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00:00:02
[Music]
00:00:26
[Music]
00:00:33
ladies and
00:00:34
gentlemen ladies and Gentlemen please I
00:00:37
know you're all aware of the reason for
00:00:39
this little celebration and it's only
00:00:40
fitting that I Max black head of paragon
00:00:43
Studios should make the announcement but
00:00:45
first a toast to the lovely Marie Morgan
00:00:50
one of Hollywood's and paragon's top
00:00:55
stars and to that young man who was so
00:01:00
Sensational in my last film and who will
00:01:02
be co-starred with Miss Morgan and her
00:01:03
next the three sisters Mr Tony
00:01:09
D and now that the commercials are out
00:01:12
of the way let me make the official
00:01:14
announcement of the engagement of Marie
00:01:15
and
00:01:18
Tony and wish them both a happy marriage
00:01:28
[Music]
00:01:35
good night Mar good have your will you
00:01:37
dear yes thank you m thank you for
00:01:39
everything not at all oh
00:01:44
darling you be careful I love you and I
00:01:48
love you don't worry nothing will happen
00:01:54
[Music]
00:02:06
[Music]
00:02:12
[Music]
00:02:27
good night Max
00:03:07
[Music]
00:03:17
[Music]
00:03:29
[Music]
00:03:45
[Music]
00:03:55
you
00:04:04
[Music]
00:04:15
Hal
00:04:20
[Music]
00:05:23
[Music]
00:05:29
this is Rudolph Valentino the greatest
00:05:31
lover in the history of films most of
00:05:33
you are too young to remember his
00:05:34
glorious and triumphant career but from
00:05:37
the first moment he appeared on the
00:05:38
screen his Magnetic Personality
00:05:40
captivated the hearts of all women he
00:05:43
became the first M Idol he became the
00:05:45
symbol of romance Glamour and the dream
00:05:48
of impassioned women all over the world
00:05:51
I'll take any of the
00:05:52
Beatles there have been many screen
00:05:55
lovers from Tyrone Power to clar Gable
00:05:56
who tried to emulate him without success
00:05:59
there have been many casting agents who
00:06:02
think that I should play the story of
00:06:04
his
00:06:06
life but uh I don't want to be
00:06:13
tight now uh here's the group you've
00:06:15
been reading about the three Styles who
00:06:18
work for Paragon Studios who
00:06:19
mysteriously disappeared one by one
00:06:22
Stella
00:06:24
Castello Ralph tenir and lesie packet
00:06:28
another figure will be added to this
00:06:30
group soon that of Tony Deans the last
00:06:32
daughter to disappear only 3 months ago
00:06:35
these disappearances remain one of the
00:06:36
great Unsolved Mysteries of
00:06:39
Hollywood right this way
00:06:51
[Music]
00:07:09
[Music]
00:07:29
well my
00:07:31
baby I'm very proud of
00:07:36
you you could be a great
00:07:40
lady
00:07:41
Perfection immortalized in
00:07:44
wax you could be the face that launched
00:07:47
a thousand ships Helen of Troy a
00:07:49
princess the woman of Don
00:07:52
keyote you could be these and more my
00:07:55
darling but unfortunately in just a day
00:08:02
yeah there's a detective has to see Mr
00:08:05
Vincent Renard would he be in I'll be
00:08:08
happy to see Mr hasell send him in Mr
00:08:11
rard is in the work room the door next
00:08:13
to Marilyn
00:08:15
Monroe
00:08:18
thanks excuse me my baby we have a
00:08:22
visitor I'll be back
00:08:30
is this visit social or official or
00:08:33
official you remember my partner Bud
00:08:35
Carver oh yes Mr Carver Mr well I uh
00:08:38
haven't seen you since the uh Tony Dean
00:08:40
thing yeah the Tony Dean case is still
00:08:42
open yes I know what could I do to
00:08:46
help
00:08:48
well remember you told me that you were
00:08:50
going to make a wax figure of Tony Dean
00:08:52
to join the others here at the Museum oh
00:08:55
yes I'm working on it why if we take a
00:08:57
look at it
00:08:59
well what if there's no objections no no
00:09:02
objections certainly not it happens to
00:09:05
be
00:09:11
here see that looks like him that's
00:09:14
remarkable
00:09:17
remarkable natural naturally yeah
00:09:21
naturally tell
00:09:23
me has there been any well has there
00:09:26
been any unusual curiosity over this
00:09:30
no only a small rumor I think serious
00:09:33
what small rumor I don't like to say it
00:09:37
but do me a favor will you say it anyway
00:09:39
well it's rather Petty of me and I don't
00:09:41
like to repeat
00:09:42
rumors but there's a story going around
00:09:44
that Paragon and Max black have a $2
00:09:47
million policy on Tony that could be the
00:09:50
motive a motive For What come now Mr has
00:09:54
now wait a minute it's never been
00:09:56
established that Tony Dean was murdered
00:09:57
if that's what you're getting at
00:09:59
he's still classified as
00:10:01
missing money especially insurance money
00:10:05
is a pretty good motive the best number
00:10:08
one suspect the insurer of the insured
00:10:13
now listen Tony Dean's box office
00:10:15
potential was worth millions to Paragon
00:10:17
pictures besides insurance companies
00:10:20
don't pay off without a corpus dcti
00:10:22
that's a
00:10:25
body thank you Mr Carver we know you
00:10:29
know I rather like this Mr
00:10:31
Haskell and I rather like you I love to
00:10:35
play games do you mind if I carry it
00:10:37
further not at all well we have number
00:10:39
one motive money number two jealousy Mr
00:10:45
Dean had announced his engagement to
00:10:46
miss Marie Morgan on April 3rd and
00:10:49
begging your pardon Mr Vincent not
00:10:52
counting Mr Black there were two between
00:10:55
you and Mr Dean uh Mr Ralph tenir and a
00:10:58
Les Packer both incidentally among the
00:11:01
missing and both under contract of
00:11:04
paragon pictures thank you very much Mr
00:11:07
car thank you Mr Carver that leaves us
00:11:10
uh two motives so far so what does all
00:11:12
this
00:11:16
prove well legally nothing
00:11:20
except Mar is the kiss of
00:11:23
death you manage to
00:11:26
