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00:00:05
The job posting appeared at 3:00 a.m. on
00:00:08
a tour board I'd been checking
00:00:09
obsessively for 6 months. No company
00:00:12
name, no details beyond the basics.
00:00:15
Solo, long haul, Fairbanks to
00:00:17
coordinates provided. Sealed cargo.
00:00:20
$50,000 on delivery. Discretion
00:00:23
essential.
00:00:25
I stared at the screen in my motel room.
00:00:27
The blue light painting shadows across
00:00:29
my cramped space in Anchorage. $50,000.
00:00:33
Enough to hire the lawyer who might
00:00:34
actually clear my name. Enough to stop
00:00:37
living in places where the TV bolted to
00:00:39
the wall and the shower never got hot.
00:00:42
My dishonorable discharge, wrongful
00:00:45
based on lies I couldn't fight without
00:00:47
money, had poisoned every legitimate
00:00:49
opportunity. The trucking companies that
00:00:52
hired ex-military took one look at my
00:00:54
paperwork and showed me the door. My
00:00:57
finger hovered over the response button.
00:01:00
Every instinct from my army logistics
00:01:02
training screamed that legitimate jobs
00:01:04
didn't get posted on the dark web at
00:01:06
3:00 a.m. But desperation has a way of
00:01:09
drowning out instinct. I typed
00:01:12
experienced CDL current available
00:01:14
immediately. The response came in
00:01:17
seconds. Fairbanks Northstar Storage.
00:01:20
Lot 7. Tomorrow 1,800 hours. Come alone.
00:01:25
Ask for Lynn. 20 hours later, I stood in
00:01:28
a gravel lot on the outskirts of
00:01:30
Fairbanks as the December sun made its
00:01:33
brief half-hearted appearance on the
00:01:34
southern horizon. The temperature
00:01:37
hovered at -15 and my breath
00:01:39
crystallized instantly in the air. The
00:01:42
storage facility looked abandoned. Chain
00:01:44
link topped with razor wire. security
00:01:47
cameras that probably hadn't worked in
00:01:48
years and rows of shipping containers
00:01:51
oxidizing in the perpetual cold. Lot 7
00:01:54
sat at the back, and that's where I
00:01:56
found her. The Kenworth W900 was older,
00:02:01
maybe mid90s, but maintained with an
00:02:03
obsessive attention to detail that made
00:02:05
my military heart sing. The long hood
00:02:08
gleamed dull red under the sodium
00:02:11
lights, and the sleeper cab behind
00:02:13
looked stretched, modified.
00:02:16
But it was the details that made me
00:02:18
pause. Symbols etched into the paint,
00:02:21
barely visible under road grime.
00:02:24
Geometric patterns that hurt to look at
00:02:26
directly, like optical illusions carved
00:02:29
by someone with too much time and too
00:02:31
much knowledge of things better left
00:02:33
unknown. You must be Cade. The voice
00:02:36
came from a speaker mounted on a pole
00:02:38
beside the truck. No person in sight.
00:02:42
"That's me," I said, scanning the lot.
00:02:46
"You, Lynn? I'm your dispatcher. You'll
00:02:50
never see me, and that's better for both
00:02:52
of us." The voice was androgynous,
00:02:55
possibly modified, with the flat affect
00:02:58
of someone reading from a script. The
00:03:00
truck's keys are in the cab. Your cargo
00:03:02
is already loaded. Your root map is in
00:03:05
the glove box along with your
00:03:06
compensation details and rules of
00:03:08
conduct. Rules? I moved toward the cab,
00:03:12
my boots crunching on frozen gravel. 10
00:03:16
of them taped to your dashboard, read
00:03:18
them carefully. Follow them exactly.
00:03:22
They're not suggestions, Cade. They're
00:03:24
the difference between earning $50,000
00:03:27
and becoming another driver who never
00:03:29
came back. The speaker crackled with
00:03:31
static. The cargo pickup is in Brevik
00:03:34
mission outside Gnome. You'll take the
00:03:37
Elliot Highway, then branch onto roads
00:03:39
that aren't on standard maps. The map in
00:03:42
the glove box is your Bible. Your GPS
00:03:44
will lie to you. The commercial
00:03:46
satellites don't see the route you'll be
00:03:48
taking. This is important. The map is
00:03:50
truth. Everything else is fiction. I
00:03:53
climbed into the cab. The interior was
00:03:55
immaculate, but strange. The seats were
00:03:58
newer than the truck, wrapped in some
00:04:00
synthetic material that felt warm to the
00:04:02
touch despite the cold. The dashboard
00:04:04
held standard gauges, but the CB radio
00:04:07
looked custom with additional channels
00:04:09
marked in faded yellow paint. And there,
00:04:13
taped to the top of the dash with what
00:04:15
looked like aged parchment were the
00:04:17
rules. I read them twice, my stomach
00:04:20
tightening with each line.
00:04:23
Lynn, I said, knowing they could hear
00:04:26
me.
00:04:27
What exactly am I hauling? Archival
00:04:30
theater props, fragile, valuable to
00:04:32
certain collectors. The pause stretched
00:04:35
just long enough to be uncomfortable.
00:04:38
Don't ask questions you don't want
00:04:40
answered. Your pickup is at 6:00 a.m.
00:04:42
tomorrow. It's a 14-hour drive to Brevig
00:04:45
mission from here. I suggest you get
00:04:47
started. And if I change my mind, then
00:04:50
someone else gets the job and you keep
00:04:52
living in budget motel. paid. I know
00:04:54
what you need this money for. I know
00:04:56
about Fort Richardson and Staff Sergeant
00:04:58
Hendricks and the supply discrepancy you
00:05:00
didn't cause. This is your shot at
00:05:03
redemption. Take it or walk away, but
00:05:05
decide now.
00:05:08
The speaker went dead. I sat in the warm
00:05:10
cab reading the rules a third time.
00:05:14
The generator must run continuously. Do
00:05:17
not stop for any reason between specific
00:05:20
mile markers. Never turn left at
00:05:22
crossroads. The CB must stay on channel
00:05:25
19 unless I heard weeping or theatrical
00:05:28
recitation. Don't investigate sounds
00:05:31
from the trailer. Don't acknowledge
00:05:33
figures on the ice. Refuel only at
00:05:35
Yeric's truck stop. The map is truth.
00:05:39
Don't speak lines aloud. You are the
00:05:41
driver, not an actor. That last one made
00:05:44
my skin crawl in a way I couldn't
00:05:46
explain. But $50,000.
00:05:49
I turned the key. The Kenworth roared to
00:05:51
life with a sound deeper and stranger
00:05:53
than any diesel I'd driven. The
00:05:56
generator kicked on automatically, and
00:05:58
warm air began pumping through the
00:06:00
vents. The etched symbols on the hood
00:06:02
seemed to shimmer in my peripheral
00:06:04
vision, but when I looked directly at
00:06:06
them, they were just scratches in old
00:06:08
paint. I pulled the root map from the
00:06:11
glove box. Handdrawn on heavy paper that
00:06:13
felt like vellum. It showed a path that
00:06:16
diverged from the Elliot Highway into
00:06:18
terrain marked only as interior access
00:06:21
private. The destination coordinates
00:06:24
were written in the same yellow ink as
00:06:26
the rules. 66.6°
00:06:28
north, 161.3°
00:06:31
west. 28 hours later, I was deep in
00:06:34
country that shouldn't exist. The drive
00:06:37
to Brevik mission had been unremarkable.
00:06:40
Just the long dark hall across Alaska's
00:06:43
interior in December when night swallows
00:06:46
everything but your headlights and the
00:06:47
stars overhead are so bright they feel
00:06:50
accusing. The town itself was barely
00:06:53
there. A cluster of buildings huddled
00:06:55
against the bearing sea wind. Population
00:06:57
maybe 400. Most of them Native Alaskan
00:07:00
families who'd lived here for
00:07:02
generations.
