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2001: A Space Odyssey

Stanley Kubrick

1968

Roger Ebert

Chris Stuckmann

Explained

Review

Movie Review

Analysis

Analyzed

Meaning

Ending

Reviews

Film

Scene

Clip

Trailer

Teaser

Also Sprach Zarathustra

Music

OST

Soundtrack

Score

Cinematic Hypnotism

Apes

Early Man

Dawn of Man

Stargate

Star Child

Wormhole

HAL 9000

Monolith

Alien

UFO

Dave

Frank

Chess

Moon

Landing

00:00:06

[Music]

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I first saw Stanley Kubrick's science

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fiction epic 2001 a Space Odyssey in the

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summer of that year I can't recall what

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instigated this but I remember renting

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the VHS from Blockbuster and being

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shocked by the G rating needless to say

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I wasn't prepared for it

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my first watch went about as well as it

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could for a thirteen-year-old the

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lengthy sequences without sound or

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dialogue bored me the purposefully

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static images were tedious and the last

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15 minutes left me confused to say the

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least in the coming years the film

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wouldn't leave my mind I tell myself no

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you watch that you didn't like it but

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that didn't matter

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I found myself drawn to it like an

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addict to a drug they just can't quit

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with the availability of DVD increasing

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I got my hands on a copy and with this

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viewing I gleaned much more the deeper

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themes and the implications Kubrick was

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trying to communicate became clearer a

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few years later I watched the film a

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third time and it finally struck all the

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right chords with me 2001 is without a

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doubt one of the most revered films ever

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made but it isn't without detractors the

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most common criticisms regarding the

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film are generally similar to mine on

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the initial viewing Kubrick's pacing is

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glacial the edits are methodical the

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frames are painstakingly symmetrical and

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the sound design is often so relaxing it

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can put you to sleep when 2001 is viewed

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through the lens of entertainment it's

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understandable that some will find it an

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overhyped bore but this film isn't just

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mere amusement meant to pass the time

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it's an allegory for all of humanity and

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it's proved as shockingly accurate

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warning for our meddling tendencies

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publishing a dissertation on 2001 today

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feels a tad unnecessary given that

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searching the phrase 2001 a Space

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Odyssey analysis Garner's over 1 million

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search results fans critics and scholars

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have been discussing this film for

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decades there's no shortage of

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information about it on the web so odds

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are much of this has been said already

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but seeing as this month is its 50th

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anniversary and then

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is one of my most requested reviews I've

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got a lot to say but this will not be an

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explained video I assure you there's

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plenty of those on this platform already

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of course I'll discuss my thoughts on

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the meaning of certain sequences but

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this isn't meant to be a scene-by-scene

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analysis of what every goddamn thing

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means because this quote from Roger

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Ebert has stuck with me in regards to

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this film audiences don't like simple

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answers I guess they want the monolith

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to stand for something well it does it

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stands for a monolith without an

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explanation it's the fact that man can't

00:03:06

explain it that makes it interesting

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if Kubrick had explained it perhaps by

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having some little green men from Mars

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lower it into place would that have been

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satisfactory does everything need an

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explanation some people think so I

00:03:19

wonder how they endure looking at the

00:03:22

Stars yes under the surface mm one story

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could be explained in many different

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ways our evolution our discovery of

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tools how we instantly turned that tool

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into a weapon how we've become so

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powerful that we've lost control of our

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tools and how in space

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we're like infants once more learning to

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walk eat and even use the bathroom in

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this new environment

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Kubrick gave us much to appreciate in

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every wonderous frame but that has

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always been secondary for me it's really

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the feeling I get while watching this

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film that outshines everything else 2001

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is the closest experience I've had to

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feeling hypnotized Kubrick's editing is

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methodical yes but it's really the sound

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design the use of richard strauss's also

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sprach zarathustra the now iconic

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composition that plays at integral parts

00:04:16

or even the breathing sounds in the

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silent depths of space

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supposedly recorded by Kubrick himself

00:04:22

all put me in a trance from the

00:04:25

beginning of the film that images of a

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desolate early African landscape

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immediately locked me into a sense of