survive you survive Miss Morgan and Mr
00:11:29
Black
00:11:32
yes uh I was shall we say
00:11:39
[Music]
00:11:41
fortunate what soft what right through
00:11:44
yonder window
00:11:48
breaks is the East and Juliet is the sun
00:11:52
arise Fair son and kill the moon with
00:11:55
envious Delight oh Romeo Romeo
00:11:59
wherefore art thou Romeo well I tell you
00:12:03
Juliet old Romeo he's out in that there
00:12:05
Woodshed yeah yeah and he's hiding his
00:12:08
secret love from all them capulets and
00:12:12
monu
00:12:13
and black Maxes darling it won't be long
00:12:19
you keep saying that Julia H you say it
00:12:20
for weeks Max has been good to me I
00:12:23
can't forget that Max is good to Max he
00:12:27
treats you important cuz you are
00:12:29
important but importance is the one
00:12:31
commodity that Max black ain't never
00:12:33
going to have no how no way perhaps but
00:12:37
I can't forget what he's done for me I
00:12:40
know he built my confidence up developed
00:12:43
what ability I have that was an
00:12:45
investment honey and it sure paid off
00:12:49
for whatever the reasons are I am
00:12:51
grateful you can be grateful honey be
00:12:54
grateful all you want but look at it
00:12:56
from my point of view how do you think I
00:12:58
feel this fat old man this old leous
00:13:02
evil Wicked man yeah he shows you off he
00:13:05
he he Ms you and he PA you is a stubborn
00:13:09
old man I know honey but look tell him
00:13:12
tell him today will you today he'll fire
00:13:16
you I don't want to work no how besides
00:13:20
there's always you I you I unemployment
00:13:25
insurance
00:13:33
do you need me oh baby do
00:13:38
I you kill the moon with envious Delight
00:13:43
oh don't kill it Benny I want it I want
00:13:46
the moon I want the Moon and the Sun and
00:13:49
all the
00:13:50
stars baby I want you
00:13:55
[Music]
00:14:01
you can't go through this I won't let
00:14:03
you oh Max we have been through this
00:14:05
aund times now I I love Vinnie and I'm
00:14:08
going to marry him and that's all there
00:14:09
is to be you marry Vinnie Over My Dead
00:14:12
Body come on huh come on it's time for
00:14:15
you to no you can't do this to me I made
00:14:17
you a star You Belong To Me Nobody
00:14:20
belongs to anybody come on nobody this
00:14:23
ma black but nobody you're mine and
00:14:26
nobody's going to take you away from me
00:14:27
nobody do you hear nobody Max come on
00:14:30
you're hurting come on Max boy let's go
00:14:32
home my sure you shut up look okay so
00:14:35
I'm high you get this you're through I
00:14:39
Max black I made you head of
00:14:41
makeup I can make you so tiny again that
00:14:45
nobody will ever be able to find you Max
00:14:47
boy let's do it tomorrow right now let's
00:14:49
go home I'll leave when I'm ready to
00:14:51
leave Max do you have any consideration
00:14:53
you shut up you're nothing but an
00:14:54
opportunistic little aren't we all
00:14:56
mached up come on you want to F it you
00:14:59
fire me tomor come on I'll take you
00:15:03
[Music]
00:15:11
[Music]
00:15:25
[Applause]
00:15:35
[Music]
00:15:41
[Music]
00:15:54
well it was an accident wasn't it
00:16:03
it still hurts
00:16:08
huh no Mr
00:16:10
Hask I accept it as
00:16:17
unintentional I'm uh sorry Mr
00:16:20
vinon it's quite all right well we got
00:16:23
to be going uh Mr H this is now my life
00:16:27
these creatures creating I'm I'm happy
00:16:31
very happy here I have no time no room
00:16:36
for regrets your
00:16:38
buiness I have only time for my
00:16:41
work well thanks very much for your time
00:16:44
I'm sorry again Mr vinon oh wait perhaps
00:16:47
you'd like to have that as a
00:16:50
souvenir thanks Mr Vin no thanks anyway
00:16:54
let's go car goodbye gentlemen
00:17:02
I suppose he's got a good reason to hate
00:17:04
Max his face Len that do Marie Morgan
00:17:09
there's no pattern butd nothing makes
00:17:11
sense you know if something would have
00:17:13
happened to Max or even Marie
00:17:16
but I don't know maybe there is no
00:17:20
connection maybe some nut just doesn't
00:17:22
like actors
00:17:24
yeah you know I'm beginning to hate them
00:17:27
myself let's go have a little talk with
00:17:29
Marine
00:17:32
Morgan my
00:17:34
family did you hear then
00:17:37
H my happy
00:17:39
family shrunken heads and
00:17:46
dummies I'm not hateful why should I be
00:17:50
hateful I
00:17:53
survived I was
00:17:57
lucky I'm not
00:18:00
and I'm not vindictive not at
00:18:03
all I'm
00:18:05
sweet I'm
00:18:08
lovely I'm
00:18:10
Charming and I make beautiful works of
00:18:14
art shrunken
00:18:17
heads
00:18:21
dummies I like you certain I don't like
00:18:25
you
00:18:28
I don't like you I don't like
00:18:34
you but I'm not
00:18:39
resentful and I'm not
00:18:42
vindictive and I'm a terribly nice
00:18:47
man say
00:18:50
yes say yes
00:19:23
may I help you yes please we'd like to
00:19:25
see Miss Morgan I'm sorry but Miss
00:19:28
Morgan anybody I'm I'll have to assist
00:19:30
man I'm detective ask ter it's all right
00:19:33
let them
00:19:37
in Mr H Morgan have you heard any I'm
00:19:41
afraid not this is just a routine
00:19:43
followup oh this is Fant bud how do you
00:19:48
do well it's been uh 3 months 6
00:19:52
days no
00:19:54
information nothing accomplished in all
00:19:56
this time
00:19:58
I don't know it just seems very strange
00:20:00
that someone can disappear off the face
00:20:02
of the Earth with no
00:20:03
Trace well it's usually like some kind
00:20:05
of a jigsaw puzzle until you find all
00:20:07
the missing pieces up till now only
00:20:10
three people are involved in this case
00:20:12
you Max and Vincent no apparent
00:20:24
motive well let's see what we do have to
00:20:27
go on now m that as Mr black he was your
00:20:31
um well your first boyfriend
00:20:34
right yes before
00:20:37
Vincent he was kind of jealous of