00:07:03
The pickup location was an abandoned
00:07:05
gold mining facility from the
00:07:07
territorial days. A complex of
00:07:09
collapsing wooden structures and rusted
00:07:11
equipment at the end of a road that the
00:07:13
map marked, but Google Earth didn't
00:07:15
show. I arrived at dawn, which in
00:07:18
December meant a brief gray lightning of
00:07:20
the eastern sky. They were waiting. Six
00:07:23
figures in heavy parkas and blank
00:07:26
ceramic masks stood around a hexagonal
00:07:28
crate that rested on a pallet in the
00:07:31
snow. The crate was maybe 6 ft on each
00:07:34
side, made of a material that looked
00:07:36
like metal but felt wrong. Too smooth,
00:07:39
too cold, reflecting light at angles
00:07:41
that geometry shouldn't allow. Frost
00:07:44
formed in spiral patterns on its
00:07:46
surface. No one spoke. They loaded it
00:07:49
with a portable crane, working with a
00:07:51
precision that suggested military
00:07:53
training or religious ritual. The entire
00:07:56
operation took 12 minutes. As they
00:07:58
secured the crate in my trailer with
00:08:00
chains that looked older than the truck,
00:08:02
one of the masked workers pressed
00:08:04
something into my hand. A note written
00:08:07
in shaking handwriting. The king
00:08:09
remembers all his understudies. I wanted
00:08:12
to ask what that meant. The words died
00:08:14
in my throat as the worker's mask turned
00:08:17
toward me. Through the eyeholes, I saw
00:08:19
nothing. Not darkness.
00:08:22
Nothing. An absence that made me forget
00:08:25
the question. They finished, sealed the
00:08:28
trailer doors with a padlock I wasn't
00:08:30
given a key for, and walked away into
00:08:32
the pre-dawn gloom. Their footsteps made
00:08:35
no sound in the snow. I stood alone with
00:08:38
my rig in a dead gold mine under a sky
00:08:41
that was beginning to show the first
00:08:43
faint shimmer of Aurora Borealis, and
00:08:45
every cell in my body screamed to walk
00:08:48
away, leave the truck, hitchhike back to
00:08:50
civilization.
00:08:52
But $50,000.
00:08:55
I climbed back into the cab, checked
00:08:57
that the generator was running. It was
00:08:59
constantly, as rule number one demanded,
00:09:02
and pulled up the route map. The return
00:09:04
path diverged immediately from any road
00:09:07
I knew, heading northeast into the
00:09:09
Brooks Range along what the map labeled
00:09:11
simply as the interior road. The first
00:09:15
100 miles were almost peaceful. The
00:09:17
Dalton Highway, empty in winter, except
00:09:20
for the occasional supply truck heading
00:09:22
to the oil fields. My headlights carved
00:09:25
tunnels through darkness so complete it
00:09:27
felt solid. The aurora began its nightly
00:09:30
performance overhead. Green curtains
00:09:33
shifting and twisting in the magnetic
00:09:35
wind. Then I reached mile marker 77. The
00:09:39
map showed a branch unmarked, unpaved,
00:09:43
just tire tracks in the snow leading
00:09:45
into wilderness. Do not stop for any
00:09:48
reason between mile marker 77 and mile
00:09:51
marker 333.
00:09:53
I checked my fuel, 3/4 full. The
00:09:57
generator hummed steadily. I turned onto
00:10:00
the branch road and left civilization
00:10:02
behind. For 6 hours, I drove through a
00:10:05
landscape that seemed more alien with
00:10:07
each passing mile. The trees grew
00:10:09
strange, too tall, too thin, their
00:10:12
branches reaching toward the sky in
00:10:14
formations that looked like
00:10:15
supplication. The snow reflected the
00:10:17
aurora's light in shades that shouldn't
00:10:19
exist, colors my brain couldn't name,
00:10:22
and the silence was absolute. The CB
00:10:26
radio stayed on channel 19 as required,
00:10:28
but transmitted only static like the
00:10:31
whisper of a dead universe. At 0200
00:10:34
hours, rule number six activated.
00:10:37
Headlights appeared in my mirror,
00:10:39
matching my speed exactly. 55 miles per
00:10:42
hour through terrain where 55 should
00:10:45
have been suicide. Yet there they were,
00:10:47
two perfect circles of white light
00:10:49
maintaining exact distance. I watched
00:10:52
them, my hands tight on the wheel, and
00:10:55
felt the first real spike of fear. The
00:10:58
rule was specific. Do not acknowledge
00:11:00
them. Do not flash lights. slow to 33
00:11:04
mph for exactly 3.3 minutes. I did. I
00:11:10
slowed gradually, counting seconds in my
00:11:12
head with the precision my drill
00:11:14
sergeants had beaten into me. The
00:11:16
landscape crawled past. The headlights
00:11:19
maintained distance, slowing with me,
00:11:21
perfect and wrong. I counted to 198
00:11:26
seconds, 3.3 minutes, and accelerated
00:11:29
back to 55.
00:11:31
The headlights vanished, just gone, not
00:11:34
fading with distance, but ceasing to
00:11:36
exist between one heartbeat and the
00:11:38
next. I exhaled. Realized I'd been
00:11:42
holding my breath.
00:11:44
The rules were bizarre, but they worked.
00:11:47
Follow them exactly. And the weird
00:11:49
stayed at bay. I could do this. I was
00:11:52
good at following orders, good at
00:11:54
procedure. $50,000. Clear my name. Start
00:11:58
over. The aurora intensified, curtains
00:12:02
of green bleeding into yellows and
00:12:04
strange golds. At 0445 hours, I reached
00:12:08
the crossroads. The map was clear,
00:12:11
straight ahead. The route continued
00:12:13
northeast, marked with the yellow ink
00:12:15
path, but my GPS, which I hadn't
00:12:18
destroyed despite rule number nine
00:12:20
telling me to if it conflicted with the
00:12:22
map, suddenly screamed to life.
00:12:26
Recalculating. Turn left in 500 ft for
00:12:29
optimal route. I glanced at it,
00:12:31
frowning. The screen showed a left turn
00:12:34
that would save 40 miles in 2 hours. The
00:12:36
map showed straight. The GPS
00:12:39
recalculated again. Severe weather
00:12:42
detected on current route. Alternate
00:12:44
path recommended. Turn left. Through my
00:12:48
windshield, I saw what it meant. To the
00:12:50
right, the north and east, a wall of
00:12:53
white was building. A blizzard rolling
00:12:55
down from the brooks range with the
00:12:57
inevitability of an avalanche. To the
00:12:59
left, south, and west, the sky was
00:13:02
clearer, just the aurora's glow. At a
00:13:05
crossroads, you may turn right or
00:13:07
continue straight. You must never turn
00:13:10
left. But the blizzard was coming fast,
00:13:12
and I was miles from anywhere, and 40 m
00:13:15
saved could mean the difference between
00:13:17
making it through and freezing to death
00:13:19
in a stranded rig. the GPS insisted. My
00:13:22
military training, my logistics
00:13:24
experience, my pragmatic mind, all said,
00:13:27
"Take the clear path. Avoid the hazard."
00:13:31
Rule number three said, "Never turn
00:13:33
left." I hesitated at the intersection.
00:13:36
The crossroads was marked with old
00:13:38
wooden poles, weathered gray, etched
00:13:40
with more of those geometric symbols.
00:13:42
The left path looked clear,
00:13:44
welltraveled. The straight path led
00:13:46
directly into the approaching white
00:13:48
wall. Turn left now, the GPS commanded.
00:13:52
I turned left. The world changed. Not
00:13:55
gradually, not subtly. The moment my
00:13:58
front wheels crossed the intersection
00:14:00
threshold, reality snapped like a rubber
00:14:02
band stretched too far. The aurora
00:14:05
overhead bled, green draining away and
00:14:08
replaced with a uniform, sickly yellow
00:14:11
gold that pulsed with an organic rhythm.
00:14:14
The engine's pitch shifted, dropping
00:14:16
into a lower register that resonated in
00:14:18
my chest like a second heartbeat. The
00:14:21
temperature inside the cab spiked 10°,
00:14:23
then dropped 20, then stabilized at
00:14:26
something that felt wrong against my
00:14:28
skin. And the sound from the trailer,
00:14:30
which I'd been ignoring, following rule
00:14:33
number five, intensified, a rhythmic
00:14:36
thumping, organic and wet, like
00:14:39
something massive breathing. I looked at
00:14:41
the dashboard. The parchment with the 10
00:14:44
rules was smoking. Faint wisps rose from
00:14:47
the ink of rule number three. The words
00:14:50
about never turning left. As I watched,
00:14:53
the letters turned to ash and blew away
00:14:55
in a wind that shouldn't exist inside
00:14:57
the cab. Within seconds, rule number
00:15:00
three was gone, leaving blank yellowed
00:15:03
paper in its place. The CB radio
00:15:06
crackled to life. Act one, scene one.
00:15:10
The voice was theatrical, projecting,
00:15:13
speaking to an audience I couldn't see.
00:15:16
Enter the driver, strayed from his path.
00:15:19
The stage is set. The audience gathers.