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wonder and awe through a quick series of

00:04:33

scenes we understand that early man is

00:04:35

preyed on and lives in fear before long

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the mysterious monolith appears

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terrifying them at first before

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eventually enticing them not long after

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we see one of them

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fiddling around with a pile of bones

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discovering that it can be used as a

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tool soon enough some of them are walking on

00:04:53

two legs scaring away another group even

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killing one of them his tool has become

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a weapon he throws it into the air and

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perhaps the most famous edit in history

00:05:04

occurs we jumped forward drastically in

00:05:06

time observing space travel but what are

00:05:09

we cutting to a spaceship a satellite a

00:05:12

nuclear weapon

00:05:14

opinions vary with even Kubrick himself

00:05:16

never confirming many figures behind the

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film's production have said that it is a

00:05:21

nuclear device of some sort

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if so Kubrick's cut from man's first

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primitive weapon to its most advanced

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and deadly is profound

00:05:30

these effects still astonish fifty years

00:05:33

later and similar to what George Lucas

00:05:35

accomplished nine years after Kubrick

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they will be timeless forever hell

00:05:39

they're still conspiracy theories

00:05:41

surrounding Kubrick's involvement in

00:05:43

faking the footage of the moon landing

00:05:45

that's got to be the ultimate compliment

00:05:48

for visual effects artists your work is

00:05:50

so good NASA probably called you up to

00:05:52

fabricate the moon landing soon were on

00:05:55

a Jupiter mission with Dave Frank and

00:05:57

Hal 9000 while the story here becomes

00:05:59

more straightforward it's really the

00:06:01

implications Kubrick explores that feel

00:06:04

most unique pal 9,000 for instance tests

00:06:07

Frank while playing chess with him in a

00:06:09

way cheating when Frank fails to realize

00:06:12

this how the sides the crew isn't up to

00:06:14

the task of this mission and takes over

00:06:16

our creations have finally overpowered

00:06:19

us all our knowledge and advancement for

00:06:22

what to have a machine control our lives

00:06:25

how right Kubrick was there has been

00:06:29

much discussion about the final 20

00:06:31

minutes Dave appears to enter a Stargate

00:06:34

or wormhole arriving in a room the room

00:06:37

appears to be a sterile cage of sorts as

00:06:40

if something wishes to observe him in a

00:06:42

series of cuts he gets older before

00:06:45

finally the monolith appears again Dave

00:06:49

extends his hand to it like

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Michelangelo's famous painting of Adam

00:06:53

reaching for God while Kubrick was

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notoriously tight-lipped he did have

00:06:58

this to say about 2001

00:07:00

on the deepest psychological level the

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film's plot symbolizes the search for

00:07:04

God and it finally postulates what is

00:07:07

little less than a scientific definition

00:07:08

of God the film revolves around this

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metaphysical conception and the

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realistic hardware and the documentary

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feelings about everything were necessary

00:07:16

in order to undermine your built-in

00:07:18

resistance to the poetical concept when

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Dave is reborn as the Starchild we're

00:07:23

seeing a new dawn an entity that doesn't

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need our technological devices to

00:07:28

survive in this uncharted space just as

00:07:31

the film opened with ancient life the

00:07:33

film closes with new life with rich

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possibilities ahead of it most people

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who sit down in a movie theater have a

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wall built around them it's a well

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deserved cage of skepticism if it's

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their goal to connect emotionally with

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these viewers or impart a deeper message

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it's the filmmakers job to carefully

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break down that wall before their film

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ends while not every filmmaker

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accomplishes this Kubrick certainly did

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with 2001 its warnings to us have been

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proven accurate for ever timely and

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strikingly relevant still today but

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beyond the metaphors its technical

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achievement is still aw inspiring truly

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2001 is the closest I've come to

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experiencing literal hypnotism from a

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film that sensation will never be

00:08:22

recreated

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FACEBOOK: https://www.facebook.com/unsupportedbrowser TWITTER: https://twitter.com/Chris_Stuckmann OFFICIAL SITE: http://www.chrisstuckmann.com Chris Stuckmann discusses 2001: A Space Odyssey.

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