00:20:39
Vincent wasn't he matter of fact he was
00:20:41
one that caused Vincent to have that
00:20:45
accident po
00:20:59
been a long
00:21:03
time any why didn't you want to see
00:21:11
me I
00:21:14
know you're upset about the
00:21:19
accident well you're overly sensitive
00:21:21
about
00:21:22
Max he was
00:21:24
drunk go away
00:21:46
he don't send me
00:21:48
away talk to
00:21:50
me out here get
00:21:55
out they do wonderful things
00:22:01
you can have surgery
00:22:08
and they can give you a new
00:22:15
why me an
00:22:20
i all you can remember is this come on
00:22:25
look at it look at it Marine look at it
00:22:29
I want you to look at it I want you to
00:22:31
look at it look look
00:22:36
[Music]
00:22:43
[Music]
00:22:56
[Music]
00:23:04
[Music]
00:23:16
it's not a pretty story is
00:23:19
it no I suppose you're aware of the fact
00:23:22
that VIN is making a wax figure of Tony
00:23:25
for the museum
00:23:28
he
00:23:31
is what along with Ralph Stella and
00:23:35
lesie I guess that's the general
00:23:39
idea I don't know if I like
00:23:42
that I don't want to share Tony with
00:23:44
everybody
00:23:47
else that's all Mr
00:23:50
Asal oh I suppose that covers about
00:23:52
everything just for now good day miss
00:23:55
Morgan
00:24:16
but now the shock of this thing should
00:24:17
have worn off sure need to be still
00:24:20
taking it pretty hard though don't you
00:24:22
just doesn't seem logical that she could
00:24:24
have had anything to do with
00:24:25
itless she's a nut too
00:24:32
[Music]
00:24:42
hello hi
00:24:45
Vinnie it's um it's been a long
00:24:52
time
00:24:56
yes a long time
00:24:59
well I I I suppose I I should have
00:25:02
called you but
00:25:04
unreasonable no
00:25:09
unapproachable well they say that uh
00:25:12
Time Heals not
00:25:16
always am I uh disturbing
00:25:19
you no not at
00:25:22
all well I understand that your um your
00:25:26
wax figures are very good
00:25:29
thank
00:25:31
you are you
00:25:34
um are you doing
00:25:39
Tony yes he's practically finished just
00:25:43
needs a few touches well tell me vin he
00:25:46
is
00:25:47
uh is he
00:25:53
good it's the best I've ever done
00:25:57
Masterpiece what is should come over for
00:26:00
dinner well
00:26:04
Marie please finny I'll come to dinner
00:26:09
thank you
00:26:10
Vinnie early
00:26:17
early hello Marie hello Marie hello
00:26:23
Marie hello Marie hello
00:26:27
Marie hello Marie hello Marie shut up
00:26:31
hello Marie hello Marie hello Marie
00:26:37
hello Marie hello Marie hello Marie
00:26:42
hello Marie hello Marie hello Marie
00:26:47
hello Marie hello Marie hello Marie
00:26:52
hello Marie hello Marie hello Marie
00:26:57
hello Mar
00:26:59
Mar hello
00:27:01
Marie hello
00:27:04
Marie hello
00:27:07
[Music]
00:27:36
[Music]
00:27:54
[Music]
00:27:59
[Music]
00:28:32
[Music]
00:28:39
oh Terry we that
00:28:46
please it's not Vincent it's Mr Max
00:28:51
[Music]
00:28:54
black I
00:28:57
don't sorry bar like this but you would
00:28:59
accept to return my phone calls so well
00:29:02
the answer is still no there is nothing
00:29:05
to
00:29:06
discuss
00:29:08
look I'm a patient man but I've got a
00:29:11
studio to run and you've got a contract
00:29:12
to fulfill I am not interested in making
00:29:15
a picture didn't I make myself clear all
00:29:18
right so you love the guy but 3 months
00:29:20
is an awfully long time look de I've
00:29:23
been through these Affairs of yours
00:29:25
before but I know it's rough on you
00:29:28
Tony Dean was not just an affair as you
00:29:30
so bluntly put
00:29:32
it I loved him in a way that you
00:29:34
wouldn't
00:29:36
understand Mar this is Max not the Press
00:29:41
not your fans you had a big thing going
00:29:43
for me you trying to break in so I made
00:29:46
you a
00:29:49
star that's not a very convincing Mar
00:29:53
you're so unreasonable so bitter you're
00:29:55
damn right someone doesn't like see
00:30:00
happy so many times these past years I'm
00:30:04
I'm beginning to be tight
00:30:07
cast I've got a great script for you a
00:30:10
suspense picture to be directed by
00:30:12
Alfred
00:30:13
Herman look sweetheart you can't throw
00:30:16
away your career don't let the public
00:30:19
down you mean don't let Maxi down isn't
00:30:21
that
00:30:22
it all right it's true I need you
00:30:26
without you I'm through
00:30:28
those Eastern Bankers are going to pull
00:30:29
rug out me well Max you're through
00:30:31
because I'm not doing another picture
00:30:33
I'll sue you I'll sue you for every
00:30:36
assum me well there is an act of God
00:30:37
clauset my God or was Tony's
00:30:39
disappearance an act of
00:30:42
God if you don't mind I am expecting
00:30:46
company will you please leave I won't
00:30:49
leave not until you promise to do this
00:30:50
picture you're holding a production
00:30:52
dear I'll call you when when will you
00:30:55
call soon tomorrow
00:30:59
[Music]
00:31:11
it's been a long time
00:31:14
yes let's even talk some Sensi Sil girl
00:31:17
she's intent on throwing away her career
00:31:19
her life everything she's worked for all
00:31:29
but I'll be in touch I'll be in contact
00:31:31
tomorrow I sing you again Vince
00:31:36
baby I'm sorry how are
00:31:40
you hey you're
00:31:44
shaking come on we need a drink
00:31:48
[Music]
00:32:09
[Applause] [Music]
00:32:27
hey can
00:32:28
I wanted this to be a nice evening I
00:32:31
agree you want
00:32:35
something how is it you always
00:32:37
understood me maybe that's why I'm still
00:32:39
so fond of you are you Marie in between
00:32:43
the
00:32:44
others
00:32:46
heyny you're not being
00:32:49
there you know that there was only you
00:32:52
and
00:32:56
Tony sh only
00:33:10
me will you shove me right out of your
00:33:13
life I tried every way to stay with
00:33:16
you yes you tried too
00:33:18
hard let's forget that Marie whatever
00:33:21