00:15:22
The king awaits his player. Static.
00:15:27
Then, in a whisper that sounded like my
00:15:29
father's voice, my father dead 3 years.
00:15:33
You were always terrible at following
00:15:35
directions, son. Now you get to learn
00:15:37
why rules exist. I stared at the ruined
00:15:40
rule on my dash, at the yellow stained
00:15:43
sky ahead, at the road that now looked
00:15:45
less like packed snow and more like
00:15:47
stage flooring painted white. Nine rules
00:15:50
remained, and somewhere in the distance,
00:15:53
cutting through the yellow haze, I saw
00:15:55
headlights approaching, not from behind
00:15:58
this time, from ahead. Coming straight
00:16:01
for me, unwavering and inevitable. The
00:16:04
play had begun, and I just missed my
00:16:07
first cue. The headlights didn't belong
00:16:09
to any truck I'd ever seen. They hung in
00:16:12
the yellow stained darkness ahead. Too
00:16:14
high, too wide apart, their beams
00:16:17
cutting through the transformed
00:16:18
landscape like search lights on a prison
00:16:20
yard. I kept my speed steady at 55, my
00:16:24
hands locked on the wheel, waiting for
00:16:26
them to resolve into something rational.
00:16:28
A state plow, a mining vehicle, anything
00:16:31
with a logical explanation. They never
00:16:33
got closer. They never fell behind. They
00:16:36
just stayed there. two unblinking eyes
00:16:38
watching me drive deeper into whatever
00:16:40
the world had become after I turned
00:16:42
left. At 0512 hours, I felt the next
00:16:46
rule die. The parchment on my dash
00:16:48
smoked again, that same impossible wind
00:16:50
pulling at rule number seven. Do not
00:16:53
acknowledge the figures on the ice. The
00:16:55
letters dissolved into ash and vanished,
00:16:58
leaving another blank space. Seven rules
00:17:00
gone. Seven remained. No, six. I counted
00:17:06
again. Rules number three and number
00:17:08
seven. Six remained. That's when I saw
00:17:11
them. To my left, where the road ran
00:17:14
parallel to a frozen river. Figures
00:17:16
moved across the ice. Tall, impossibly
00:17:20
thin. They walked with a theatrical
00:17:22
gate. Joints bending at wrong angles,
00:17:25
movements too precise, like marionets
00:17:28
operated by someone who'd never seen
00:17:29
actual human motion. They wore tattered
00:17:32
formal wear, tail coats, top hats, long
00:17:35
dresses from another century. All of it
00:17:38
stre with ice and dirt. I tried not to
00:17:41
look. Rule number seven had said not to
00:17:44
acknowledge them, but rule number seven
00:17:46
was gone, erased the moment they
00:17:48
appeared. That felt significant in a way
00:17:51
that made my military trained mind
00:17:54
scream warnings I couldn't articulate.
00:17:57
One of them turned its head toward me.
00:18:00
No face, just a smooth reflective
00:18:02
surface like a mask blank waiting to be
00:18:05
painted. My own headlights reflected
00:18:08
back from where its features should have
00:18:10
been, distorted, and wrong. It raised
00:18:13
one arm, the movement jerky, theatrical,
00:18:16
and waved. I focused on the road ahead.
00:18:20
The figures matched my speed exactly,
00:18:22
gliding across the frozen river without
00:18:24
breaking stride, without falling behind.
00:18:28
There had to be 20 of them, maybe more,
00:18:31
all moving in synchronized precision
00:18:33
like a chorus line in Hell's Own
00:18:35
Musical. The CB crackled.
00:18:39
The Walkers have joined the performance.
00:18:42
The theatrical voice from before, still
00:18:44
projecting to that invisible audience.
00:18:47
Stage left, observing, waiting. They
00:18:51
remember their roles. Do you remember
00:18:53
yours, driver? I didn't respond. Rule
00:18:57
number 10. You are the driver, not an
00:19:00
actor. Do not speak your lines aloud.
00:19:04
That one still remained, and I clung to
00:19:06
it like a lifeline. At 0547 hours, my
00:19:10
fuel gauge hit one quarter. The map
00:19:13
showed Yerk's truck stop 30 mi ahead.
00:19:15
Rule number eight, Yerax Truck
00:19:19
stop is the only safe harbor. Refuel
00:19:22
only here. If the attendant asks about
00:19:25
the weather, answer the sun is a bright
00:19:28
stage. I needed that stop not just for
00:19:31
fuel for a moment of normaly for proof
00:19:34
that reality still existed somewhere
00:19:36
beyond this yellow nightmare. The
00:19:39
walkers followed me for another 40
00:19:41
minutes. Then as I crested a rise and
00:19:44
saw the truck stops lights in the
00:19:45
distance, they stopped at the river's
00:19:47
edge. All of them simultaneously turned
00:19:51
their blank faces toward me.
00:19:53
Then they bowed, a courtly synchronized
00:19:56
gesture, and stepped backward into the
00:19:59
darkness.
00:20:00
Gone.
00:20:02
The truck stop blazed with light. Yer
00:20:05
sat in a small valley, a cluster of
00:20:08
buildings that looked decades old, but
00:20:10
maintained. Fuel pumps under
00:20:12
weatherbeaten canopies. A main building
00:20:14
with windows glowing warm yellow. Real
00:20:17
yellow, not the sick gold of the aurora.
00:20:20
Two other trucks parked in the lot,
00:20:22
though I couldn't tell if they were
00:20:23
occupied. I pulled up to the pumps at 06
00:20:27
34 hours. The generator still hummed.
00:20:30
Rule number one, keep it running always.
00:20:35
The door to the main building opened and
00:20:37
a man emerged. Tall, thin, but human
00:20:41
thin, not walker thin, with a face
00:20:43
carved by exhaustion and fear. He wore
00:20:46
coveralls stained with grease and
00:20:48
something darker. His eyes found mine
00:20:50
through the windshield, and I saw a
00:20:52
recognition there. Not of me personally,
00:20:56
of what I was, another driver who'd
00:20:58
broken the rules. I climbed down from
00:21:00
the cab, keeping one hand on the door.
00:21:03
The cold hit me like a physical blow,
00:21:06
-30 at least, maybe colder. My breath
00:21:09
froze instantly, but the cold felt real,
00:21:13
clean, not the wrong temperature
00:21:15
fluctuations from earlier.
00:21:17
You turned left.
00:21:19
Yerrick's voice was rough, like he
00:21:21
hadn't used it properly in days. Not a
00:21:24
question, a statement of fact.
00:21:28
How did you They always turn left.
00:21:30
Eventually, he moved to the fuel pump.
00:21:33
His movements mechanical, practiced.
00:21:36
The GPS lies or the road washes out or
00:21:40
there's a herd of caribou blocking the
00:21:42
straight path. Always something. The
00:21:45
ceremony requires the mistake, requires
00:21:47
the corruption. He began fueling my
00:21:50
truck. I watched his hands. They shook.
00:21:54
"How long have you been here?" I asked.
00:21:57
"3 years, maybe four. Time moves strange
00:22:01
when you're between scenes." He gestured
00:22:03
vaguely at the landscape around us.
00:22:06
"This stop is real, but it's also not.
00:22:08
It exists because the rules say it
00:22:11
exists." Rule number eight. I'm part of
00:22:14
the script now, the attendant playing my
00:22:16
part. Lynn told me. Lynn tells everyone
00:22:20
what they need to hear to take the job.
00:22:22
Eric's laugh was bitter. I was a
00:22:25
dispatcher once, too. Before that, a
00:22:28
driver. We all cycle through, those of
00:22:31
us who survive. Driver to dispatcher to
00:22:35
this.
00:22:36
He looked at his hands again, and I saw
00:22:38
what had caught his attention. His
00:22:41
fingers were translucent, not
00:22:43
transparent. Translucent.
00:22:46
I could see the suggestion of bone
00:22:48
inside, the shadow of tendons, but it
00:22:51
was all fading, becoming less
00:22:53
substantial. They know you broke rule
00:22:55
number three, Yerk continued, his voice
00:22:58
tightening. They know because I told
00:23:00
them, had to. It's part of my role now.
00:23:03
Every driver who stops here, I have to
00:23:05
report their status. He pointed past me
00:23:08
toward the rgeline beyond the truck
00:23:10
stop. Silhouettes,
00:23:13
dozens of them, hundreds maybe, standing
00:23:16
perfectly still against the yellow gold
00:23:18
sky. The audience, "They're waiting,"
00:23:23
Yerk whispered, waiting to see if you'll
00:23:25
play your part or if you'll fight.
