfKSJNxycUUHQV2SuWy3SUkpSbaWorVoIXU0&irgwc=1&afsrc=1 Pro Gear Our Instructors Use ►► https://www.amazon.com/shop/classcreatives Small commission earned from your support. ----------------------------------------------------------------------------------- Timestamps 00:01 How Maya is used for animation in the Oscar-Winning Disney franchise sequel Moana 2 00:46 Pre-Production: Animation Tests & Layout 01:55 Maya Animation: Library Cycles 02:22 2D Animation: Mixing CG & Traditional Styles 02:37 Maya Autodesk 3D Animation & Video Reference 04:21 Class Creatives Masterclass Access 05:14 Hei Hei & Pua: Animation Personality Tests 06:40 Unique Characters: Kakamora & Fish Bill Animation Tests 08:08 Water VFX 09:05 Production Shot Planning 10:12 Storyboarding: Story Planning & Animation 11:36 Conclusion This video features the work from the following artists: https://vimeo.com/user5107322 Minor Jose Gaytan https://vimeo.com/reeceporter Reece Porter https://vimeo.com/user1670418 Trent Correy https://vimeo.com/user979512 Benson Shum https://vimeo.com/user1054738 Brien Hindman https://vimeo.com/amandaz Amanda Zima https://vimeo.com/user2137310 Adam Green https://vimeo.com/nicolasprothais Nicolas Prothais https://www.facebook.com/unsupportedbrowser Mario Furmanczyk https://www.facebook.com/unsupportedbrowser Oonaraoo Nara Youn https://www.facebook.com/unsupportedbrowser Chad Stubblefield https://www.facebook.com/unsupportedbrowser Bill Schwab https://www.facebook.com/unsupportedbrowser Hyrum Osmond https://www.facebook.com/unsupportedbrowser Kee Suong https://www.facebook.com/unsupportedbrowser Allen Ostergar Learn everything necessary to learn Character Animation utilizing Autodesk Maya taught by a AAA game professional with university level accredited instruction! We will cover the basics starting with the Ball Bounce, Pendulum, and how to apply the 12 principles of animation to the human form. We will apply all fundamental aspects taught to create full in game polished animations of: Idle, Walk, Run, Jump and more. In this foundation course we will be learning the fundamentals of Character Animation and game development. (specifically for the Unreal engine, but this method will also work for other game engines such as Unity). Autodesk Maya is the industry standard 3D animation software, understanding the concepts in this course will help you land a job in the game, film, tv, or music industry. In this course you will learn how to animate your custom created character from scratch. Over 15 hours of Animation instruction! We’ll be utilizing the latest software packages that top tier gaming studios of today use to create all of your favorite titles! Autodesk Maya, Unreal Engine’s Maya Animation Rigging Toolset (A.R.T. for short), and the Unreal game engine. Why Learn From Class Creatives? This course features an accredited university level animation instructor who has over 15 years of experience animating both keyframe, and motion capture for studios such as Naughty Dog (Uncharted Franchise), Insomniac (Ratchet and Clank Franchise), Guerilla Games (Killzone Franchise), Sucker Punch (Infamous Franchise), Google, Disney and more. Whether it be a complex hyper realistic animation or a cartoony stylized “Disney” character animation it ALL starts with the fundamentals which we cover in these lectures.

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      The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

    question iconWhy does my computer freeze when loading a "Moana 2: How Disney Animates with Autodesk Maya" video?arrow icon

      The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

    question iconHow can I download "Moana 2: How Disney Animates with Autodesk Maya" video to my phone?arrow icon

      You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

    question iconHow can I download an audio track (music) to MP3 "Moana 2: How Disney Animates with Autodesk Maya"?arrow icon

      The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

    question iconHow can I save a frame from a video "Moana 2: How Disney Animates with Autodesk Maya"?arrow icon

      This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

    question iconHow do I play and download streaming video?arrow icon

      For this purpose you need VLC-player, which can be downloaded for free from the official website https://www.videolan.org/vlc/.

      How to play streaming video through VLC player:

      • in video formats, hover your mouse over "Streaming Video**";
      • right-click on "Copy link";
      • open VLC-player;
      • select Media - Open Network Stream - Network in the menu;
      • paste the copied link into the input field;
      • click "Play".

      To download streaming video via VLC player, you need to convert it:

      • copy the video address (URL);
      • select "Open Network Stream" in the "Media" item of VLC player and paste the link to the video into the input field;
      • click on the arrow on the "Play" button and select "Convert" in the list;
      • select "Video - H.264 + MP3 (MP4)" in the "Profile" line;
      • click the "Browse" button to select a folder to save the converted video and click the "Start" button;
      • conversion speed depends on the resolution and duration of the video.

      Warning: this download method no longer works with most YouTube videos.

    question iconWhat's the price of all this stuff?arrow icon

      It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.