the favores
00:33:23
granted I can't possibly imagine what
00:33:25
you wanted me
00:33:29
can't you imagine what would make me
00:33:32
happy
00:33:34
this let me
00:33:36
see
00:33:38
Max don't be
00:33:40
silly I give up what do you want I want
00:33:44
the wax head Tony that you're doing
00:33:47
[Music]
00:33:49
at you want Tony can I have him you want
00:33:53
me to give up
00:33:56
Tony would you do me that
00:33:59
favor well I could make you a complete
00:34:02
replica of Tony Dane and you could
00:34:04
completely Retreat from
00:34:06
reality I could make you a total recluse
00:34:09
pretending he's alive sharing your
00:34:11
thoughts your dinner table your bed is a
00:34:14
name for people like that well I'm not
00:34:18
sick it's just like having a photograph
00:34:20
of them that's
00:34:22
all oh
00:34:24
Vinnie you must know what it's like to
00:34:26
be in love really in love for the first
00:34:30
time in your life you really feel
00:34:31
outside of
00:34:33
yourself someone is more important than
00:34:36
you yes maybe I understand this maybe I
00:34:41
experienced
00:34:42
this yes but with us it was different we
00:34:48
never really matured but with Tony oh it
00:34:50
was
00:34:51
special sell the soul to the devil if I
00:34:53
could have him back you can have him
00:34:56
back
00:35:01
good
00:35:02
price what
00:35:07
price
00:35:10
you the price is you I want you to pose
00:35:14
for me IE for you when I'll let you
00:35:19
know but there's one stipulation to this
00:35:22
rather bizarre
00:35:26
Arrangement discretion
00:35:32
thank you I promise I won't tell
00:35:36
anyone yes it's better no
00:35:40
[Music]
00:35:42
one no
00:35:47
one good
00:35:49
night come back and
00:35:58
good
00:36:12
night all right everybody it's
00:36:14
inspection time time to go Betty by
00:36:25
[Music]
00:36:44
hi you Clark this is one of your
00:36:46
greatest films Gone With the
00:36:50
Wind ragley scotlet I just don't give a
00:36:54
dam yeah
00:37:02
p p got you cope I need more practice
00:37:07
you're getting
00:37:12
rusty and how are you tonight Stella my
00:37:15
love what shall we do go
00:37:18
dancing or should we fly to the moon
00:37:20
again
00:37:28
[Music]
00:37:35
Mr
00:37:37
Mr
00:37:39
Mr just a minute
00:37:44
[Music]
00:37:47
Nick I saw I saw her my move I saw him
00:37:52
bling mhm here have a drink thanks I
00:37:57
always sused you took a nip now and then
00:38:00
oh I spilled all once in a while but I
00:38:02
ain't an alcoholic it's just a small
00:38:04
Vice how many tonight there wasn't the
00:38:07
drinks I I really saw it all right
00:38:10
Nick what did you see well I I always
00:38:14
say good night to this tell I I pretend
00:38:17
she's my
00:38:18
girl that's nice and tonight per chance
00:38:23
she winked at you blinked both eyes I to
00:38:27
be sure Wham she did it
00:38:31
again what were you drinking
00:38:34
Nick it wasn't a drinks I ain't an
00:38:37
alcoholic that's a a secret I'd like to
00:38:40
keep from the little
00:38:41
woman can you keep one what's that a
00:38:45
secret you got a problem
00:38:48
too no nothing like that sometimes I
00:38:52
talk to my friends here and occasionally
00:38:55
they answer me not really really of
00:38:58
course understand you're talking to them
00:39:00
and imagine they answer you but I saw it
00:39:02
I saw her eyelids move yes of course you
00:39:04
did Nick but we won't tell anyone will
00:39:07
we we won't tell nobody they don't
00:39:09
understand no they don't and we don't
00:39:11
want to lose the best museum caretaker
00:39:14
we've ever had now do we no sir we don't
00:39:18
I I like it here I like all my friends
00:39:21
here and and they like me of course they
00:39:24
do of course they do Nick
00:39:28
I think we'll keep This
00:39:31
Confidential
00:39:36
confidential and you'll keep my secret
00:39:38
likewise likewise Nick
00:39:44
likewise excuse me ma'am
00:39:48
see you're talking to
00:39:50
them yes
00:39:55
[Music]
00:40:05
[Music]
00:40:07
you are truly beautiful
00:40:15
[Music]
00:40:26
[Music]
00:40:32
don't stop me
00:40:40
go well my children it's always good to
00:40:43
see you my three favorite
00:40:47
zombies how it
00:40:51
Leslie Ral my
00:40:54
boy I have news for you I heard from
00:40:58
Marie she has a new
00:41:01
friend his name is uh Tony
00:41:04
Dean com
00:41:07
huh now Stella I understand you've been
00:41:10
mischievous again winking in well there
00:41:12
you go blinking and frightening
00:41:15
people well this should take care of you
00:41:17
at least for some
00:41:21
time you remember you're not to Blink
00:41:25
not wink not even move nothing until I
00:41:28
tell
00:41:29
you how yours my zombies excuse me I
00:41:33
have to wait speak
00:41:37
racling everything's
00:41:40
[Music]
00:41:42
gone and our hearts are filled with
00:41:45
tears and
00:41:46
[Music]
00:41:48
pain rainbows will always
00:41:55
follow don't cry for
00:41:58
[Music]
00:42:14
the
00:42:16
Happ
00:42:19
[Music]
00:42:20
follow all our TR will be gone
00:42:27
don't cry look for the
00:42:30
rainbow high look for the rainbow
00:42:34
rainbows always follow
00:42:39
the oh I got to leave you for a
00:42:45
while I'll be back to change all your
00:42:49
tears to smile
00:42:53
[Music]
00:43:02
our out wait
00:43:07
and
00:43:09
[Music]
00:43:20
and don't cry look for the
00:43:24
rainbow high look for the rainbow
00:43:28
rainow always
00:43:31
[Music]
00:43:42
[Applause]
00:44:17
[Music]
00:44:25
bye well fting
00:44:29
I
00:44:30
[Music]
00:44:32
feel you like
00:44:36
my very fast what's that
00:44:41
vny you're
00:44:44
emble
00:44:48
Ensemble what you have
00:44:50
on
00:44:53
oh when you talk like that I blush
00:44:58
blush yeah other men talk
00:45:03
okay but you my blush cuz you're so
00:45:11
class thank you that's a lovely
00:45:14
compliment Cheers
00:45:17
Cheers Vinnie you like my