00:23:27
"Either way, the show continues. It
00:23:30
always continues."
00:23:32
The fuel pump clicked. Full tank.
00:23:36
Yeric replaced the nozzle, his
00:23:38
translucent hands moving through the
00:23:40
mechanical motions. "You're supposed to
00:23:42
ask me about the weather," I said,
00:23:45
remembering rule number eight. He looked
00:23:48
at me and something like sorrow crossed
00:23:50
his face. I answered wrong last time.
00:23:54
"Driver came through yesterday, or maybe
00:23:56
it was last week. Time moves strange and
00:24:00
he asked me first. I forgot my line.
00:24:03
said it was cold instead of He swallowed
00:24:07
hard instead of what I was supposed to
00:24:09
say. His hands were fading faster now. I
00:24:13
could see through them to the fuel pump
00:24:15
behind. The sun is a bright stage, I
00:24:18
said quietly.
00:24:20
Yes. His voice was already distant.
00:24:23
That's the line. That's always been the
00:24:26
line. But I forgot. And when you forget
00:24:29
your lines, the director replaces you.
00:24:32
He looked toward the main building, then
00:24:34
back at me. Get moving. The walkers were
00:24:37
just the opening act. The stalker is
00:24:39
coming, and you don't want to be
00:24:41
stationary when he arrives. How do I
00:24:43
stop this? You can't stop a play that's
00:24:46
already begun. You can only His whole
00:24:49
body was translucent now, fading like
00:24:51
morning mist.
00:24:54
Try to rewrite the ending. The
00:24:56
crossroads. It always comes back to the
00:24:59
crossroads.
00:25:00
He walked away from me toward the
00:25:02
blizzard that was building at the edge
00:25:04
of the light. With each step, he became
00:25:07
less real, less there. By the time he
00:25:10
reached the darkness, he was just a
00:25:12
suggestion of a human shape. Then
00:25:15
nothing.
00:25:16
I stood alone under the fuel canopy,
00:25:19
surrounded by warm light, and felt the
00:25:21
rules dying.
00:25:23
Rule number four smoked on the dash
00:25:25
inside my cab. The CB radio stays on
00:25:28
channel 19.
00:25:30
The ink vanished immediately. The CB
00:25:33
exploded with sound. Not static, but
00:25:35
voices. overlapping endless voices.
00:25:39
Weeping, laughter, and underneath it
00:25:41
all, someone reciting lines from a play
00:25:43
I'd never read, but somehow recognized.
00:25:47
Casilda, we shall die together then.
00:25:50
Camila, I together, but the king. The
00:25:54
king. Rule number five followed seconds
00:25:58
later.
00:25:59
You are carrying archival theater props.
00:26:01
Do not investigate sounds from the
00:26:03
trailer. The protection vanished, and
00:26:06
the sounds I'd been ignoring that I'd
00:26:08
convinced myself weren't real, became
00:26:10
unmistakably, horrifyingly real.
00:26:13
Scratching metal on metal. And beneath
00:26:16
that, a rhythmic thumping like a massive
00:26:18
heart beating in the cargo bay. The
00:26:21
relic was awake, and it was hungry. The
00:26:24
lights on the rgeline began moving. The
00:26:26
audience was descending, coming closer.
00:26:28
Drawn by the unraveling ritual, I ran
00:26:31
for my cab, started to pull out, my
00:26:33
hands shaking now despite my training.
00:26:36
Four rules left. No, three, I counted
00:26:39
again. Rules number one, number eight,
00:26:41
number nine, and number 10. Four had to
00:26:44
be four. The headlights appeared behind
00:26:47
me. Not the distant ones from before.
00:26:50
Close ones, real ones. A truck, a
00:26:52
Kenworth like mine, but older, wronger,
00:26:55
pulled into the lot. It moved with
00:26:57
predatory grace, positioning itself
00:26:59
between me and the exit road. The
00:27:01
driver's door opened. The figure that
00:27:03
stepped out wore a yellow rain slicker,
00:27:05
the kind deep sea fishermen use, but it
00:27:08
moved wrong, too fluid, too deliberate.
00:27:11
Its face was a pale mask, but not blank
00:27:13
like the walkers. This one had features
00:27:16
that shifted, rearranged themselves,
00:27:18
cycling through different faces like it
00:27:20
was trying to remember what human looked
00:27:22
like. The stalker. It stood in front of
00:27:25
my truck in my headlight beams and
00:27:28
raised one hand. The gesture was clear.
00:27:31
Stay. I punched the accelerator. The
00:27:34
Kenworth lurched forward. The stalker
00:27:37
didn't move. And for a horrible second,
00:27:39
I thought I'd have to hit it, run it
00:27:42
down. But at the last instant, it
00:27:45
stepped aside with impossible grace, and
00:27:47
I was passed, racing onto the dark road,
00:27:50
leaving Yeric's sanctuary behind. The
00:27:53
stalker's rig followed. For the next
00:27:56
hour, it played with me, ramming my
00:27:59
bumper lightly, a love tap that sent the
00:28:02
whole truck shuttering, pulling
00:28:04
alongside on straightaways, close enough
00:28:06
that I could see its driver's mask face
00:28:08
turning to watch me through the window.
00:28:10
It wasn't trying to kill me. It was
00:28:12
hurting me, forcing me north and east,
00:28:15
away from the map's prescribed route.
00:28:18
The CB voices grew louder. Dozens of
00:28:21
them, hundreds, all reciting lines from
00:28:23
the king in yellow play, their voices
00:28:26
blending into a horrible chorus. At 081
00:28:29
12 hours, the stalker made its move. It
00:28:32
pulled ahead, then cut across my path on
00:28:35
a curve. I had two choices. T-bone it or
00:28:39
swerve right. I swerved, felt the tires
00:28:42
lose traction on ice, and suddenly I was
00:28:44
skidding toward a precipice I hadn't
00:28:46
seen in the yellow darkness. A cliff
00:28:49
edge, a drop into nothing. I slammed the
00:28:52
brakes. The Kenworth shuddered,
00:28:54
fishtailed, and stopped with my front
00:28:56
wheels 6 in from the edge.
00:28:59
Rule number two died. Do not stop for
00:29:02
any reason between mile marker 77 and
00:29:05
mile marker 333.
00:29:08
The ink on the dashboard smoked and
00:29:10
vanished. I'd been forced to stop.
00:29:13
Outside, the walkers emerged from the
00:29:16
darkness. They surrounded the truck in a
00:29:18
loose circle, their blank faces all
00:29:20
turned toward me. 20, 30, 50 of them.
00:29:25
More arriving every second. They moved
00:29:28
with that same theatrical precision.
00:29:30
Their movements synchronized like a
00:29:32
choreographed dance. Then one by one
00:29:36
they approached, placed their smooth,
00:29:39
reflective faces against my windows,
00:29:42
against my windshield, pressing close,
00:29:45
staring in with those impossible blank
00:29:47
masks that reflected my own terrified
00:29:49
face back at me. The CB whispered, and
00:29:53
this time the voice was soft, intimate,
00:29:56
speaking only to me.
00:29:59
Your queue is approaching, driver. The
00:30:02
second act cannot begin without its
00:30:05
lead. Will you take your role? Will you
00:30:08
speak your lines? Or will you continue
00:30:10
to pretend you're anything other than
00:30:12
what the narrative requires? I looked at
00:30:15
the dashboard at the parchment that had
00:30:17
once held 10 rules written in glowing
00:30:19
yellow ink. Now only four remained. Rule
00:30:23
number one, the generator must run
00:30:25
continuously. Rule number eight, Yerk's
00:30:29
truck stop is the only safe harbor. But
00:30:32
Yeric was gone, dissolved, and that
00:30:34
harbor no longer existed. Rule number
00:30:37
nine, the map is the truth. The map that
00:30:41
had led me here to this cliff edge,
00:30:43
surrounded by the king's apostles.
00:30:46
Rule number 10. You are the driver, not
00:30:50
an actor. Four rules, four thin
00:30:54
protections against the play that was
00:30:55
writing itself around me, into me,
00:30:58
through me. The walkers pressed closer.
00:31:01
Their blank faces left no condensation
00:31:03
on the glass. No evidence they were
00:31:06
anything but hollow masks animated by
00:31:08
something that had never been human.
00:31:11
And behind them all, parked across the
00:31:14
only escape route, the stalker's rig
00:31:17
idled. Its driver stood beside it,
00:31:19
yellow slicker bright against the
00:31:21
darkness, its shifting mask face
00:31:24
watching, waiting. The thumping from my
00:31:27
trailer synchronized with my heartbeat.