00:45:22
body
00:45:24
yes yes
00:45:27
you just say yes and
00:45:30
I'm Goosebumps all over sorry H I beg
00:45:35
your pardon what kind of bumps you know
00:45:39
old bubbly like
00:45:43
champagne
00:45:46
excited me too me
00:45:49
too no seriously it's rather good I'm
00:45:53
proud of uh your face your head your
00:45:56
hair
00:45:57
it's very good
00:46:00
work
00:46:03
p what about the
00:46:05
body that's peachy too it will be when
00:46:09
when when are you going to make
00:46:17
it I didn't mean that I me when you
00:46:21
going to match the peachy face with the
00:46:25
peachy All of Me
00:46:27
soon baby very soon I'm checking out a
00:46:31
few
00:46:34
details I'm really going to be an
00:46:39
Ang I'm a self
00:46:45
touch I could cry just cry don't oh I
00:46:51
can't wait to tell Max he's using me in
00:46:55
his next fill
00:46:58
you still see
00:46:59
Max like a calendar and always on a
00:47:04
Sunday look do me a favor me a favor
00:47:07
okay okay this Sunday I want you to
00:47:10
bring Max to the museum late you come
00:47:13
alone with Max you don't tell him you
00:47:16
don't tell anyone else just you and me
00:47:19
we have a secret between us alone all
00:47:23
right I promise that's my girl
00:47:27
I cross my heart you don't have to do
00:47:31
that what I
00:47:33
need what I
00:47:35
want is
00:47:37
discretion
00:47:46
discre maybe more maybe more and maybe
00:47:51
more on Sunday the important thing is
00:47:56
Sunday
00:47:58
late I
00:48:00
promise
00:48:02
Sunday late
00:48:17
[Music]
00:48:34
morning Mr
00:48:39
[Music]
00:48:54
Black sorry I'm late Mr freeway to do
00:48:58
the matter of pack Max I'm early think
00:48:59
of getting myself a helicopter how about
00:49:01
the contracts did you read them are they
00:49:02
to your satisfaction Yes except there's
00:49:06
no mention of Marie Morgan's playing the
00:49:07
lead well I'm having a bit of
00:49:09
temperament trouble there she thinks
00:49:10
she's dying of a broken heart over Tony
00:49:12
Dean's uh
00:49:13
disappearance very unfortunate
00:49:16
tragedy make a great film a f FAL who
00:49:20
kisses the lovers and they disappear a
00:49:22
female Maria's Kiss of Death a wonderful
00:49:25
idea be a great followup to Three
00:49:28
Sisters good I'll put my writers to work
00:49:30
on it now Mr Black part of our agreement
00:49:33
was for Miss Morgan to play the lead in
00:49:35
the three sisters That's What attracted
00:49:37
me to the deal in the first place I
00:49:39
can't move that neurotic Dame I talked
00:49:41
to her yesterday she gave me the Garbo
00:49:43
Camille bit you know per have IFI talk
00:49:46
to her would you it's a fine idea get
00:49:49
Miss Morgan on the phone yes sir what's
00:49:51
your weakness what do I appeal to to
00:49:53
Career money vanity Tony
00:49:57
Tony Tony Dean a tribute to him the
00:50:00
three sisters is about a scientist who
00:50:01
hypnotizes people we can use Tony in the
00:50:03
picture you mean footage of his last
00:50:05
film no no uh do you remember Vincent
00:50:07
Renard used to be head of for makeup for
00:50:08
me here did you ever hear of him well
00:50:10
anyway he's a genius the greatest man
00:50:11
with a sponge and puffs and slan Cheney
00:50:14
he's working at the Wax Museum that's
00:50:16
right and he's working on a head of Tony
00:50:17
Dean and we shoot a scene in the museum
00:50:20
right there she is
00:50:24
now H Miss Morgan Herman here this is
00:50:28
Marie Miss Morgan I was just thinking of
00:50:30
the three sisters which we're going to
00:50:31
do together and I wanted to call you and
00:50:33
tell you I think you're going to be just
00:50:34
wonderful and I'm looking forward to
00:50:36
directing you at it oh well I'm afraid I
00:50:38
can't do it Mr Herman I'm retiring I
00:50:42
could never make another picture see
00:50:44
Tony and I were my dear that's exactly
00:50:47
why you should do it we're changing the
00:50:49
local to the wax museum and featuring
00:50:51
the statue of Tony
00:50:53
Dean yes it's going to be a tribute to
00:50:56
his memory
00:50:57
Miss Morgan if you really cared for him
00:51:00
you'd want
00:51:02
this yes I'll personally go and talk to
00:51:12
Vincent and that's the thought Mr
00:51:14
R Marie agreed to make own parag once
00:51:18
she knew that we were going to use
00:51:19
Tony's head she agreed as a final
00:51:21
tribute to him ah hello Stella I
00:51:25
remember directing you in the vampire
00:51:28
she's so lifelike hard to believe she's
00:51:31
gone maybe she isn't like your plot Mr
00:51:34
Herman maybe she's hypnotized by Maniac
00:51:37
you know there's a thing about
00:51:39
hypnosis an old old theory that you
00:51:42
cannot really make a person do anything
00:51:43
of you doesn't want to do while under it
00:51:46
we take literary license is still the
00:51:48
best gimmick mhm you're about Dr zury's
00:51:51
Theory you take penthol the truth serum
00:51:54
controls the mind nerving to control the
00:51:56
ner NES it's possible to put a person to
00:51:58
sleep and wake centuries later merely a
00:52:02
theory never worked out in the
00:52:03
experiments seems that electricity
00:52:06
revived them electricity had my research
00:52:09
Staff Check into the latest reports if a
00:52:12
person touches them the electricity from
00:52:14
their bodies disturbs the nerving power
00:52:16
or an electrical storm could disturb the
00:52:18
effects you sure about that
00:52:23
absolutely it's very interesting you
00:52:25
could always use license
00:52:27
the public is familiar with the Sven gy
00:52:29
approach why should I educate
00:52:32
them well Vincent can we get your okay
00:52:35
to shoot a few scenes here let you know
00:52:38
my answer in a couple of days I have to
00:52:40
think it over you know I usually appear
00:52:43
in a short scene in each of my films
00:52:45
sort of a
00:52:47