00:31:30
The play was accelerating toward its
00:31:32
second act, and I was running out of
00:31:34
ways to refuse my part.
00:31:36
The walker stayed pressed against my
00:31:38
windows for 17 minutes. I counted every
00:31:41
second, my breath fogging the glass
00:31:43
inches from their blank reflective
00:31:45
faces. They didn't move, didn't breathe,
00:31:49
just watched with those impossible non-f
00:31:51
faces that showed me my own terror
00:31:53
reflected back in distorted loops.
00:31:56
Then at 08 29 hours, they stepped back
00:32:01
all of them simultaneously.
00:32:03
30 ft 50. They formed a loose circle
00:32:07
around the truck, still as statues, and
00:32:10
I understood with sick certainty that
00:32:13
they weren't leaving. They were waiting
00:32:15
for the next act to begin. That's when I
00:32:18
felt it. The thumping from the trailer,
00:32:21
the sound that had haunted me since rule
00:32:23
number five died, changed rhythm,
00:32:26
slowed, and with a lurch of recognition
00:32:28
that made my stomach drop. I realized it
00:32:31
was matching my heartbeat, not mimicking
00:32:33
it, sinking with it, beat for beat, my
00:32:37
pulse and the relic's thrming aligned
00:32:39
into a single unified rhythm. My vision
00:32:42
blurred, not from exhaustion or cold,
00:32:45
but from something forcing its way into
00:32:47
my mind. Images that weren't mine.
00:32:50
Scenes from a place that couldn't exist.
00:32:53
A vast city built of yellow stone that
00:32:55
hurt to perceive. Its towers reaching
00:32:58
toward a black sun that cast no shadows.
00:33:02
Streets filled with figures in tattered
00:33:04
formal wear, moving in endless
00:33:06
procession toward a massive
00:33:08
amphitheater. And in the center on a
00:33:10
throne constructed from what might have
00:33:12
been bone or coral or something between
00:33:15
a tall figure in robes and a pale mask,
00:33:19
the king. He wasn't moving, but I felt
00:33:22
his attention shift. Felt that terrible
00:33:25
gaze begin its slow turn toward. I
00:33:28
gasped, the vision shattering. My hands
00:33:31
shook on the wheel. The heartbeat
00:33:33
thumping continued, patient and
00:33:36
relentless. The relic wasn't just awake.
00:33:39
It was showing me its home. Carcosa, the
00:33:43
place the ritual was designed to reach.
00:33:46
The satellite phone rang. I grabbed it
00:33:48
with desperate speed, needing to hear a
00:33:50
human voice, needing proof that reality
00:33:52
still existed somewhere beyond this
00:33:54
nightmare.
00:33:56
Lynn
00:33:58
Cade. Their voice was strained,
00:34:01
distorted by static that sounded almost
00:34:03
like screaming. I need you to listen
00:34:05
very carefully. I don't have much time
00:34:08
before they notice I'm calling. They
00:34:11
who? Dash dash. The ones who hired me?
00:34:14
Who hired you? The ones who've been
00:34:16
running this route for longer than
00:34:18
Alaska's been a state. Lynn paused and I
00:34:21
heard something like a sob. I was a
00:34:24
driver once. Three runs. I broke rules
00:34:27
on all three. Small ones, mistakes.
00:34:31
But I survived.
00:34:33
They promoted me to dispatcher. said I'd
00:34:35
earned a place in the production. I
00:34:38
thought that meant I was free. The CB
00:34:41
crackled with theatrical laughter.
00:34:44
The walkers outside took a single step
00:34:46
closer.
00:34:48
The rules aren't for the thing in your
00:34:50
trailer. Lynn continued rapidly. They're
00:34:53
to keep the narrative out. The king's
00:34:55
story. It wants to be told, wants to
00:34:57
propagate, and every driver is a
00:35:00
potential vessel. You broke rule number
00:35:02
three. You corrupted the ritual. Now
00:35:05
it's not just performing. It's
00:35:07
rewriting. Writing you into the play.
00:35:10
Your choices are shrinking, Cade. The
00:35:12
remaining rules are your last lines of
00:35:14
defense. How do I stop it? You can't
00:35:18
stop a story that's already begun. You
00:35:20
can only The line filled with static.
00:35:24
When Lynn's voice returned, it was
00:35:25
faint, desperate. The crossroads, Cade.
00:35:29
It always comes back to the crossroads.
00:35:31
That's where you broke the script.
00:35:33
That's where the phone went dead. I
00:35:37
looked at the dashboard. Rule number
00:35:39
eight was smoking. Yerax truck stop is
00:35:43
the only safe harbor. The ink dissolved
00:35:46
and with it something inside me broke.
00:35:49
Three rules left. Just three. My fuel
00:35:53
gauge read.
00:35:55
The warning light had been on for 20 m.
00:35:58
I needed to move. The walker's circle
00:36:01
was tightening, their theatrical
00:36:03
movements becoming more aggressive, more
00:36:05
insistent. The stalker's rig still
00:36:08
blocked the only clear path, but its
00:36:10
driver was nowhere visible. This was my
00:36:13
chance. I reversed hard, tires screaming
00:36:17
on ice and swung the Kenworth in a wide
00:36:19
arc away from the cliff edge. The
00:36:22
walkers scattered like startled birds,
00:36:24
jerky, unnatural movements, then
00:36:27
regrouped. I found a gap between them
00:36:30
and punched the accelerator. The map
00:36:32
showed coordinates for another Yerx
00:36:34
location 40 mi northeast. I drove toward
00:36:37
it because I had no choice. The fuel
00:36:40
gauge needle sat below empty, running on
00:36:42
fumes and whatever physics still applied
00:36:44
in this yellow stained world. At 0947
00:36:48
hours, I reached the coordinates. The
00:36:51
truck stop was there, or what remained
00:36:53
of it. burned out shells of buildings,
00:36:56
collapsed canopies over fuel pumps that
00:36:58
gleamed with frost. No, not frost. Dry
00:37:01
ice. The pumps were coated in it, white
00:37:04
and smoking in the dim light. The main
00:37:07
building's windows were shattered, door
00:37:09
hanging open, and through it I could see
00:37:11
furniture that looked like it had been
00:37:12
staged for a play, then abandoned
00:37:14
mid-cene. And across the road, blocking
00:37:17
the exit, sat the stalker's rig. It was
00:37:21
there waiting, engine idling, that
00:37:23
impossible diesel growl that resonated
00:37:25
wrong in the air. The driver's door
00:37:28
opened and the figure stepped out with
00:37:30
predatory grace, tall, maybe 7 ft,
00:37:34
though proportions were hard to judge.
00:37:36
The yellow rain slicker hung on a frame
00:37:38
that suggested human, but felt hollow,
00:37:41
animated by something that only
00:37:42
approximated flesh. Its face was a pale
00:37:45
mask, but not static. features shifted
00:37:49
and rearranged, cycling through
00:37:51
different faces like it was trying to
00:37:53
remember what it had looked like when it
00:37:55
was still human, when it had still been
00:37:57
a driver like me. It raised one arm and
00:38:00
pointed at my trailer. Then it pointed
00:38:02
toward the distant mountains, which no
00:38:04
longer looked like mountains. They were
00:38:06
too geometric, too perfect, like stage
00:38:09
flats painted to represent mountains by
00:38:12
someone who'd never seen one. The
00:38:14
gesture was unmistakable. Drive there.
00:38:17
Complete the delivery. Take your place
00:38:20
in the performance.
00:38:21
Something in me snapped. Maybe it was
00:38:24
the military training that taught me to
00:38:25
fight when cornered. Maybe it was the
00:38:28
desperate fury of a man with nothing
00:38:29
left to lose. Maybe it was just stubborn
00:38:32
human refusal to be herded like
00:38:34
livestock to whatever fate the king had
00:38:36
scripted. I looked at my truck. Really
00:38:40
looked at it for the first time since
00:38:41
the rules began breaking. The symbols
00:38:44
etched into the hood. The ones I'd
00:38:46
noticed that first day in Fairbanks were
00:38:49
glowing. Faint yellow gold light traced
00:38:53
those geometric patterns pulsing in
00:38:55
rhythm with the relic's heartbeat.
00:38:58
The truck wasn't just a vehicle. It was
00:39:00
part of the ritual inscribed with
00:39:03
protections or bindings or something I
00:39:05
didn't have words for. I'd driven
00:39:07
logistics convoys through Kandahar. I'd
00:39:10
juryrigged broken equipment under fire.
00:39:12
I knew vehicles. I knew weight and
00:39:15
momentum and how to turn a truck into a
00:39:16
battering ram. The stalker stood in the
00:39:19
road waiting for compliance. I aimed the
00:39:22
Kenworth's reinforced grill directly at
00:39:24
its midsection and floored it. The
00:39:27
impact was catastrophic. The stalker
00:39:29
moved at the last second. That
00:39:31
impossible fluid grace, but not fast
00:39:34
enough. My front bumper caught its rig's
00:39:36
trailer coupling and physics took over.
00:39:39
The wrench of metal on metal shrieked
00:39:41
through the air. The stalker's truck
00:39:43
spun sideways, jacknifing, and I kept my
00:39:46
foot down, pushing, using my rig's
00:39:48
momentum to force it off the road. The
00:39:50
figure in the yellow slicker turned its
00:39:52
shifting mask face toward me. I felt
00:39:54
something like recognition there, like
00:39:56
it remembered doing exactly the same
00:39:58
desperate thing in its own final moments
00:40:01
before the narrative consumed it. It
00:40:04
reached toward my cab. I cranked the
00:40:06
wheel hard, using the stalker's truck as
00:40:08
leverage, and felt something give. The
00:40:11
coupling snapped. The stalker's trailer
00:40:14
broke free, sliding across ice toward
00:40:16
the burned buildings. Its rig spun out,
00:40:20
and for a moment, we were side by side,
00:40:22
close enough that I could see through
00:40:24
its window. The interior was filled with
00:40:27
yellow light and what looked like pages,
00:40:29
thousands of pages, plastered across
00:40:32
every surface, covered in that
00:40:34
theatrical script I'd been hearing on
00:40:35
the CB, a prison of narrative.
00:40:39
Then my truck lurched forward, free of
00:40:41
the entanglement, and I was passed,
00:40:43
racing down the road with my damaged
00:40:45
Kenworth shuddering with every
00:40:47
revolution. But the victory was hollow.
00:40:50
My windshield cracked during the impact,
00:40:52
suddenly spiderwebed completely and
00:40:55
collapsed inward. Safety glass exploded
00:40:58
across the cab in a glittering wave. The
00:41:00
killing cold rushed in like a living
00:41:02
thing, -40 or colder, and with it came
00:41:05
the whispers. voices, dozens of them.
00:41:09
The whisperers, no longer confined to
00:41:12
the CB, but flooding directly into the
00:41:14
cab now that the windshield's barrier
00:41:16
was gone. They knew my name, knew my
00:41:19
service record, knew about Hrix and the
00:41:21
false accusation that had destroyed my
00:41:23
career. Cade Morrison, the thief who
00:41:27
wasn't. They hissed in overlapping
00:41:29
chorus. The innocent man bearing guilt.
00:41:32
How perfectly tragic. How perfectly
00:41:34
cast. I fought to keep control. One hand
00:41:38
on the wheel, the other trying to shield
00:41:40
my face from the wind that felt like
00:41:42
knives. Ice formed instantly on my
00:41:45
exposed skin. My breath crystallized.
00:41:48
The generator still ran. Rule number
00:41:50
one, still protecting me. But with the
00:41:53
windshield gone, the cab sanctuary was
00:41:55
compromised.
00:41:57
The CB crackled. And this time, the
00:42:00
voice that came through stopped my
00:42:01
heart.
00:42:03
All the world's a stage. cade. My
00:42:06
father's voice dead 3 years, but
00:42:09
unmistakably him. The same tamber, the
00:42:13
same slight draw, the same disappointed
00:42:15
tone he'd used when I told him about the
00:42:17
discharge.
00:42:19
And you, son, are tragically unprepared
00:42:22
for your role. You never could follow
00:42:25
through. Not in the army. Not with your
00:42:28
mother before she left. Not now. You're
00:42:32
going to fail again. You always do. It's
00:42:35
who you are. It's your line in the
00:42:37
script. No, I whispered. Speak up, Cade.
00:42:42
The audience can't hear you. No. I
00:42:45
screamed. It screamed denial and rage
00:42:48
and three years of grief and false
00:42:50
guilt. Screamed against the voice that
00:42:52
sounded like my father but wasn't. That
00:42:54
was just another mask the narrative wore
00:42:56
to break me. I'm not your actor. I'm not
00:42:59
part of your goddamn play. The words
00:43:02
echoed in the cab, in the frozen air, in
00:43:05
the yellow stained world beyond. And on
00:43:08
the dashboard, rule number 10 began to
00:43:10
smoke. You are the driver, not an actor.
00:43:14
Do not speak your lines aloud. I'd
00:43:17
spoken. I'd responded. I'd acknowledged
00:43:20
the narrative, and in doing so, given it
00:43:22
power over me. The ink turned to ash and
00:43:25
blew away in the wind tearing through
00:43:27
the shattered windshield. I looked at
00:43:29
the parchment with hands that had gone
00:43:31
numb from cold. Two rules remained. Rule
00:43:35
number one, the generator must run
00:43:38
continuously.
00:43:39
Rule number nine, the map is the truth.
00:43:43
Even as I watched, rule number nine's
00:43:46
ink began to fade, not from being
00:43:48
broken, but from becoming irrelevant.
00:43:51
The map no longer mattered. I'd driven
00:43:54
so far off the prescribed route that its
00:43:56
paths meant nothing. The Kenworth's
00:43:59
engine coughed, sputtered. The
00:44:01
generator's steady hum. The heartbeat of
00:44:04
my sanctuary wavered for the first time.
00:44:07
The lights flickered. In that moment of
00:44:09
dimness, I saw them in my mirrors. The
00:44:13
walkers, hundreds of them now, following
00:44:16
in a massive procession. The audience
00:44:19
crowded the ridgeel lines on both sides,
00:44:21
silhouettes against a sky that had
00:44:23
deepened from yellow gold to a bruised
00:44:26
organic gold that pulsed like the inside
00:44:29
of something alive. And the trailer
00:44:31
behind me, the relic inside it, was
00:44:33
screaming, not sound, but pressure,
00:44:36
reality tearing, the seed of narrative
00:44:39
desperately trying to propagate into
00:44:41
this world before its vessel failed. My
00:44:44
damaged engine sputtered again. I had
00:44:46
maybe minutes before it died completely
00:44:49
before rule number one broke and the
00:44:52
last protection vanished. The CB
00:44:54
whispered, "Act three. The driver alone
00:44:58
on an empty stage. How will our hero
00:45:00
exit? Will he take his bow or will he
00:45:03
improvise?"
00:45:05
Ahead, the road stretched into darkness
00:45:07
that was starting to look less like
00:45:09
landscape and more like a theat's wing,
00:45:11
the place where actors wait before their
00:45:13
entrance. I had one rule left. One
00:45:17
fading barrier between me and absorption
00:45:19
into the king's eternal play. And my
00:45:22
truck was dying. The engine died at
00:45:25
10:23 hours. Not completely, just
00:45:28
stuttered, coughed, and dropped to an
00:45:31
idle so low I felt it in my bones rather
00:45:33
than heard it. The generator's hum, that
00:45:36
constant companion that had been my
00:45:38
sanctuary for 2 days and a lifetime,
00:45:41
wavered like a candle in wind. The
00:45:44
lights dimmed. In that moment of near
00:45:47
darkness, with the killing cold pouring
00:45:49
through my shattered windshield, I
00:45:51
understood with absolute clarity that I
00:45:54
was about to lose. Rule number one, the
00:45:58
generator must run continuously was the
00:46:01
last barrier between me and whatever
00:46:03
waited in the yellow stained darkness.
00:46:06
And it was failing. I had minutes, maybe
00:46:08
less. My hands were numb, fingers stiff
00:46:11
as I fumbled with the engine access
00:46:13
panel behind the seats. The collision
00:46:15
with the stalker had cracked something
00:46:17
vital. A fuel line maybe, or the
00:46:20
alternator mount. Oil and diesel stink
00:46:22
filled the cab, mixing with the scent of
00:46:25
frost and something else. Something
00:46:26
theatrical and wrong, like old stage
00:46:29
makeup and dust. Outside, they were
00:46:31
gathering. Through the broken windshield
00:46:34
and my mirrors, I saw them materializing
00:46:36
from the darkness like actors taking the
00:46:39
stage. The walkers, hundreds of them
00:46:41
now, formed rows on either side of the
00:46:44
road, their tattered formal wear
00:46:46
fluttering in wind that shouldn't exist.