trademark perhaps in the three sisters I
00:52:49
should be one of the
00:52:52
statues
00:52:53
good maybe one day you'll pose for
00:52:58
I'd be
00:52:59
delighted good night
00:53:01
Mr good
00:53:05
night well Nick you seen any blinking
00:53:07
eyes lately not a thing since I've been
00:53:10
on the wagon good I'm expecting some
00:53:12
visitors tonight I'll let them in you
00:53:15
lock up yes sir good night good night
00:53:21
[Music]
00:53:31
why are you being so mysterious why
00:53:33
won't you tell me where we're going
00:53:34
because I wanted to be a surprise it's
00:53:37
not far
00:53:43
[Music]
00:53:51
now I don't like
00:53:53
surprises besides I had plans myself
00:53:56
this
00:53:57
for
00:53:58
us I'll bet they were
00:54:01
original let me guess of first we just
00:54:05
have a steak at
00:54:06
Jason and then a couple of drinks at
00:54:09
Dino because you're interested in that
00:54:12
new singer I am
00:54:15
not and then we'd go to your little
00:54:19
Hideway house in the Hills above the you
00:54:22
B
00:54:24
you and there you your man will have
00:54:27
chilled a bottle of champagne or two or
00:54:32
two and then there would be a fire and
00:54:36
the
00:54:37
fireplace and soft light and
00:54:41
music and then you would tell me about
00:54:45
that part you have for me in your next
00:54:48
film you are
00:54:51
cute you think of anything more
00:54:53
interesting to do or rewarding m
00:54:57
yeah what I have
00:55:00
planed uh then we can do your
00:55:07
right oh there it is that's where we're
00:55:10
going what the wax museum is closed we
00:55:14
just pull around to the rear entrance a
00:55:17
Vincent rard is expecting us us yeah he
00:55:22
told me to bring you along he doesn't
00:55:24
like me very much he does
00:55:27
accept me
00:55:41
suar there we are I'll get it
00:55:44
[Music]
00:56:00
[Music]
00:56:08
come in hello
00:56:10
doll you know Max yes I know Max are you
00:56:14
V I haven't told him anything yet where
00:56:18
is it can I see it what's all the
00:56:21
mystery Teresa wanted you to be the
00:56:24
first to see it it's uh already ready
00:56:27
for the
00:56:29
unveiling well don't keep me in suspense
00:56:33
unveil we really should have some
00:56:35
fanfair and Max black Fanfare but
00:56:39
anyway
00:56:41
[Music]
00:56:52
those beautiful
00:56:56
[Music]
00:57:03
beautiful it's fabulous V thank
00:57:07
you I'm proud of
00:57:10
it I think this calls for celebration
00:57:13
you like some wine Max why
00:57:18
not un
00:57:20
believable I mean no one can tell
00:57:23
whether it's the real me or not yes I'm
00:57:26
very proud of it I think we'll put in
00:57:28
the
00:57:30
museum it's fabulous V well by the way I
00:57:33
spoke with Mr Herman today oh you see
00:57:36
about shooting three sisters here mhm
00:57:38
that's the picture you're going to be in
00:57:39
sweetheart I want co-star billing my own
00:57:42
dressing room a showford limousine and a
00:57:45
speaking part okay Max okay oh let's
00:57:50
drink a beautiful toast a beautiful
00:57:53
toast
00:58:00
I understand you've done ahead of Tony
00:58:10
Dean
00:58:13
yes could I see
00:58:24
it of course it's over
00:58:41
here it's unbelievable it's it's
00:58:44
frightening it's just it's so liike it's
00:58:47
almost
00:58:50
real I think you better sit down Max no
00:58:54
I'm all right I insist
00:58:57
listen to me you listen to me Max he's
00:59:02
alive he's alive like you and me he's
00:59:06
not dead he's aware of everything that's
00:59:09
going on everything but he's paralyzed
00:59:13
only I can control him I'm going to
00:59:15
preserve him for posterity preserving
00:59:18
him why with my injections it's my
00:59:23
Vendetta Max my personal Vendetta hear
00:59:26
me Max and I have a place for you I have
00:59:29
a need for you Max you're going to be
00:59:32
famous Max you're to be my museum Max
00:59:36
people from miles around come and look
00:59:38
at you
00:59:40
Max produc the wash out the failure
00:59:43
they're going to come and laugh at you
00:59:45
they're going to come and stare at you
00:59:48
stared and laughed at me
00:59:53
years and he laughed at me ho
01:00:01
[Music]
01:00:03
yes now my bed you're
01:00:07
next Vinnie what are you talking about I
01:00:11
didn't drink it I ain't
01:00:15
drug you shouldn't baby you
01:00:19
shouldn't less
01:00:21
painful vny what what are you going to
01:00:23
do with
01:00:24
me kill you
01:00:28
unfortunately I must don't don't come
01:00:31
near me Vinnie I'll scream scream
01:00:34
baby I like it I want you to scream it
01:00:39
excites me scream baby come on
01:00:44
scream scream
01:00:48
[Music]
01:00:58
[Music]
01:01:14
[Applause]
01:01:16
[Music]
01:01:22
don't worry
01:01:23
Max she's a little nervous
01:01:26
but you'll be all right so will you
01:01:30
[Music]
01:01:56
a
01:02:05
[Music]
01:02:11
[Music]
01:02:15
[Applause]
01:02:19
[Music]
01:02:27
a
01:02:28
[Music]
01:02:56
a
01:02:59
[Music]
01:04:02
[Music]
01:04:11
oh
01:04:13
[Music]
01:04:14
[Applause]
01:04:19
[Music]
01:04:27
[Music]
01:04:48
oh
01:04:49
[Music]
01:05:21
nauy then
01:05:25
[Music]
01:05:36
[Applause]
01:05:38
what didn't you
01:05:40
scream why did you
01:05:43
scream I wanted you to
01:05:47
[Music]
01:05:51
scream then she didn't scream
01:05:57
[Music]
01:06:03
what a party we're going to have Max
01:06:06
what a
01:06:08
party steady boy
01:06:12
[Music]
01:06:14
steady relax
01:06:16
Max
01:06:20
relax
01:06:22
hent what do you want of me name me it's
01:06:27
yours I don't want your power I don't
01:06:30
want your money boy I want you I've giv
01:06:34
you a shot of my
01:06:35
serum what now one you're going to be
01:06:39
one of my zombies maybe my favorite V oh
01:06:42
Max we're going to have such a part
01:06:44
Vincent such a part you never get away
01:06:47
with this the police have been following
01:06:50