00:46:49
The whisperers were visible for the
00:46:51
first time, shambling, hunched forms
00:46:54
that looked like they'd been hollowed
00:46:55
out and filled with yellow light, their
00:46:57
mouths moving in constant recitation of
00:47:00
lines I could almost understand. and
00:47:02
others stranger shapes that hurt to
00:47:05
perceive directly. Figures that seemed
00:47:08
to exist in too many dimensions or too
00:47:10
few, their geometries wrong in ways that
00:47:13
made my military trained mind rebel. The
00:47:17
audience had come to watch the final
00:47:18
act. I jerry-rigged a bypass with wire
00:47:21
from the CB and electrical tape from the
00:47:23
emergency kit, my fingers fumbling,
00:47:26
breath crystallizing instantly in the
00:47:28
-40 air. The world outside the cab was
00:47:32
transforming in real time. The
00:47:34
mountains, those distant peaks I'd been
00:47:36
driving toward for hours, no longer
00:47:39
looked like mountains. They were too
00:47:41
flat, too perfect, painted backdrops of
00:47:43
a city that shouldn't exist. The snow on
00:47:46
the road had taken on the quality of
00:47:48
scattered confetti, as if the stage crew
00:47:51
had gotten lazy with the set dressing.
00:47:53
Reality was becoming theater. The
00:47:56
generator caught again, surged, and the
00:47:58
lights brightened. I felt a physical
00:48:01
push back, like the narrative itself
00:48:03
recoiling from the renewed barrier. The
00:48:06
apostles swayed in their rows, their
00:48:08
synchronized movements disappointed, but
00:48:11
it wouldn't last. The engine rattled
00:48:14
with a sound that promised imminent
00:48:16
failure. The satellite phone rang. Cade
00:48:19
Lynn's voice was barely audible through
00:48:21
static that sounded like screaming. Are
00:48:24
you still there? Are you still you? For
00:48:26
now, I managed through chattering teeth.
00:48:29
Listen carefully. This is the last call.
00:48:32
They're shutting me down. I can feel the
00:48:34
script wrapping around me, writing me
00:48:36
into a different role. The ritual is
00:48:38
corrupted, but not over. You can't
00:48:41
complete the delivery. The destination
00:48:43
is a trap. The relic will anchor there
00:48:45
and Carcosa will flood through. How do I
00:48:48
stop it? You don't stop it. Lynn's voice
00:48:51
broke. You redirect it. The relic is a
00:48:54
seed of narrative. It needs to take root
00:48:56
somewhere. You made a wound in the
00:48:58
ritual when you turned left at the
00:49:00
crossroads. That's where the dimensions
00:49:01
are thinnest now where you broke the
00:49:03
script. Plant it there. Use the ritual's
00:49:06
own broken rules against it. Make the
00:49:08
crossroads the anchor instead of you.
00:49:11
How? Drive back. Return to where you
00:49:14
turned left. Open the trailer there at
00:49:16
the exact center. The relic will do the
00:49:19
rest. It wants to propagate. Give it the
00:49:22
crossroads instead of the world. The
00:49:24
vortex will pull everything in. The
00:49:26
relic, the apostles, maybe the king's
00:49:28
attention itself. The wound will close.
00:49:31
You'll survive. Maybe. Lynn laughed. A
00:49:35
sound like breaking glass. Nothing's
00:49:37
certain once you've broken the rules,
00:49:38
Cade. But it's the only.
00:49:41
The line went dead. Not with a click,
00:49:44
but with a sound like tearing fabric.
00:49:46
Like reality itself ripping at the
00:49:48
seams. I looked at the dashboard. The
00:49:50
parchment was blank except for one
00:49:52
fading line of yellow ink. The generator
00:49:56
must run continuously. Even as I
00:49:58
watched, it began to smoke. No, not yet.
00:50:02
I slammed the engine access panel shut,
00:50:05
threw the Kenworth into gear, and spun
00:50:07
the wheel. The truck protested, damaged
00:50:10
and dying, but it obeyed. I wasn't
00:50:13
driving toward the painted mountains
00:50:14
anymore. I was driving back. Back to the
00:50:17
crossroads. back to my mistake. The
00:50:20
apostles reacted instantly. The walker's
00:50:23
synchronized movements broke into chaos.
00:50:26
The whisperer's constant recitation
00:50:28
became shrieks. Other shapes, things I
00:50:30
had no names for, surged toward the
00:50:33
road. They understood what I was
00:50:34
attempting. I was improvising, rewriting
00:50:37
the ending, and the narrative screamed
00:50:39
in protest. The CB erupted, "No, the
00:50:43
driver cannot exit stage left. The
00:50:46
driver must complete his entrance. The
00:50:48
king awaits. The audience demands. I
00:50:52
ripped the CB from its mount and threw
00:50:54
it out the broken windshield. The road
00:50:56
behind me, if it was still a road, had
00:50:58
changed. It looked less like asphalt and
00:51:01
more like a theat's wing. The space
00:51:03
behind the curtain where performers
00:51:04
wait, but I could see it in the
00:51:06
distance. The crossroads. The
00:51:08
intersection where I turned left felt
00:51:11
like days ago, but had been only hours.
00:51:14
The wooden poles still stood, their
00:51:16
etched symbols glowing bright yellow
00:51:19
now, marking the wound I'd carved into
00:51:21
the ritual. The engine coughed. The
00:51:24
generator's hum dropped again. Rule
00:51:27
number one's ink turned to ash on the
00:51:29
dashboard and blew away in the wind,
00:51:31
tearing through the cab. The lights went
00:51:33
out. Darkness and silence crashed in
00:51:36
like a physical force. The sanctuary was
00:51:39
gone. I was exposed, unprotected, just a
00:51:42
human driving a dying truck through a
00:51:45
reality that was no longer entirely
00:51:47
real. The apostles voices filled my head
00:51:50
directly now. No CB required. Hundreds
00:51:53
of them speaking in unison. Take your
00:51:56
bow. Accept your role. The king's play
00:51:58
never ends. You are ours. You are
00:52:01
written. You are performed. But I was
00:52:04
close. So close. The yellow sky had
00:52:07
deepened to a bruised gold that pulsed
00:52:09
with organic rhythm like looking up at
00:52:12
the inside of something alive. A
00:52:14
pressure built not sound, not light, but
00:52:17
presence, vast and terrible and ancient.
00:52:21
The king himself was near the stage,
00:52:24
drawn by the corrupted ritual, by the
00:52:26
possibility of an opening into this
00:52:28
world. The relic in my trailer shrieked.
00:52:31
Not a sound, but a tearing in the fabric
00:52:34
of what is reality trying to split open
00:52:36
like a cocoon. The heartbeat I'd felt
00:52:39
sinking with mine earlier now pounded
00:52:41
against my chest from outside. The
00:52:43
rhythm trying to rewrite me from skin to
00:52:46
soul. I reached the crossroads at 10:47
00:52:49
hours. My last military time check. My
00:52:52
last connection to who I'd been. The
00:52:55
Kenworth rolled to the exact center of
00:52:57
the intersection on momentum and prayer.
00:53:00
The engine was dead, the generator
00:53:02
silent. Everything was dark except for
00:53:05
the yellow glow from the sky and the
00:53:07
symbols on the wooden poles that marked
00:53:09
this place as special, charged, wrong. I
00:53:13
kicked open the door and stumbled out
00:53:15
into cold that was beyond temperature,
00:53:17
beyond physical. The apostles surrounded
00:53:20
the crossroads in concentric circles,
00:53:23
hundreds deep, waiting and watching. The
00:53:26
whisperers shambled closer, their hollow
00:53:29
faces turned toward me. And beyond them,
00:53:31
on the horizon, a shape, tall, silent, a
00:53:36
figure in robes with a pale mask,
00:53:39
standing perfectly still. The king
00:53:42
watching his play reach its climax. I
00:53:44
stumbled to the trailer. My hands were
00:53:47
beyond numb, but I found the twisted
00:53:49
wreckage of the stalker's rig nearby.
00:53:52
I'd driven past it on the way back. I
00:53:54
used its torn coupling like a crowbar,
00:53:57
jamming it into my trailer's lock
00:53:58
mechanism, wrenching with strength born
00:54:01
of desperation and spite and stubborn
00:54:04
human refusal to be written. The lock
00:54:06
broke. The doors swung open. I didn't
00:54:10
look inside. Lynn had been right about
00:54:12
that, at least. Some horrors aren't
00:54:14
meant to be perceived directly, but I
00:54:16
felt it. The hexagonal crate, the relic,
00:54:20
the seed of narrative that wanted
00:54:21
nothing more than to propagate and
00:54:23
rewrite and consume. It pulsed with
00:54:26
invitation and hunger, offering me
00:54:29
roles, identities, a place in an eternal
00:54:32
play where the king always rained and
00:54:34
the actors never left the stage. I
00:54:37
grabbed the winch cable from the truck
00:54:39
bed and hooked it blind to the crate's
00:54:40
chains. hit the control. The motor
00:54:43
groaned, powered by whatever physics
00:54:46
still applied here, and dragged the
00:54:48
hexagonal horror out into the snow at
00:54:50
the crossroads exact center. Reality
00:54:53
screamed. The relic activated not with
00:54:55
sound, but with wrongness. The air
00:54:58
peeled back like skin, and through the
00:55:00
wound, I saw it fully. Carcosa, the
00:55:03
yellow city in all its impossible mad
00:55:06
glory, towers that reached toward a
00:55:08
black sun, streets filled with endless
00:55:11
processions. The amphitheater at its
00:55:14
heart were an audience of faceless
00:55:15
beings watched eternally. And on the
00:55:18
throne of bone and coral and things
00:55:20
between, the king, tall and terrible and
00:55:23
silent, his pale mask turning, turning,
00:55:26
turning to look directly at me through
00:55:28
the gap in worlds. I felt his gaze like
00:55:31
weight, like gravity, like the pressure
00:55:33
of an entire narrative trying to
00:55:35
collapse inward. He rose from his
00:55:38
throne. The audience of Carcosa turned
00:55:41
as one. But the crossroads beneath the
00:55:43
relic was the wound, the break in the
00:55:45
ritual, the place where I'd corrupted
00:55:48
the script. And the narrative energy,
00:55:51
seeking an anchor, seeking a way
00:55:53
through, flooded into that wound instead
00:55:56
of into me. The vortex opened. Not a
00:56:00
hole, but an absence. An unbeing at the
00:56:04
intersection's center where the relic
00:56:05
sat. The apostles shrieked. The walkers
00:56:09
lurched forward, but not toward me.
00:56:11
Toward the vortex, pulled by something
00:56:14
stronger than the king's will. The
00:56:16
whisperers stumbled and fell, their
00:56:18
hollow forms drawn inexorably inward.
00:56:21
Even the stranger shapes, those beings
00:56:23
of wrong geometry, were dragged
00:56:26
screaming into the gap. They were
00:56:28
finally getting their exit, their
00:56:30
dramatic conclusion, their curtain call.
00:56:32
The stalker's wreckage slid past me,
00:56:35
metal screeching on ice as it was pulled
00:56:37
in. The very air seemed to fold inward.
00:56:40
I grabbed onto my truck's wheel well,
00:56:42
holding against the pull, watching as
00:56:44
hundreds of apostles, all those failed
00:56:47
drivers, all those consumed souls were
00:56:50
drawn into the vortex. Some fought, some
00:56:53
seemed grateful. All of them were gone
00:56:55
in seconds, pulled into the wound to
00:56:57
seal it from inside. The king stood at
00:57:00
the threshold between Carosa and the
00:57:02
crossroads, his masked face still turned
00:57:05
toward me. For an instant that lasted
00:57:08
forever, I understood. He was eternal.
00:57:12
The play would never truly end. But this
00:57:15
performance was over. This opening
00:57:18
sealed. He would wait. He was very good
00:57:21
at waiting. And eventually, another
00:57:24
driver would turn left at another
00:57:26
crossroads, and the ritual would begin
00:57:28
again. The king stepped backward into
00:57:30
Carcosa. The vortex collapsed inward
00:57:34
with a sound like a curtain falling.
00:57:36
Silence. The yellow faded from the sky
00:57:39
like stage lights dimming. The bruised
00:57:42
gold became gray, then darkness, then
00:57:45
the first hint of genuine dawn, cold and
00:57:49
blue and real. The mountains in the
00:57:52
distance were mountains again, raw and
00:57:54
Alaskan and indifferent. The snow was
00:57:57
snow. I released the wheel well and
00:58:00
collapsed onto the ice. The crossroads
00:58:03
was empty. No relic, no apostles, no
00:58:06
vortex, just frozen ground and the
00:58:09
wooden poles and my dead truck sitting
00:58:11
in the center like an offering to gods
00:58:13
that had declined to accept. The rules
00:58:16
on the dash were blank parchment. All 10
00:58:19
lines gone, erased, meaningless now. I
00:58:23
checked my watch. 1,051
00:58:26
hours. 4 minutes since I'd opened the
00:58:29
trailer. It had felt like hours. I
00:58:32
started walking. A state trooper found
00:58:35
me at 1340 hours, 8 m down the highway,
00:58:38
near frozen and delirious. He wrapped me
00:58:41
in emergency blankets, put me in his
00:58:43
heated cruiser, and called for medical
00:58:45
assistance. I tried to explain, but the
00:58:48
words came out wrong, jumbled,
00:58:50
impossible. He nodded with the
00:58:52
patronizing kindness reserved for
00:58:54
hypothermia victims and told me I was
00:58:56
lucky to be alive. They recovered my
00:58:59
truck 3 days later. Empty trailer, no
00:59:02
cargo, no evidence of what I'd carried
00:59:05
or where I'd gone. The symbols etched
00:59:08
into the hood were just scratches in old
00:59:10
paint. My story was dismissed as cold
00:59:13
induced hallucinations. The company that
00:59:16
hired me didn't exist. The dark web
00:59:18
posting was gone. The encrypted chats
00:59:21
vanished. Even the money trail dissolved
00:59:23
into nothing. No job, no $50,000.
00:59:27
No clearing my name. But I kept the
00:59:30
blank piece of parchment from the
00:59:31
dashboard. Took it with me when I was
00:59:33
discharged from the hospital. Kept it in
00:59:35
my wallet when I went back to legitimate
00:59:37
trucking, running normal routes with
00:59:39
normal cargo under normal skies.
00:59:42
Sometimes in the dead of night when I'm
00:59:44
hauling a load across some empty
00:59:46
highway, I take out that parchment and
00:59:48
check it under the dome light. Most
00:59:50
nights it stays blank. But sometimes,
00:59:53
not often, but sometimes, a single word
00:59:57
appears in faint yellow ink, glowing
00:59:59
just enough to read encore. And on those
01:00:03
nights, if I glance in my mirrors, I
01:00:05
might see headlights that match my speed
01:00:07
exactly, or hear a whisper of static on
01:00:10
channel 19 that sounds like theatrical
01:00:12
laughter, or catch the silhouette of a
01:00:15
Kenworth that looks too familiar parked
01:00:17
at a rest stop I could swear wasn't
01:00:19
there before. The king's play never
01:00:22
truly ends. It just waits, patient and
01:00:25
eternal, for the next performer to miss
01:00:28
their queue.

Description:

Watch Next: https://www.youtube.com/watch?v=MCJf9zByUIo 🎬Video: "I'm a Long-Haul Trucker In Alaska, I Follow 10 Strange RULES TO SURVIVE!" Creepypasta ➡️ Subscribe to : @Dr.Wicked_ltd ❤️ Support the Author and Site: 🖋️Author : Dr Wicked 🎵 Support the Music: 🎤 Artists: @Myuu and @co.agmusic 📧 Contact: Coagmusic@gmail.com , 💰Support Them : https://www.patreon.com/u3550597 / myuuji 🔍 Keywords: Rules creepypasta, Nightshift Creepypasta, Mr Grim , Bedtime Scary Stories, Mr Creeps, Dr Codex, Rules Creepy Strories , Reddit Creepypasta, Scary Creepypasta Reddit, Reddit Rules Creepypasta Insomnia Stories Rules 🛑 Tags: Tags: #creepypasta #nosleep #horrorstories #scarystories #nosleep #skinwalkers #CreepyStories, #SkinwalkerLegends, #PrisonHorrorStories, #UnexplainedMysteries, #ParanormalEncounters, #NativeAmericanFolklore, #UrbanLegends, #TrueHorrorStories, #SupernaturalTales, #DarkFolklore, #ArizonaMyths, #NavajoMythology, #CursedPlaces, #HauntedLocations, #UnsettlingTales, #EerieExperiences, #ChillingNarrations, #DarkMyths, #ScaryStoriesFromReddit, #TerrifyingTalesFromTheDesert #cursedplaces #nightstoryforsleep #Rulescreepypasta

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