me ever since Tony
01:06:52
disappeared they're waiting outside now
01:06:55
if I don't come out they're going to
01:06:58
come in
01:06:59
and oh am I
01:07:05
stupid yes you're
01:07:10
[Music]
01:07:19
stupid thank you m
01:07:24
[Music]
01:07:29
listen carefully Max from now on you're
01:07:32
mine you belong to me
01:07:40
[Music]
01:08:07
hey look goes Max
01:08:13
[Music]
01:08:21
yeah baby we're a couple lovers we'll
01:08:25
fool that idiot
01:08:27
Asal and old Max what a party he's going
01:08:30
to have oh baby he's going to be the
01:08:33
[Music]
01:08:42
party you'll never get me
01:08:46
ask me flower
01:08:49
face why don't you scream H just a
01:08:54
little scream would have liked it with a
01:08:56
little
01:08:57
scream oh baby I didn't mean to hurt you
01:09:02
I didn't mean to offend
01:09:05
you there that's it that's it baby what
01:09:10
I scream come on little old car burn it
01:09:12
up burn it up come on fat old
01:09:15
Lincoln fat old
01:09:17
[Music]
01:09:19
Max look at this guy he's really
01:09:21
starting to move he's got it up to
01:09:22
almost 90 trying to lose us
01:09:25
baby oh yes it's our party Little Flower
01:09:28
face it's our engagement party you know
01:09:32
be so lovely you are a little flower you
01:09:35
are and in
01:09:37
blue how does that go H Something Old
01:09:42
Something New Something boted Something
01:09:46
Blue something blue oh Maria I like you
01:09:51
in
01:09:52
blue no I love you in blue
01:09:56
I'd love
01:09:59
you bur
01:10:01
[Music]
01:10:04
baby now we go
01:10:14
[Music]
01:11:13
[Applause]
01:11:14
[Music]
01:11:22
she's dead Lieutenant let's get Max
01:11:26
[Music]
01:11:40
[Music]
01:11:47
it's a police Max black we know you're
01:11:49
in here will you shut up
01:11:52
[Music]
01:12:07
[Music]
01:12:13
see
01:12:19
[Music]
01:12:29
w
01:12:33
[Music]
01:12:48
[Music]
01:12:56
hold it video what opens then
01:13:01
[Music]
01:13:13
[Music]
01:13:27
[Music]
01:13:33
dead
01:13:54
end e
01:14:27
[Music]
01:14:36
[Music]
01:14:44
looks like we're locked in
01:14:46
Lieutenant that's right
01:14:55
[Music]
01:15:19
[Music]
01:15:26
I'm sorry you're upset Marie well you
01:15:28
say you were the last to see them Mr
01:15:30
hasell phoned he's coming
01:15:32
over I knew he
01:15:36
would he's here now I'll phone you later
01:15:50
okay come
01:15:53
in would you like some coffee oh thanks
01:15:57
oh it's quite a mess isn't it yeah it's
01:15:59
quite a
01:16:02
mess I um just got a few more little
01:16:05
details I'd like to add to my report
01:16:09
anything well first of all why were you
01:16:12
making ahead of Teresa the committee
01:16:15
recommended it well guess who
01:16:18
specifically on the committee suggested
01:16:21
Teresa I think the committee voted on
01:16:23
it
01:16:25
well you think it was more than just a
01:16:27
coincidence that uh Teresa should bring
01:16:30
maxan last night not really it's a very
01:16:33
small industry Alfred Herman was here he
01:16:37
wants to shoot some footage in the
01:16:38
museum when Max his next film terasa is
01:16:40
going to be in it and we're going to put
01:16:42
her in the museum showroom it's a
01:16:44
natural publicity I think it's
01:16:48
logical he said that they were arguing
01:16:50
when they left here what about
01:16:54
Max said something about Teresa putting
01:16:56
pressure on him I don't really know
01:16:59
something about being
01:17:02
compromised you know it's it's a lucky
01:17:04
thing for you that we were trailing Max
01:17:06
you know because otherwise it would been
01:17:08
you all over again that was the last one
01:17:09
to see of the
01:17:10
disease yes it's lucky for me Mr
01:17:14
hell
01:17:17
yeah gosh you know it's funny every time
01:17:20
you start to sculpt somebody they either
01:17:21
wind up dead or missing I would be
01:17:24
surprised if you were doing ahead of Max
01:17:25
right
01:17:27
now who's this oh nobody really mind if
01:17:30
I take a look no not at
01:17:34
[Music]
01:17:42
all well I suppose now that Max is um
01:17:46
missing
01:17:48
missing one could
01:17:50
assume but he could be responsible right
01:17:55
that's a pretty good assumption only we
01:17:56
don't go by assumptions you know we go
01:17:58
by facts and we don't know for a fact
01:18:02
that Max is dead yet now do we no no we
01:18:05
don't that's right so you see until we
01:18:08
find his body then we won't know for
01:18:09
sure will we no we
01:18:18
won't hey how do you get out of this
01:18:21
place oh excuse me I have a
01:18:27
key sorry you need a
01:18:31
key Goodbye Mr H oh not
01:18:35
goodbye I'll be see you
01:18:45
[Music]
01:19:04
well another half hour they'll be
01:19:08
closed why do all the leads wind up here
01:19:10
at the
01:19:11
Museum like Vincent said it's a small
01:19:14
industry everybody's joined together by
01:19:16
the type of work they do you know we
01:19:18
don't know if for sure that Max left the
01:19:20
museum last night with
01:19:22
Teresa what are you getting at
01:19:25
Vincent could have killed him and the
01:19:27
girl and driven off with the
01:19:29
body where would that body be you mean
01:19:33
it could be uh stashed away in
01:19:35
there I don't know boy I give plenty to
01:19:38
find out let's get a search warrant no
01:19:40
time for
01:19:42
that look there's mauce car
01:19:55
know I got a hunt say something's going
01:19:57
to happen
01:20:01
tonight
01:20:09
coming where is it
01:20:15
Mar hello Marie oh hi vny oh
01:20:22
door what a wild
01:20:27
Place hey I like your tursh
01:20:31
bath where's
01:20:36
[Music]
01:20:51
Tony bud I'm going inside hi out till
01:20:55
after closing something is going on in
01:20:57
there and I aim to find out what you
01:20:58
want me to go along now you better stay
01:21:00
here now listen if Maria Vince come out
01:21:03
you tell him don't worry about me okay
01:21:25
he
01:21:27
magnificent thank you I feel as if you
01:21:30
were alive I always liked your
01:21:33
approvation
01:21:36
glad I feel if I I spoke to him he he
01:21:40
would answer me
01:21:42
don't yeah did
01:21:45
him
01:21:48
no it's better not
01:22:02
good night everybody come back and see
01:22:22
us nice Stella
01:22:28
she's doing it again I'm not drinking my
01:22:31
mind's really playing tricks on me I got
01:22:33
the
01:22:40
DTs now they're all starting to move
01:22:42
next he'll be talking to me I got to
01:22:44
have a drink it's off the wagon for you
01:22:46
Nick You' seen things
01:22:53
[Music]
01:23:01
Su make them all of your
01:23:04
face like tonies
01:23:07
yes like
01:23:10
tonies this
01:23:12
way into the cabinet
01:23:24
comfortable very am I going to be in
01:23:27
here for
01:23:29
long only an eternity my
01:23:33
dear circumstances being what they are
01:23:37
the only
01:23:39
way what are you talking about
01:23:43
then don't worry about him he's not dead
01:23:47
at least not
01:23:49
yet now he's my pet he's in um a state
01:23:53
of limbo shall we
01:23:55
say om Marie Tony's alive he's
01:24:00
alive
01:24:02
look
01:24:04
Tony you may now
01:24:07
[Music]
01:24:09
breathe
01:24:11
Tony Tony speak to
01:24:14
me Tony you the
01:24:20
lady
01:24:22
Marie what you done to you
01:24:28
what have you done to it what have you
01:24:29
done to it I have here a special serum
01:24:33
which I perfected one injection in the
01:24:36
neck induces paralysis temporarily at
01:24:39
least or it's chalk full of vitamins and
01:24:42
minerals and sustain life for a long
01:24:44
period of
01:24:45
time it's under my control as I control
01:24:48
him shortly you'll receive the same
01:24:51
injection
01:24:54
oh Benny let me out of here
01:24:57
please Benny you can't do this but I can
01:25:01
my dear if I can't have you the right
01:25:04
way then I shall have you another way oh
01:25:08
Tony tell me this is a
01:25:10
nightmare Tony do you hear me of course
01:25:14
he can hear
01:25:16
you but he won't listen to
01:25:20
you he'll only listen to me
01:25:29
watch
01:25:31
Tony you can move you can
01:25:36
breathe I want you to get up and release
01:25:39
Max from the cabin
01:25:43
Max Max is
01:25:53
alive yes not for
01:25:56
[Applause]
01:26:00
[Music]
01:26:07
long
01:26:10
Max you may breathe you may move stand
01:26:14
up leave the cabinet and follow
01:26:18
me this way Max
01:26:22
[Music]
01:26:33
stop stop
01:26:36
Max put this
01:26:42
[Music]
01:26:46
on I'll back
01:26:49
up stop
01:26:58
[Music]
01:27:00
somebody help help somebody
01:27:04
Tony
01:27:06
maximin oh great
01:27:10
lover Max
01:27:12
Milan Max the
01:27:14
blobber oh
01:27:20
Max Now you listen to me Max
01:27:26
you listen to me this
01:27:30
time you can think you are
01:27:36
normal let
01:27:39
me let me let me off this silly
01:27:44
pain I'll let you down in time you will
01:27:49
be the first of her lovers
01:27:51
to of course this r Leslie they should
01:27:55
be
01:27:57
here don't go
01:28:02
away let me get oh Tony somebody
01:28:14
help you do respond to electricity in
01:28:17
the
01:28:18
air we have a problem boys dangerous
01:28:22
problem out Leslie me move breathe move
01:28:26
walk follow
01:28:28
[Music]
01:28:39
[Music]
01:28:50
me lesle get yourself a good seat you're
01:28:54
about to see a side short go down
01:29:02
below black Dean what is this never mind
01:29:06
that Mr
01:29:08
H get me down off this silly thing right
01:29:16
now W Watch Out Mr hco watch out I look
01:29:20
honey don't try anything funny with that
01:29:22
knife I I don't want to hurt you
01:29:26
don't be foolish with that night
01:29:29
honey watch
01:29:38
yourself Ralph lesle grab
01:29:42
[Music]
01:29:43
him well it's
01:29:45
unfortunate and you detective has you
01:29:49
haven't been invited to a little party
01:29:51
but as long as you're here you may
01:29:53
witness the execution
01:29:55
listen You'll never get away with this
01:29:56
reard I got a man waiting
01:29:59
outside shut up
01:30:01
Max oh
01:30:03
him we'll take care of him
01:30:05
later yes right now we're busy we have
01:30:08
to eliminate our
01:30:12
pets you're
01:30:15
sick you're
01:30:18
sick maybe a little psychoanalysis would
01:30:20
help how about a year at menagers would
01:30:22
you like that maybe even five years I'll
01:30:24
pay for the whole I will honestly I
01:30:28
will you are really sick but of course
01:30:32
Max aren't we all now let's not analyze
01:30:35
me let's analyze your position slowly
01:30:39
you'll descend into this vat of molten
01:30:42
wax
01:30:44
slowly oh my God
01:30:49
[Laughter]
01:30:55
Max shut
01:30:58
up sh
01:30:59
[Laughter]
01:31:09
[Laughter]
01:31:15
up
01:31:20
stop I'm ma black head of paragon Studio
01:31:24
I made you head make a m and I can make
01:31:27
you so small again that no one will ever
01:31:28
be able to find
01:31:30
you stop it
01:31:34
Max stop it
01:31:37
[Music]
01:31:38
[Laughter]
01:31:40
Max Max you stop it you stop it Max
01:31:46
[Music]
01:32:17
[Music]
01:32:23
you a
01:32:26
[Music]
01:32:36
[Music]
01:32:58
[Music]
01:33:04
Vinnie hello Vinnie darling the party is
01:33:06
tonight Max is coming I decided to tell
01:33:09
him we'll be married I love you I love
01:33:12
you
01:33:15
[Music]
01:33:45
[Applause]
01:33:52
[Music]
01:34:24
you
01:34:25
[Music]

Description:

The disfigured curator of a wax museum murders his enemies and then uses their bodies as exhibits in his museum. Nightmare In Wax (1969) Starring: Cameron Mitchell, Anne Helm, Scott Brady Director: Bud Townsend Click on the link and subscribe for more movies ⬇️ https://www.youtube.com/channel/UC0igugFRsUPMvGLrv86DIog?sub_confirmation=1 We ask you to please contact us if you believe there are any copyright issues copyright@lassogroup.com **

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